My Name is Joseph Sharon I'm a 100% disabled USMC Vietnam Veteran, I don’t like bashing Museums, Auction Houses, or crony dealers but sadly the corruption is too deep, I speak out to expose the corruption that permeates the entire fine Asian art market in America and the World. I started collecting in the 70s and in the 90s I began to put together a very fine collection from private Chinese sources that risk severe persecution just owning their collections that were passed down by ancestors that were in power long before the Communist. Sadly all people cannot partake in the auction process in China or America. In China you must be part of the CCP, in America if you built an important collection on your own or have one important piece but haven't purchased from the Cabal of Auction Houses or their crony dealers they will totally lie and discriminate against you. This American Cabal of Auction Houses have unwritten laws that everyone in the art business understands clearly, you don't go against them. Sotheby's, Christies, and Bonham’s are the main controllers of the art markets and narrative throughout the world. The Museums, Universities and Crony Dealers are just puppets that will agree with whatever the auction houses want because if they don't they'll be blacklisted never to work in the Art business again or be able to sell anything. It's all about the money. Collectors that buy from the Cabal believe they are buying quality pieces that will increase in value over time and 99% of the pieces they bought will never go up because they continue to lie about rarity and what are the finest pieces and refuse to offer the best pieces in their auctions. This Cabal of liars and thieves are robbing collectors because they discriminate against collectors such as myself. My Collection of Ru Ware and other masterpieces prove they have been withholding the finest from the open market. Many of the old collections that were put together before China was taken over by the Communist in 1949, are mostly pieces that are just examples the Chinese people kept the best pieces themselves. Today the Cabal continues selling the same old collection to collectors telling them they have good provenance which means nothing. When China opened up in the 90s this gave many Chinese people the ability to sell their collections because they live in fear of being caught by the Communist with art collections. This allowed some collectors to put together very fine collections. The Cabal has continued to sell old collections at auction and sell pieces through their private sales and network of crony dealers and discriminate against collectors that have built their collection on their own regardless how important the pieces maybe. They believe they can continue telling lies to collectors that buy from them and get away with it just like the Communist in China you only hear what they want you to hear. During the cultural revolution in the 60s the Communist tried to destroy all the art but the Chinese people hid their valuables just as they've done every-time they were invaded and much remained hidden until the 90s. I can tell you that the Auction houses and Museums around the world are not showing you the finest pieces. In America we still have the freedom to speak the truth to expose the corruption that permeates through the entire art market. Collecting Chinese arts is the same as all collectables the finest pieces should rise to the top and they will in time. Many collectors that purchased pieces from the Cabal before the 80s have passed away leaving the children their collections, they will be lucky if 1% are valuable. The Cabal that is controlling the art market believe they have the perfect scam over collectors and they’re the same as the Communist in China. Anyone who supports this Cabal of liars and thieves are also complicit with their corrupt and discriminatory policies in America and China. This Cabal doesn't care about the historic significance the Chinese people have made to mankind through all the art they produced for thousands of years, they only care how much money they can swindle from collectors
Navigate Chinese Masterpieces Site Just Select Pages Below
Chinese Masterpieces
Official Site
Emperor Huizong's Royal Ru Kiln Wares+Imperial Porcelain+Jade Carvings
Best View Only Use Your Computer
All Collectors Must Know This Authentication Information
The Inaugural Ceramics Commissioned by the Emperor in Chinese History: Guaranteed 100% Authenticity from the Northern Song Dynasty's Official Imperial Royal Ru Kiln Porcelain Collection – An Unmatched Provenance of Authenticity.
Understanding "Botryoidal Malachite" Patina
Formation of Fanlike Crystal Needles
Most crystals simply begin to grow using available molecules. This results in discrete crystals whose sizes depend on available material. But malachite is different. It seldom forms discrete crystals of good size. Instead, scientists say, developing malachite crystals “split”, diverging into tiny needles, packed together in a fanlike arrangement.
The fanlike malachite needles grow into tightly bonded spherules, which crowd together and bond, forming a solid mass. When the spherules stop growing and terminate, the top surface is rounded to some degree. The terms “botryoidal” (resembling a cluster of grapes) and “reniform” (kidney-shaped) are used to describe large to small undulating masses of spherules.
Author Bob Jones Holds the Carnegie Mineralogical Award, is a member of the Rockhound Hall of Fame, and has been writing for Rock & Gem since its inception. He lectures about minerals, and has written several books and video scripts.
This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)
WATCH
Click On Video Clip Proves Botryoidal Malachite Can't Be Faked! No one has ever faked this Botryoidal malachite patina only happens in nature. This Guaranties Authenticity Of This Imperial Royal Ru Ware Collection
Priceless Past WWW.pricelesspast.com
Link to Full Video https://youtu.be/5O-l6vY0dnc?si=FsHEJdKox0a1p0bH
THERMOLUMINESCENCE TESTING
A recent inquiry regarding thermoluminescence (TL) testing prompted an explanation of its limitations and the superior alternatives available for assessing the authenticity of artifacts. In my practice, I frequently prioritize collecting pieces adorned with fire-gilded bands, as these are generally regarded as more significant and expertly crafted. In the context of Song wares, pieces with fire-gilded bands are classified as tribute wares, highlighting their value. The existence of layered cuprite and malachite, observable attributes utilized by experts to authenticate artifacts, provides a more dependable means of verification than TL testing. It is essential to recognize that such natural characteristics cannot be fabricated. Moreover, the reliability of TL testing is compromised, particularly when human involvement in sample collection and analysis is factored in. Currently, there are only a limited number of laboratories globally that conduct TL testing, and their credibility can be questionable. These institutions may exhibit biases and have been known to manipulate samples—either by switching them out or subjecting them to heat treatments—in an attempt to present them as recently fired. This is particularly concerning with high-value pieces. For example, one must question why Sotheby’s has not subjected their Ru Ware to TL testing; it is often unnecessary and can detract from the integrity of the piece itself. Expertise in material identification is crucial, especially given that the constituent materials are no longer readily accessible and cannot be accurately replicated. Consequently, I advise against TL testing, especially for significant artifacts. Should testing be deemed essential, I encourage engaging with laboratories that can conduct double-blind studies and are independent of auction house affiliations. To date, I have yet to encounter a lab willing to facilitate such testing, and I welcome any recommendations for institutions that could provide this service. I am confident in the veracity of my statements and would willingly undergo a lie detector test to affirm my position. However, I would be skeptical of the results if accreditation was sought from those in the industry. An increasing number of collectors are awakening to these realities, recognizing the pervasive corruption in this market and advocating for substantial reform.
An Analysis of Royal Imperial Ru Ware Commissioned and Collected by Emperor Huizong of the Song Dynasty During the Northern Song Period. ppjrs
Ancient Treasures: Ru Kiln Secrets Revealed!
Emperor Huizong reigned from 1100 to 1126, during which time he abdicated in favor of his son. He is renowned for his advocacy of Taoism and is celebrated for his exceptional talents in poetry, painting, calligraphy, and music. However, his Northern Song Empire ultimately succumbed to the advancing Jin armies, leading to his capture in 1127. Huizong died in captivity in 1135, having transitioned from the status of the world's wealthiest individual to that of a diminished man. After his death, his extensive collections were meticulously consolidated and preserved in large wooden crates, enduring through time.
Since China's opening in the 1990s, various historical collections have entered the marketplace. Notably, my collection of Imperial Ru ware originates from Emperor Huizong's personal assemblage. During his tenure, he commissioned the Ru Kiln to produce wares specifically for himself and his court, recognizing it as the foremost source of Imperial tribute wares. The tribute wares produced by the Ru Kiln during this era were distinguished by their remarkable quality, often devoid of defects. To further enhance their uniqueness, these wares incorporated a variety of colors and featured fire gilded bands on the rims, occasionally the bases. The gilding technique utilized gold and mercury, a method that has not been employed since the mid-1800s due to safety concerns. The intricacies of the fire gilded bands display complex corrosion patterns of cuprite and malachite, natural phenomena that are exceedingly difficult to replicate in laboratory settings. Established research underscores the challenges associated with the transformation from metal to cuprite to malachite, with most synthetic formulas failing to replicate malachite atop cuprite layers, thereby providing validation for the authenticity of such artifacts.
This innovation inspired other kilns to adopt similar techniques, incorporating fire gilded bands in their tribute wares. Prior to the Ru Kiln attaining its designation as the official Imperial kiln, its production primarily consisted of small wares that exhibited sporadic crackling and spur marks due to the firing process on stilts. Many of these pieces contained imperfections, resulting in the destruction of severely flawed items and the sale of lesser-quality wares to the public at reduced prices. Such flawed wares frequently appear in auctions conducted by Sotheby's and Christie's and are often showcased in museums housing Ru ware collections. Higher-quality pieces were sold at premium prices to affluent merchants. The finest wares were presented as tribute to Emperor Huizong, who received extravagant offerings from various kilns. Recognizing the demand for superior quality wares, Emperor Huizong designated the Ru Kiln as the first official Royal Imperial kiln in China.
His objective was to create wares that were distinctive and specifically intended for himself and his court. He sought pieces that echoed the historical celadon wares, aiming for a jade-like aesthetic reminiscent of Korean Koryo ceramics. After reviewing prototype pieces, he insisted on eliminating spur marks by firing the wares flat in the kiln with unglazed foot rings. Furthermore, he mandated the incorporation of rare blue crushed agate into the glaze, a feature unique to the official Royal Imperial wares commissioned by him. The initial commissioned wares displayed a grayish biscuit that transitioned to brown post-firing, with some pieces bearing inscriptions such as "Feng Hua." These wares featured distinctive crack ice crackles. Emphasizing size and simplicity, these pieces were larger than previous tribute wares and showcased refined forms, such as trumpet-shaped mouths. Despite occasional flaws during the firing process, these Royal Imperial wares were exclusively designated for the Emperor and his court. As the official Imperial kiln, the Ru Kiln's focus was solely on producing wares for the Emperor and his court. Huizong appreciated the intrinsic beauty of these often flawed and simplistic pieces, recognizing their individuality akin to human character.
However, some of his advisors sought more visually appealing wares. Consequently, he tasked the Ru Kiln with creating the most exquisite celadon wares ever produced in China, emphasizing elegance and luxury in design. The second series of official Royal Imperial wares manifested in various celadon hues, adorned with rich glazes that seamlessly integrated rare blue crushed agate. Unlike the initial batch, these wares were meticulously crafted and largely free from prior defects, with exquisite forms and flat-fired unglazed foot rings. Selected special wares featured gilded copper or silver bands, enhancing their opulent appearance. Importantly, all second commissioned official Royal Imperial wares lacked specific markings. It must be emphasized that wares produced prior to the Ru Kiln’s designation as the official Imperial kiln do not contain agate in their glazes. Certain auction houses and museums mistakenly claim the presence of crushed agate in these earlier wares, fabricating narratives that assert its dissipation during the firing process. This assertion is fundamentally flawed, as agate requires excessively high temperatures for melting—far exceeding the maximum temperatures reached by Song dynasty kilns. Additionally, the practical difficulties associated with crushing agate into a fine powder contribute to the clear visibility of agate traces in authentic Royal Imperial Ru wares.
I have compiled a significant collection of Ru and Ju wares, artifacts that have remained largely concealed since the decline of the Northern Song Dynasty. The Qianlong Emperor's collection predominantly comprised flawed merchant wares developed prior to the Ru Kiln's establishment as the official Royal Imperial kiln. It is only since the 20th century and the reopening of China that many fine pieces, once obscured from view, have entered the marketplace. This narrative seeks to illuminate the complexities surrounding Ru and Ju Kiln wares in the context of Emperor Huizong's reign. For many years, scholars and collectors have relied on pieces from the Qianlong Emperor's collection; while aesthetically appealing, they do not accurately represent the authentic Royal Imperial Ru and Ju wares commissioned by Huizong for himself and his court.
In the aftermath of the Jin Army's incursion into the Northern Song Dynasty, workers from the Imperial Royal Kiln sought refuge in the southern region, with many likely contributing their skills to the Imperial Guan Kilns, while others joined the Longquan Kiln. Notably, this lineage accounts for the visual similarities observed between certain Longquan pieces and the second commissioned Royal Ru Kiln wares, although the Longquan products lack the characteristic crushed agate present in the latter's glazes.
Please examine all the information, photos, microscopic photos, that prove my conclusion.
The Ru-Wares Represent the First Commissioned Official Imperial Ceramics within China's Historical Context.
The first commissioned Royal Imperial Ru ware is thoroughly documented in historical texts, which indicate that Emperor Huizong instructed the Ru/ Ju Kiln to produce celadon wares characterized by modesty, understated elegance, and a deliberate simplicity that evokes a sense of antiquity. Notably, these initial commissioned Royal Imperial wares incorporated Rare Blue Crushed Agate into the glaze formulation. This can be discerned through the use of a 20x loupe, and microscopic photographs reveal the distinctive specks of agate found in each piece. The use of crushed agate is exclusive to the Official Royal Imperial Ru wares developed under Emperor Huizong's patronage. These early commissioned wares exhibit a variety of unique forms previously unseen, showcasing the remarkable skill and artistry of the Ru kiln artisans. The foot rings of all first official Ru wares remain unglazed. Additionally, each piece features a fine, cracked ice crackle in the glaze, with interior glazing also present. Many of these wares have marks inscribed on the bases, often inscribed with "feng hua," and the vases typically feature trumpet-shaped mouths, distinguished by their larger dimensions compared to merchant and tribute wares. The first commissioned Official Royal Imperial Ru wares are crafted from an ash-colored biscuit that transforms to brown upon firing. Furthermore, each piece exhibits the signature fine cracked ice crackle in the glaze, maintaining consistent interior glazing. Exclusively produced for the Emperor and his court, these wares reflect Emperor Huizong's appreciation for beauty in simplicity. He regarded each piece as an artwork, embracing any imperfections, which ultimately remained within the court as evidentiary fulfillment of his vision. An illustrative close-up of a first commissioned Official Royal Imperial Ru vase depicts a droplet of glaze adhering to the foot ring, highlighting chips of Rare Blue Agate within the glaze. The accompanying ancient writings affirm the historical significance of these pieces as the legendary Official Royal Imperial wares commissioned by Emperor Huizong of the Song Dynasty. ppjrs
(click image to enlarge)
Ru Kiln Imperial Tribute Wares: Exceptional Artifacts Presented to Emperor Huizong of the Northern Song Dynasty, Featuring Right
Three Exemplary Tribute Vases.
Tribute wares are typically small artifacts characterized by their fire gilded copper bands, which exhibit corrosion patterns of cuprite and malachite. These distinctive features serve as reliable indicators of their age, often considered more authentic than thermoluminescence (TL) tests, earning the trust of experts in the field for authenticity verification. The production of tribute wares involves a glazing process that encompasses the entire surface. Notably, the pieces are fired on setters equipped with prongs to elevate the items above the kiln floor, resulting in spur marks on the base that are approximately the size and shape of sesame seeds. The glaze on tribute wares is smooth and showcases no inclusion of crushed agate in the glaze. It is important to note that the presence of crushed blue agate in the glaze is exclusive to Commissioned Official Royal Imperial wares. Typically, tribute wares feature either an off-white or ash-colored biscuit, representing the finest quality merchant wares that were adorned with fire gilded copper bands and presented as tribute to Emperor Huizong. ppjrs
(click image to enlarge)
Sotheby's sold these two Flawed Northern Song Dynasty Ru Ware brush washers in Hong Kong. Now Christie's has sold a flawed Ru Ware Tea Bowl in Hong Kong. They should return the money
Second Commissioned Official Royal Imperial Ru-Wares Represent the Pinnacle of Celadon Production in China.
The Ru Kiln was commissioned to produce the exquisite second series of official Royal Imperial Celadon wares for Emperor Huizong and his court, these wares are characterized by their elegance, luxury, and aesthetic beauty, surpassing both merchant and tribute wares in refinement and size, while consistently showcasing a distinctive celadon hues. Notably, all pieces from this second series are infused with rare crushed blue agate within their glaze, an element observable through a 20x loupe, as evident in the microscopic photographs accompanying each piece. The use of crushed blue agate is exclusive to the Official Imperial Ru wares developed during Emperor Huizong’s reign. Furthermore, these second commissioned Royal Imperial wares exhibit a variety of unique forms that underscore the exceptional craftsmanship of the Ru kiln. The foot rings of these wares are unglazed and were intentionally fired flat within the kiln. Two vases feature fire gilding over copper bands exhibiting corrosion from cuprite and malachite, which serves as a reliable indicator of the artifact's age, more credible than thermoluminescence (TL) tests and widely acknowledged by experts to verify authenticity—an attribute that is impossible to replicate. It is important to note that all second commissioned Royal Imperial wares are unmarked. They possess an off-white biscuit that transitions to a brownish tone post-firing. The wares exhibit a rich, smooth glaze with no crackling, while some pieces feature fire gilding over copper bands, and those without bands likewise maintain a flawless glaze. The vase displayed, adorned with a gilded silver band, show minimal crackling, restricted to a few fine lines. The gilded silver band, exhibiting a darker celadon glaze enhanced with rare blue crushed agate, is clearly visible under magnification. The fire gilding on silver bands have pores in the gild, allowing tarnish to seep through the pores, resulting in pronounced black corrosion on the bands. ppjrs
(click image to enlarge)
Ru-Kiln merchant wares are distinguished by their fine quality; however, they are primarily positioned in the market for affluent merchants, while items with imperfections are made available to the broader public at substantially lower prices.
Three Ru Kiln pieces displayed are examples of Merchant wares. Previously, the only known specimens of such wares were those collected by the Qianlong Emperor during the Qing Dynasty. However, following China's integration into the global market, numerous exquisite pieces and collections that had been concealed have now become accessible. Merchant wares are typically smaller than Commissioned Royal Imperial wares and exhibit a complete glazing, including the foot ring. These items were fired using setters equipped with prongs, which elevated the pieces above the kiln floor. Consequently, they display spur marks that are approximately the size and shape of sesame seeds—distinctive traits that are exclusive to merchant and tribute wares. It is important to note that merchant wares lack the refinement of tribute wares, as the most exquisite examples were adorned with fire-gilded copper bands and presented to Emperor Huizong as tribute. ppjrs
(click image to enlarge)
Fire gilded bands of three different Kilns Tribute Vase Masterpieces top photo Ru , Yaozhou, Guan, and Closeup of Bands
(From the book Copper and Bronze in art by David Scott The existence of malachite formation over a layer of cuprite is supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) My pieces clearly show the layered cuprite on the bottom and malachite on top, this only occurs in nature, this is a clear indication of there great age and authenticity and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked. ppjrs
Contact me for Price
Comparisons between 28 of the Finest wares Sotheby's and Christie's
Sold from 2010 to 2020 and Masterpieces from My Collection so you can see the Quality of my Collection
Sotheby's sold this Ming Dynasty Chenghua palace Bowl in
Hong Kong
Sotheby's sold this small Chenghua palace Bowl in Hong Kong 11/8/2013 for $18,000,000.usd base has six-character reign mark within a double circle 5 7/8" dia.These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace
Click photo to enlarge
Sotheby's sold this Ming Dynasty Chenghua place Bowl
in Hong Kong
Joseph.Sharon.@chinesemasterpieces.com
Sotheby's sold this small place Bowl in Hong Kong 4/6/2016 for $8,329,524.usd
base has six-character reign mark within a double circle. 6 1/8 in. They should return the money because they keep the finest pieces out of their auctions. They cheat the high end collector by not offering the best pieces available to them and this just raises the prices of the inferior pieces.
My Wonderful Ming Dynasty Mark and Period Chenghua Okra Plant
Palace Bowl
Joseph.Sharon@chinesemasterpieces.com
Very Fine Mark and Period Chenghua Palace Bowl. The samali Blue cobalt that was used during the Yuan and early Ming dynasties has a very distinct colour that is different from the Chinese cobalt used today; Chenghua wares refined the cobalt so well they don't have heaping and piling that breaks the surface glaze. They also mixed the imported cobalt with local Pitang Cobalt creating a very refined colors tones. The imported cobalt they used has not been imported for over five hundred years. It cannot be faked! Collectors must know what they are looking at. The way that Chenghua potter refined imported cobalt gives there wares many beautiful tones which makes them very easy to distinguish from other periods. This Bowl has flaking in the biscuit which proves it's age. This is offered for sale. Measures approx. 5 5/8" dia. Feel free to contact me about this spectacular Bowl ppjrs
( click photo to enlarge)
Contact me for Price
My Fabulous Ming Dynasty Mark and Period Chenghua Rocks Peony Plants
Palace Bowl
Joseph.Sharon@chinesemasterpieces.com
Very Fine Mark and Period Chenghua Palace Bowl. The samali Blue cobalt that was used during the Yuan and early Ming dynasties has a very distinct colour that is different from the Chinese cobalt used today; Chenghua wares refined the cobalt so well they don't have heaping and piling that breaks the surface glaze. They also mixed the imported cobalt with local Pitang Cobalt creating a very refined color. The imported cobalt they used has not been imported for over five hundred years. It cannot be faked! Collectors must know what they are looking at. The way that Chenghua potter refined imported cobalt gives there wares many beautiful tones which makes them very easy to distinguish from other periods. This Bowl has flaking in the biscuit which proves it's age. This is offered for sale. Measures 5 3/4" Dia. Feel free to contact me about this spectacular Bowl ppjrs
( click photo to enlarge)
Contact me for Price
Sotheby's sold this Southern Song Dynasty Guan Vase
in Hong Kong
Sotheby's sold this flawed Guan vase for approx. $14,000,000.usd in Hong Kong in April 7, 2015. This vase has holes in the glaze in several areas. The form is not well balanced it looks like a beginner potter formed this piece. It is not an official court piece and is not marked as such and it came from the same collection they sold a Ru Ware flawed merchant pieces for $27,000,000 usd in Hong Kong They cheated and swindled the Collectors that purchased them. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Sotheby's sold this Southern Song Dynasty Guan Vase
in Hong Kong
Sotheby's sold this Southern Song Dynasty Guan Vase 4/2/2018 in Hong Kong for $1,620,782 usd. dark brown body unctuously applied overall save for the unglazed footring with a lustrous glaze of pale greyish-blue tone, the glaze suffused with a network of luminous golden-beige crackles 5 7/8 in Tall. They claim it a Imperial pieces and doesn't have any official mark These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Southern Song Dynasty Guan Yao Ribbed Vase This Is Likely The Finest in the World, this Official Jiaotanxia or Xiuneisi Inner Kiln Vase Is Marked and Period made for the Imperial court of the
Southern Song Dynasty 1127- 1279
Contact Me: Joseph.Sharon@chinesemasterpieces.com
Check all the books and Museums in the world, you won't find a finer or more Beautiful Masterpiece than this Guan Yao Southern Song Dynasty Ribbed Vase below. It has a thick opaque pale blue with a slight greenish glaze that was achieved by putting on several applications of glaze and successive firings. This thick coat of glaze thinned out around Rim and shows the dark color biscuit and has slight crackle throughout. The form is well balanced clearly done by a master potter. These types of wares are known to be very finely potted with bodies thinner than the glaze. The Vase has the official government mark on the base. The Jin Armies drove the Imperial Court out from the Northern Song Dynasty they were driven south to Hangzhou in 1127A.D. and they setup the Southern Song Dynasty. ppjrs
(click on photos to enlarge)
Contact me for Price
Sotheby's Sold this Southern Song Dynasty Guan Cup in
Hong Kong
Sotheby's sold this tiny 3 inch Guan ware cup was sold by Sotheby's 10/7/2115 in Hong Kong for $1,249,010.usd . They swindled another Chinese collector they should return the money this piece in no way worth the price.
Click photo to enlarge
Sotheby's Sold Southern Song-Yuan Dynasty Guan lobed Dish
in Hong Kong
Sotheby's Sold this Southern Song-Yuan Dynasty Guan lobed Dish on 4/05/2017 in Hong Kong for $1,557,270 usd. bluish-celadon glaze thinning at the rim, the glaze suffused with a network of attractive golden-beige crackles, save for the neatly trimmed footring unglazed revealing the dark brown body. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Look carefully at the photos
Click photo to enlarge
My Wonderful Southern Song Dynasty Guan Mallet formed Vase
My masterpiece Guan ware Mallet form Vase, This very finely potted Vase is 8 1/2 inches tall, has beautiful form and it's glazed has several golden threads like the Sotheby cup and the dish. This off white glaze thins around the mouth and the foot ring is unglazed this shows the dark brown body. ppjrs
( Click on photos to enlarge )
Contact me for Price
Sotheby's sold this Ming Dynasty Lion bowl with a Xuande mark and Called it Chenghua in Hong Kong
Sotheby's sold this Lion Bowl in Hong Kong April 5, 2017 for over $2,000,000.usd . Look it up they must be kidding they called this bowl Chenghua. It clearly shows the heaping and piling in the mark and color it's a Xuande bowl no way worth that much. They love to spin yarns trying to make the piece more important and try to make themselves into superior experts .These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Sotheby's sold This Ming Dynasty Chenghua marked Jarlet in Hong Kong This is slop I can't believe they can get away with selling this JUNK They should be held accountable
Sotheby's sold this Chenghua mark and period tiny blue and white winged dragon Jarlet 7/11/2020 in Hong Kong for $4,357,988.usd with the six-character mark within a double circle 3 1/2 in Tall. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be certainly not four million. GO TO THERE SITE TO SEE LARGER PHOTOS
Click photo to enlarge
My Real Masterpiece Fabulous Ming Dynasty Mark and Period Chenghua Lion Jar with Buddhist symbols
This Masterpiece is the finest B/W Chenghua Jar ever published. This mark and period Chenghua Lion Jar with buddhist symbols is a very important and very finely detailed piece. The samali Blue cobalt that was used during the Yuan and early Ming dynasties has a very distinct colour that is different from the Chinese cobalt used today; Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The cobalt used then has not been imported for over five hundred years. It cannot be faked! Collectors must know what they are looking at. The beautiful Chenghua cobalt that hasn't been used for over five hundred years makes them very easy to distinguish from other periods. This Jar has Flaking in the biscuit which proves it's great age.
(Click on images to enlarge)
Contact me for Price
Sotheby's sold this Qing Falangcai Poppy Bowl
Mark And Period Of Qianlong
Sotheby's sold This Falangcai Poppy Bowl 4 1/8" mark and period Qianlong 10/3/2018 in Hong Kong for almost
$22,000,000.usd These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Sotheby's Sold this Qing Dynasty Yongzheng mark and period Falangcai Mille-Fleurs Bowl
Sotheby's sold this Qing Dynasty Yongzheng mark and period Falangcai mille-fleurs 4" Bowl 8/10/2013 in Hong Kong for
$1,862,182.usd . These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
This is the finest Pair of Kangxi Falangcai Bowls in the World
My Highly Important Pair Imperial Qing Dynasty Kangxi Yellow Ground and Falangcai enamels Bowls, With Deep Pink Four Character Yuzhi Mark in a Double Square and of the Kangxi period
(World Class)
Sotheby's Sold Song Dynasty Ge Hu Formed Vase in New York
This is a Ge Ware vase 8 1/2 inches tall Sotheby's sold In New York 9/15/2010 for $1,762,500.usd very thinly potted, of pear shape and octagonal section, resting on a slightly flared foot pierced with a circular aperture on the sides, rising from a swelling body and tapering to a gently everted mouth, the collar with a double-band of horizontal raised ribs, flanked by a pair of tubular handles, applied overall with a lustrous opaque creamy-gray glaze, suffused with black and gray craquelure among finer golden-orange crackles, the footrim unglazed and burnt to a dark-brown color in the firing These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Christie's Sold Southern Song -Yuan Ge Ware Dish
in Hong Kong
Christie's Sold this Southern Song -Yuan Ge Ware Dish in Hong Kong 11/12/2019 for approx. $600,000.usd THEIR DESCRIPTION "The dish is potted with shallow sides rising to a metal-bound rim from a short ring foot, the centre of the interior slightly sunken, covered inside and out with a beige glaze suffused with dark grey and light brown crackles, with the exception of the biscuit foot revealing the buff body." LOOKS LIKE THE METAL BAND IS GONE AND THEIR DESCRIPTION IS NOT AT ALL LIKE DESCRIPTIONS OF GE WARE IN ANCIENT WRITINGS. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check my Masterpiece Ge Wares collection in the ge kiln page.
Click photo to enlarge
Extremely Rare Southern Song Dynasty Ge Kiln Ge Ware Rare Large Vessel
With Rare eel's Blood Red Crackle Three Rams Head Handles
(WORLD CLASS)
My Very Rare Southern Song Ge Kiln Ge Ware Burner
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This Very Rare Southern Song Ding Formed Ge Kiln Burner was likely done early Southern Song Dynasty. This Vessel is the color of wheat and is thinly potted, Also they describe Ge ware as having an iron foot that can be seen on the foot ring because they used a light brownish clay with a very high iron content that turned dark brown after firing. They describe the crackle as iron wire and golden thread crackle. The Ge Kiln is known as the elder brothers kiln. Measures 7" tall ppjrs
Click photo to enlarge
Sotheby sold this Ming Dynasty Xuande Mark and Period
Blue and White Lobed Fish Pond Bowl in Hong Kong
Sotheby sold this Ming Dynasty Xuande Mark and Period Blue and White Lobed Fish Pond Bowl in Hong Kong on 4/5/2017 and Measures 9" dia. The base inscribed with a six-character reign mark within a double circle.
For approx. $29,000,000. usd
Click photo to enlarge
Sotheby's sold this Ming Dynasty Mark and period Xuande Brush Washer in Hong Kong
Sotheby's sold this Ming Dynasty Mark and Period Xuande Brush Washer in Hong Kong on 10/7/2015 for $3,107,042 usd the base inscribed with a six-character reign mark within a double-circle, the rim metal-mounted Recently sold in Hong Kong 4/8/2023 for approx. $2,145,560 usd These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be
Click photo to enlarge
My Masterpiece Blue & White 15th C. Ming Dynasty Xuande
Mark & Period Eggshell Thin Bowl
Among the finest Blue and White China Porcelain ever produced this 15th C. Ming Dynasty Xuande Mark & Period eggshell thin Bowl Painted with fruit and leaves. This masterpiece has been embellished and enhanced with gilt trim. They used the imported samali blue cobalt and this cobalt has a blackish tone, and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years. Also this piece has flaking in the biscuit which proves it's age. The Bowl measures approx. 11 3/4" Dia. ppjrs
(click image to enlarge)
Contact me for Price
Sotheby sold this Northern Song Dynasty Ding Yao Bowl
in Hong Kong
Sotheby's sold this Northern Song Dynasty DingYao Bowl for $18,800,000.usd in Hong Kong 4/8/2014 These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. This bowl came from one of their crony dealers in Chinese Art. Notice how they almost always clean the bands, they do this so they have control over you because anyone can see this corrosion and this proves it's ancient. My tribute pieces show the corrosion check out
my Masterpiece Northern Song Ding Yao Vase
Click photo to enlarge
Sotheby's sold this Northern Song Dynasty Ding Yao Burner
in Hong Kong
Sotheby's sold in Hong Kong this Northern Song Dynasty Ding Yao Burner on 10/5/2017 for $2,316,800 usd the rim mounted with a copper-coloured metal band with traces of malachite encrustation. NOTICE IN THEIR DESCRIPTION THEY SPEAK OF "COPPER-COLOR METAL BAND WITH TRACES OF MALACHITE" THIS PROVES IT"S AGE. This is why I tell you about the Cuprite and Malachite it can't be faked and proves my pieces are authentic and anyone can see this.These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
My Northern Song Dynasty Tribute Dingyao Vase Masterpiece
Ding Yao Tribute Vase
Contact Me: Joseph.Sharon@chinesemasterpieces.com
Northern Song Dynasty Official Ding Kiln White Ware with incised lotus leaves and flowers, trumpet mouth, marked tribute Vase. Vase has ivory colored transparent glaze over a white stoneware body, shows some tear streaks in the glaze, Has two fire gilded bands around rim and base that are layered with reddish Cuprite and greenish Malachite patina where the gold has pores, this proves its age and is more reliable than a TL test and used by all experts to authenticate artifacts. Also this piece has flaking in the biscuit which proves it's age. The vase is marked and is a tribute piece also because of the fire gilded band. Measures approx. 12 3/8" tall. ppjrs
(click image to enlarge)
Contact me for Price
Sotheby's Sold this Northern Song Dynasty Cizhou Meiping
Sgraffito Vase in London
Sotheby's sold this Northern Song Dynasty Cizhou Sgraffito Meiping Vase for
$609,680.usd in London 5/13/2015 This vase is 11 5/8" tall These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Christies Sold this Northern Song Dynasty Cizhou Sgraffiato
Meiping Vase in New York
Christie's
Sold this Northern Song Dynasty Cizhou Sgraffiato Meiping Vase for $396,500.usd
in New York 3/22/2018 This Vase is 12 1/8" tall These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
My Large Northern Song Dynasty Cizhou Sgraffito
Meiping Vase
This is a Masterpiece Northern Song Dynasty Cizhou Sgraffito Peony Meiping Vase. This large 22 1/2" tall Vase is arguably the Finest Cizhou meiping Vase ever published. This vase is finely incised with leafy vines and blooms with lappets. This Cizhou Vase has a light grayish body. Also this piece has flaking in the biscuit which proves it's age. This is a true masterpiece of Cizhou wares. Feel free to contact me about this Beautiful Vase. ppjrs
(Click photos to enlarge)
Contact me for Price
Sotheby's Sold this Northern Song Yaozhou Kundika
in Hong Kong
Sotheby's sold this Northern Song Dynasty Yaozhou Kundika on 4/6/2016 for $706,591.usd in Hong Kong the kundika is 8 5/8" tall. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Christies sold this small Northern Song Yaozhou
Petal-Rim Jar in Hong Kong
Christie's sold this small Northern Song Yaozhou Petal-Rim Jar on 12/2/2015 for approx
$250,000.usd in Hong Kong 4 5/8" tall These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check out my real Masterpiece Northern Song Dynasty Tribute Yaozhou Vase
Click photo to enlarge
My wonderful Northern Song Dynasty Yaozhou Ovoid form
Tribute Vase
This Masterpiece Northern Song Dynasty world class Yaozhou Ovoid shaped Tribute Vase with fire gilded bands around the rim and foot corroded with reddish cuprite and greenish Botryoidal malachite.This proves its age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked. Has a fine gray stoneware body that is carved with flower heads and lotus leaves around the neck and base. This vase is covered with a thick transparent finely crackled olive green glaze, suffused with bubbles that pool around the deeply carved outlines to a darker color. All characteristic of Yaohou wares from the Shaanxi province during 11th and 12th century. The decoration is carved on angle to promote the pooling effect. The foot was wiped slightly with some glaze but most remains unglazed and has turned brown in the firing. Also this piece has flaking in the biscuit which proves it's age. Vase is about 10" tall. Feel free to contact me about this beautiful Vase ppjrs
(click photo to enlarge)
Contact me for Price
Sotheby's Sold Song Ding Persimmon Bowl New York
Sotheby's sold this Song Dynasty Persimmon Glazed Bowl 9/16/2014 in New York for
$81,250. it measures 6 5/8 " Check out my Northern Song Dynasty Ding Persimmon Vase These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Christie's Sold this Northern Song Dynasty Persimmon
glaze Vase in New York
Christie's Sold this Northern Song Dynasty Persimmon glaze Vase in New York on 9/15/2016 for $317,000. usd 8 7/8" tall. Check out my Northern Song Dynasty Ding Persimmon Vase. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces
fit the marketplace or what the value should be.
Click photo to enlarge
My Northern Song Dynasty Ding Kiln Persimmon glaze
Vase with Wing Handles
This masterpiece Northern Song Dynasty Ding Kiln Persimmon glaze Ware Vessel with wing handles. The persimmon glaze was also called red or purple and has a metallic look and very smooth feel. Vase has white colored stoneware body the bases were wiped with the glaze and you can see the white body on the inside where they haven't been glazed. This Vase was produced at the official Kiln Located at Quyang in the Ding county Hebei province where the most exceptional Persimmon pieces were produced. Also this piece has flaking in the biscuit which proves it's age. These wares were associated with the tea ceremony and are very fine and delicate. You can clearly see the great skill of the Song potters. Measures approx. 9 3/4" tall. ppjrs
(click to enlarge)
Contact me for Price
Sotheby's sold Ming Dynasty Unmarked Chenghua Vase
in Hong Kong
Sotheby's sold this unmarked Chenghua Vase 10/8/2010 in Hong Kong for $5,572,355.usd. This vase was not marked an was attributed to Chenghua reign. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. They refused to even examine my fabulous mark and period Chenghua pieces.
Click photo to enlarge
Sotheby's Sold This Unmarked Chenghua Vase
In New York
Sotheby's sold this unmarked Chenghua Vase 3/20/2018 in New York for $2,895,000.usd This vase was not marked it was attributed to Chenghua reign. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. They refused to even examine my fabulous mark and period Chenghua pieces.
Click photo to enlarge
My Imperial Pair of Blue & White 15th Century Ming Dynasty
Chenghua Mark & Period Vases
WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is an exceptional Pair, Blue & White Ming Dynasty Chenghua Mark & Period Imperial Meiping Vases. Chenghua period was from 1465 - 1487. The vases have wonderful form, great color and are painted with very controlled loose freestyle strokes that the finest Chenghua wares are known for. This vases you can see flaking in the biscuit when looking through a loop, this is a clear indication of it's great age. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period. Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The imported cobalt called Samali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together.Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom in many vessels that have un-glazed bottoms. And bottoms that are glazed sometimes look wavy this can be seen when the light reflects on the glaze. This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop.
It doesn't get better than true Imperial blue and white Chenghua wares.
These Meiping Vases measures 7 1/2" Tall ppjrs
(click image to enlarge)
Contact me for Price
Sotheby's Sold Southern Song Dynasty Jun Bowl
in New York
Sotheby's sold this Small Southern Song Dynasty Jun Bowl Dia. 3 3/4" Sold In New York 3/16/2016 for
$81,250.usd. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check out my Northern Song Dynasty Jun Vase
Click photo to enlarge
Christie's Sold Northern Song Dynasty Jun Vase In Hong Kong
Christie's sold this Northern Song Dynasty Jun Vase 11 1/2" Tall in Hong Kong 11/29/2017
for approx. $600,000.usd. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check out my Masterpiece Northern Song Dynasty Jun Vase.
Click photo to enlarge
My Masterpiece Northern Song Dynasty Jun Kiln,
Pear Shape with Long Neck Blue Vase
Joseph.Sharon@chinesemasterpieces.com
Northern Song Dynasty Jun Kiln, Jun ware Pear shape Long Neck blue Vase with purple splashes on neck and body with fine crackle throughout the Vase. Also this piece has flaking in the biscuit which proves it's age.
This Vase measures approx. 9 1/2" tall ppjrs
(click image to enlarge)
Contact me for Price
Christie's sold this Ming Xuande Blue and White Lotus Dish
in Hong Kong
Christie's sold this Blue and White Lotus Dish 10/3/4" Dia.in Hong Kong 5/29/2019 for approx. $465,000.usd The dish has a reign mark is written on side The base is unglazed. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
Sotheby's sold this Ming Dynasty Xuande Blue and White
Dragon Dish in Hong Kong
Sotheby's sold this Ming Dynasty Xuande Blue and White small Dragon Dish 9 7/8" dia. in Hong Kong on 4/4/2012 for $2,392,732 usd. The cobalt with characteristic 'heaping and piling,' the base inscribed with a six-character reign mark within double circles. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.
Click photo to enlarge
My Blue & White 15th C. Ming Dynasty Xuande Mark & Period
Confronting Phoenix's & Flowers Dish
Among the finest Blue and White China Porcelain ever produced this 15th C. Ming Dynasty Xuande Mark & Period Painted with Phoenix's, Flowers, Leaves, and Fruit Dish. This Xuande Masterpiece has been embellished and enhanced with gilt trim. They used the imported samali blue cobalt and this cobalt has a blackish tone, and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years. Also this piece has flaking in the biscuit which proves it's age. This Dish measures approx.14 1/8" dia.ppjrs
(click image to enlarge)
Contact me for Price
Among The Finest In The World And Extremely Important Masterpieces
2nd Commissioned Northern Song Dynasty Official
Royal Imperial Ru-Ware Cong Formed Vase
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln cong formed vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This cong formed vase has a spectacular celadon glaze that is very rich and smooth to the touch without any crackle and crushed agate was put in glaze mix which can be seen using a 20x loupe also you can see the specks of agate in the Microscopic photo next to each pieces photos. Crushed agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. This cong form vase has fire gilded over copper bands on the rim and base that are corroded with cuprite and malachite and this guarantees its great age. This is more reliable than a TL test, and used by all experts to determine authenticity of an artifact, and can't be faked! The 2nd commissioned Royal cong formed vase has an off white body that turned brownish after firing. This vase measures 7" tall, This piece is from Emperor Huizong's surviving hoard of
N. Song Imperial Ru-Ware!!! ppjrs
(click image to enlarge)
Contact me for Price
Southern Song Dynasty Guan Yao Official Xiuneisi Inner Kiln Imperial Guan ware Marked and Period Square Ribbed Vase
(World Class)
This is the finest Pair of Kangxi Falangcai Bowls in the World
This Highly Important Pair Imperial Qing Dynasty Kangxi Yellow Ground and Falangcai enamels Bowls, With Deep Pink Four Character Yuzhi Mark in a Double Square and of the Kangxi period
(World Class)
Very Important Imperial Blue & White 15th Century Ming Dynasty
Chenghua Mark & Period Jar
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is a Fabulous Masterpiece, Blue & White Ming Dynasty Chenghua Mark & Period Imperial Buddhist Lion Jar. This Jar measures approx. 5 1/8 inches Tall. Chenghua period was from 1465 - 1487. This Jar represents why Chenghua wares are so sought after.This Jar has it all,it's very delicate and a brilliantly executed masterpiece. This is one of those pieces you have to see first hand to appreciated the skill and control it took to paint this Jar way back in the Ming Dynasty.Check your auction catalogs, books, and look in museums, online you won't find a better Chenghua Jar published anywhere. The Jar has very exquisite form, great color and is painted with extremely controlled loose freestyle strokes some looks to have used only a few strands of hair brushes, just wonderful details that the very finest Chenghua wares are known for. The Jar is painted with four Buddhist Lions, and Buddhist symbols.This Jar you can see flaking in the biscuit when looking through a loop, this is a clear indication of it's great age.The Glazed base looks wavy this is typical in Chenghua wares. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period, Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The imported cobalt called Samali blue they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom in many vessels that have unglazed bottoms. And bottoms that are glazed often look wavy this can be seen when the light reflects on the glaze. This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop also has flaking in the biscuit which proves its age. It doesn't get better than true Imperial
blue and white Chenghua wares.
(click image to enlarge)
Contact me for Price
Extremely Rare Ming Dynasty Jiajing Mark and Period Cloisonne Fish Among The Water weeds Jar And Lid
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is a extremely rare important Ming Dynasty mark and period Jiajing Cloisonne Fish among water weeds Guan Jar with Lid, The Jiajing period from 1522-1566 is very well known for their Fish Jars this Cloisonne enamels Jar is a Masterpiece and beautiful example of this form. This Jar has flaking in the biscuit which proves its age. This very special work of art measures 15 1/2" Tall ppjrs
(click image to enlarge)
Contact me for Price
Very Important Imperial Blue & White 15th Century Ming Dynasty
Chenghua Mark & Period Vase
WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is an exceptional Masterpiece, Blue & White Ming Dynasty Chenghua Mark & Period Imperial Figure Meiping Vase. This Vase measures approx. 13 3/4 inches Tall. Chenghua period was from 1465 - 1487. Check your auction catalogs,books, and look in museums, online you won't fined a better Chenghua Meiping vase published anywhere. The vase has wonderful form, great color and is painted with very controlled loose freestyle strokes that the finest Chenghua wares are known for. This vase you can see flaking in the biscuit when looking through a loop, this is a clear indication of it's great age. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period. Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The imported cobalt called Samali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together.Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom in many vessels that have un-glazed bottoms. And bottoms that are glazed sometimes look wavy this can be seen when the light reflects on the glaze. This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop. This Piece has flaking in the biscuit which proves it's age. It doesn't get better than true Imperial blue and white Chenghua wares.
(click image to enlarge)
Contact me for Price
Very Important Imperial Blue & White 15th C. Ming Dynasty
Xuande Mark & Period Bird & Flowers Dish
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
Blue & White 15th C. Ming Dynasty Xuande Mark & Period Painted with Bird, Flowers, and leaves Dish. This masterpiece has been embellished and enhanced with gilt trim. They used the imported samali blue cobalt and this cobalt has a blackish tone, and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years also has flaking in the biscuit which proves its age.
The Dish measures approx. 14 1/8" Dia. ppjrs
(click image to enlarge)
Contact me for Price
Chinese Imperial Tribute Northern Song Dynasty Imperial Ding Kiln
White Ware Saucer formed mouth Vase
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
Chinese ancient Fine Art Imperial Northern Song Dynasty Ding Kiln White Ware Imperial Vase, with lotus leaves around the foot, draped cord buttons and flowers on the body, with bow string neck, and saucer formed head. The Vase has ivory colored transparent glaze over a off white body, showing tear streaks in the glaze. The fire gilded bands are porous and they're around head and base and layered with reddish Cuprite and greenish Botryoidal Malachite corrosion that occurred through the porous of the gilt. This proves its age and is more reliable than a TL test and used by all experts to authenticate chinese ancient artifacts. The vase is not marked but is likely a tribute piece because of the fire gilded band.
Measures approx 11 1/2" tall. ppjrs
(click image to enlarge)
Contact me for Price
Extremely Rare And Fine Early Ming Imperial Jun
Narcissus Octagonal Bowl
World Class
Joseph.Sharon@chinesemasterpieces.com
Early Ming Dynasty Jun Octagonal Purplish Blue
with Reddish area below the lip outside Light blue on the inside, a dark brown slip was applied where the glaze
thins out its dark brown on the rim and edges and there is worm tracks inside. There is two character Marks inscribed on the base. Measures 9 1/8" Dia. ppjrs
(click image to enlarge)
Contact me for Price
Northern Song Dynasty Likely Tribute Yaozhou Kiln Imperial Ovoid
shaped Vase With Fire Gild Bands
(World Class)
Joseph.Sharon@chinesemasterpieces.com
Beautiful Northern Song Dynasty Likely Tribute Yaozhou Kiln Imperial Ovoid shaped Vase with fire gilded bands around the foot and rim encrusted with reddish cuprite and greenish Botryoidal malachite, this proves its age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! Has a fine gray stoneware body that is carved with flower heads and lotus leaves around neck, and base. The Vase is covered with a thick transparent finely crackled olive green glaze, suffused with bubbles that pool around the deeply carved outlines to a darker color. All characteristic of Yaozhou wares from Shaanxi province during 11th 12th century. The Decoration is carved on a angle to promote the pooling effect. The foot was wiped slightly with some glaze, but most remains unglazed and has
turned brown in the firing. Vase measures approx. 10 inches tall. ppjrs
(click image to enlarge)
Contact me for Price
My Large Northern Song Dynasty Cizhou Kiln
Likely Tribute Sgraffito Meiping Vase
(World Class)
Joseph.Sharon@chinesemasterpieces.com
This is a Masterpiece Northern Song Dynasty Likely Tribute Cizhou Kiln Sgraffito Peony Meiping Vase. This large 22 1/2" tall Vase is arguably the Finest Cizhou meiping Vase ever published. This vase is finely incised with leafy vines and blooms with lappets. This Cizhou Vase has a light grayish body also has flaking in the biscuit which proves its age. This is a true masterpiece of Cizhou wares. Feel free to contact me about this Beautiful Vase. ppjrs
(Click photos to enlarge)
Contact me for Price
Blue, White And Red Yuan Dynasty One Of Pair, Finest Pair In The World With Applied Flowers And Leaves Jar
Blue, White And Red Yuan Dynasty One Of Pair, Finest Pair In The World With Applied Flowers And Leaves Jar Blue, White and Red Yuan Dynasty Jar with applied Flowers and Leaves , also has a rare Cat finial, is one of a pair of Jars that are the finest in the World. They used the imported samali blue cobalt and this cobalt has a blackish tone and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years. Also has flaking in the biscuit which proves it's great age. The Jar measures approx. 16 3/4" tall. ppjrs
(click image to enlarge)
Contact me for Price
This is the finest Porcelain ever published and offered for Sale in the World,"Qing Dynasty Qianlong Mark and Period
Famille Rose Fencai Vessel"
This Qianlong Vessel is in a Class of it's own. This is arguably the finest piece of Chinese Famille Rose Enameled porcelain ever published and offered for sale. Get your books out, check your auction catalogs, Check every museum in the world see if you find a more beautiful or incredible piece anywhere in the world. This Qianlong Vessel has it all, there was so much skill in producing this Vessel it's a must see first hand to really appreciate it. The Vessel has many levels of decorations. The form is exquisite. The ground was blue then incised with a pinpoint in a wave like pattern, then covered with gold. Areas of the ground have small rose colored blossoms. There is two panels that are so delicately painted you can't imagine the total control of the artist that did this piece. The painting in the panels has branches, flowering blooms and two Magpie Birds and much of it was done using a few strands of hair brush and some strokes look to have used a single strand, this can be seen using a loupe. The panel frames are in iron red and on the sides there are two leaves in iron red with a cricket and a grasshopper on the leaf. The vessel has two gilt phoenix handles. There is very controlled droplets of white enamel highlighting the iron red throughout the piece. The inside and bottom are covered in a beautiful turquoise color. The Qianlong Famille Rose color palette is beautiful. Also this piece has flaking in the biscuit which proves it's age. The vessel has the Qianlong mark on the bottom that lines up with the main panel typical on Imperial Qianlong pieces. The vessel measures 7 5/8 inches tall. Qianlong mark and period 1736-1795 This vessel sets the bar very high for real Masterpieces of Chinese porcelain. Feel free to contact me about the price of this vessel.
(photo to enlarge)
Contact me for Price
Magnificent Masterpiece "Qing Dynasty Qianlong
Marked and Period Famille Rose Vase"
This is a absolutely wonderful Qing Dynasty Qianlong Marked and Period Famille Rose Vase 1736- 1795. This Vase was created using several bands and levels of decorations and shows the great skill it took to make this piece. Some of the Vase has been incised, the band around the shoulder shows thousands of very controlled tiny pin point droplets of enamel, The Leaves, branches, flowering blooms, and butterfly's are very delicately painted. It's important to look carefully and zoom in on the leaves, flowers, and branches you will see the detail, colors, and shading that gives balanced and depth to this masterpiece. The Vase has a poem on the back and also has the Qianlong mark on the bottom that lines up with the center of the main decoration which is typical in Imperial Qianlong pieces. Also this piece has flaking in the biscuit which proves it's age. This Vase Measures approx. 16 1/8 inches Tall.
(click on photo to enlarge)
Contact me for Price
Imperial Blue & White 15th C. Ming Dynasty Xuande Mark & Period
Eggshell Thin Flowers Bowl
Blue & White 15th C. Ming Dynasty Xuande Mark & Period eggshell thin Bowl Painted with peony, flowers, vines, and leaves. This masterpiece has been embellished and enhanced with gilt trim. They used the imported samali blue cobalt and this cobalt has a blackish tone, and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years. Also this piece has flaking in the biscuit which proves it's age. The Bowl measures approx. 11 3/4" Dia. ppjrs
(click image to enlarge)
Contact me for Price
Extremely Rare Masterpiece Islamic Influenced Qing Dynasty "Qianlong Mark and Period Famille Rose Landscape Vase"
Chinese Antique Porcelain Qing Dynasty Qianlong Marked and Period Famille Rose Landscape Vase This is a extremely rare and fine Qianlong marked and period 1736-1795 Famille Rose landscape Vase. The Vase has a Hu form, and resembles Islamic tile in parts of the motif. The Islamic influence shows up in some porcelains for only a short period of time during Qianlong period. This beautifully painted and highly detailed Vase has two landscape panels of valleys. Each panel is framed with two phoenix. The Mark lines up with the main panel which is typical of Imperial Qianlong porcelain. This vase is a true masterpiece tens of thousands of strokes to complete this Qianlong period masterpiece. Also this piece has flaking in the biscuit which proves it's age. The Qianlong period was the pinnacle of porcelain in China. This Vase measures approx. 10 1/2 inches tall.
(click photo to enlarge)
Contact me for Price
Super Masterpiece "Qianlong marked and period
Incised Mirror Black Glazed Bowl"
This is a extremely fine Qianlong marked and period 1736-1795 Mirror Black Glazed Bowl with Pin Point Incised Architectural and Landscape decorations, filled in with Gold. This Mirror Black Glazed Bowl is the most exquisite masterpiece of this type ever offered on the open market. Check all your auction catalogs and books see if you find any black glazed piece that can compare with this masterpiece. Each line is incised as fine as a hair. You cannot appreciate this piece in a photo, you have to see it first hand to even try to understand the skill and control it took to create this bowl. The form is exquisite, also you can see how the glaze thins out around the rim exposing the white biscuit under it. The Qianlong seal mark lines up with the front of the bowl, this is typical during Qianlong period. Also this piece has flaking in the biscuit which proves it's age. The Qianlong period was the pinnacle of porcelain in China. The Bowl measures approx.9 3/16 inches diameter.
(Click Photo to Enlarge)
Contact me for Price
This Extremely Rare Blue & White Porcelain 15th Century Ming
Dynasty Chenghua Very Large Mark & Period Vase
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is a wonderful very large blue and white Ming Dynasty Chenghua Imperial marked and period Vase. This Vase is decorated with several bands and the main band is Fish swimming amongst water weeds. This unusual Vase is very large for Chenghua wares but they did do large wares there very rare. The Chenghua period was from 1465 - 1487. It has the six Character Chenghua mark written in the second band. Check your auction catalogs, books, and look in museums, online you won't find a Larger Chenghua Vase published anywhere. The vase has wonderful form, great color and is painted with very controlled loose freestyle strokes that finest Chenghua wares are known for. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period. Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The imported cobalt called Somali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose freestyle strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom of this vase This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop. It doesn't get better than true Imperial blue and white Chenghua wares. This Piece has flaking in the biscuit which proves it's age.
Measures approx. 26 " tall
(click image to enlarge)
Contact me for Price
Qing Dynasty Imperial mark & period Yongzheng Pair
of Falangcai Enamels Vases
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
These Exquisite Masterpieces Falangcai Enamels Vases are very thinly potted,and they were decorated in the Forbidden City in Beijing during the Yongzheng period 1723 to 1735. These vases were painted using Falangcai enamels and it is said that the Emperor himself oversaw the manufacture of these wares. It took such skill and control to create these Vases, Look close and you will understand what a true Chinese Ceramic Masterpiece looks like. It's important to look carefully and zoom in on the leaves, flowers, and branches you will see the detail, colors, and shading that gives balance and depth to these Vases. These Vases have flaking in the biscuit which proves they're old. Collectors must learn to recognize the differences of a good piece compared to great piece or masterpieces. Most Qing Pieces if you look close at them you will see and understand they were painted by less skilled artist, they will look flat without balance, detail or depth. Pay attention to the details and color balance and shading this will help you to see and understand the difference. These vases are delicate and decorated with branches, flowering prunus, and birds. The Yongzheng Falangcai color palette is distinct, making these wares easy to distinguish with the powdery soft colors that really shows in the pinks. On the reverse there is a inscribed poem with three seals. The Yongzheng four character mark in blue enamel in double squares on the base was added by the Beijing decorators. This pair of vases are not exact copies of each other which is typical on Yongzheng wares. The Birds on these vases are so finely done the feathers took well over a thousand tiny strokes using a single hair brush to create their bodies this can only be seen using a loop. Zoom in on the photos and you'll be able to see the tiny strokes on the Birds, and there bodies are only about 1/2" wide. The artist skill and control is incredible. The quality of these wares are magnificent, check your auction catalogs, books, museums, and see if you find a better pair of Yongzheng falangcai vases published anywhere. This pair of Vases
measure approx. 8 3/8 inches Tall.
(click image to enlarge)
This Extremely Rare Blue & White Porcelain 15th Century
Ming Dynasty Chenghua Large Figure Jar
(WORLD CLASS)
Joseph.Sharon@chinesemasterpieces.com
This is a wonderful very large blue and white Ming Dynasty Chenghua Imperial mark and period Figure Jar. This Jar is decorated with several bands and the main band is Figure story. This unusual Jar is very large for Chenghua wares it's very rare and can't be denied by those so called experts. The Chenghua period was from 1465 - 1487. It has the six Character Chenghua mark written in the second band. Check your auction catalogs,books, and look in museums, online you won't find a Larger Chenghua Jar published anywhere. The Jar has wonderful form, great color and is painted with loose freestyle strokes that finest Chenghua wares are known for. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period. Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze, this imported cobalt called Samali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled as on the bottom of this vase This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loupe. This Piece has flaking in the biscuit which proves it's age. It doesn't get better than true Imperial blue and white Chenghua wares. approx. 26 " tall
(click image to enlarge)
Contact me for Price
Jade Carvings Sold at Sotheby's, Christie's, & Bonham's from 2014 to 2019
Compare Them to what I'm offering "Special Sale Jade Carvings of Similar Periods"
Sold By Auction Houses Three Mythical Animal Jade Carvings COMPARE WHAT I'M OFFERING
My Finely Carved Ming Dynasty pale grayish white Jade Recumbent Mythical Animal
with some brownish veins and brownish inclusions and carving style that confirms its age.
The statue measures 3 1/2" long.
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Six Dynasties yellow and russet jade figure of a Mythical Beast in Hong Kong on 4/3/2019
measures 3" long for $287,010 usd.
click photo to enlarge
My Six Dynasties White Jade Recumbent Winged
Mythical Beast Statue
This very finely carved mythical animal has it's three puffs tail flick up on its back and also shows it's female genitals. The fine white Jade material shows extensive russet inclusions and carving style that confirms it great age.
This carving was done during the Six Dynasties. The Jade measures 4 1/8" long.
Click photo to enlarge
Contact me for Price
Christie's Sold this Western Han Dynasty Celadon Jade Ram Form Water Pot in Hong Kong on 11/30/2016
measures 4 3/8" long for approx. $2,500,000. usd
click photo to enlarge
My Warring States Eastern Zhou Dynasty Pale Celadon
Highly Stylized Elephant Vessel
This is a very important Eastern Zhou Pale Celadon Elephant Vessel. This vessel is exquisitely carved with highly stylized details from the Eastern Zhou period The lid has a mythical bird finial. The Translucent pale celadon Jade has extensive brownish, clouding, veins, inclusions throughout the piece and carving style confirms its age.
The vessel measures 7" long
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Tang Dynasty small white Jade Hare Pendant in New York 3/19/2019
measures 1 3/8" long for $57,500. usd
click photo to enlarge
My Tang Dynasty Grayish White Jade
Deer And Bird Pendant
This is a finely carved Tang Dynasty Grayish White Jade Deer and Bird with lotus pendant that has extensive clouding and carving style that confirms its age. measures 3 1/8" tall
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Yellow Jade 'Horse' Paperweight
17th Century in Hong Kong on 4/8/2014
measures 3 3/8" long for $856,228.usd
click photo to enlarge
My Yuan Dynasty Yellow/Celadon Jade Resting Horse
With Leg Up Statue
Finely carved Yuan 1279–1368 Dynasty yellow/celadon Jade Resting Horse with leg up Statue, that has
areas of brownish russet inclusions and carving style that confirms its age. Measures 3 1/2" long
Click photo to enlarge
Contact me for Price
Bonham's Sold this white jade of 'horses and monkey'
Qianlong period in London on 5/16/2019
measures 3 3/8" long for £ 43,812 GBP.
click photo to enlarge
My Qing Dynasty White Jade Buffalo And Calf Group
Finely carved Qing Dynasty white Jade Buffalo and Calf Statue. The Group has extensive clouding inclusions and carving style that confirms its age Measures approx. 3 1/2" long
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Ming Dynasty Yellow Jade Mythical Beast
in Hong Kong on 10/7/2015 measures
2 3/4" long for $48,386.usd
click photo to enlarge
My Ming Dynasty yellow/celadon Jade Kneeling Mythical Beast
Ming Dynasty Yellow/Celadon Jade kneeling Mythical Animal Statue, That has areas of clouding and russet veins inclusions and carving style that confirms the age. Measures 3 3/4" tall.
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Tang Dynasty beige and brown jade
camel In New York on 9/10/2019 measures 2 3/8" wide
for $620,000 usd
click photo to enlarge
My Tang Dynasty Grayish/Celadon Jade Camels Statue
This is a unique and finely carved Tang Dynasty 618-907 grayish/celadon Jade standing Camels statue. The carving is beautifully executed with a very well balanced form. The jade material is very fine with extensive reddish brown inclusions and carving style confirms its age. This statue measures a 6 1/2" long.
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Song Dynasty carved jade figure of a buffalo in Hong Kong on 4/3/2019 measures 3 1/8" long for $128,810.usd
click photo to enlarge
My Song Dynasty Grayish White Jade Recumbent Hound Statue
Finely carved Song Dynasty Grayish White Jade Recumbent Hound Statue that has russet veins and areas
of clouding inclusions with carving style confirms its age and period. measures 3 1/2" long
Click photo to enlarge
Contact me for Price
Sotheby's Sold this beige jade carving of a mythical beast
Han dynasty - Six Dynasties in New York on 3/19/2019
measures 2 1/4" long for $740,000.usd
click photo to enlarge
My Han Dynasty Recumbent Yellow/Celadon Jade
Mythical Animal
This extremely fine yellow/celadon jade reclining Mythical Animal. The mythical animal has one leg up and is very finely carved showing the muscles, folds of skin, and backbone. This is a very unique Jade carving from the Han Dynasty 206bc to 220ad. The Jade material has a beautiful yellow/celadon color with white and black speck inclusions and carving style confirms its age. This Statue would have been owned by the wealthy class because jade was more valuable than gold back then. measures 4" long
Click photo to enlarge
Contact me for Price
Sotheby's Sold this Eastern Zhou Dynasty Yellow Jade Animal-Shaped Plaque in Hong Kong 4/3/2019
measures 8 5/8" long for $3,423,126.usd.
click photo to enlarge
My Warring States period during Eastern Zhou Dynasty Jade
double dragon Huang plaque/pendant
Large Masterpiece very fine Warring States period during Eastern Zhou Dynasty. Jade double dragon Huang pendant. This arc shaped pendant has two dragon heads and it is covered in grain pattern over openwork clouds.The Huang material is translucent pale celadon jade with inclusions that have turned much of the pendant brownish, with small areas of calcification in the jade. This carving is exquisite in every way. It is unmistakably a period piece. The fine lines were carved as if they were just dug out in tiny sections, which you will only see in some very fine Eastern Zhou dynasty jade pieces. You have to use a good loupe to see this. No one really knows what the kind of tool they used to create this piece so long ago it is a mystery. This has confounded scholars since they have been studying Jade carvings. You won't see this in any other periods of China's history. The Huang was produced in the Warring States period 476BC/221BC it measures
9 1/4" long, it has a small conical shaped pierced hole for hanging
Click photo to enlarge
Contact me for Price
Navigate Chinese Masterpieces Site Just Select Pages Below
The Inaugural Ceramics Commissioned by the Emperor in Chinese History: Guaranteed 100% Authenticity from the Northern Song Dynasty's Official Imperial Royal Ru Kiln Porcelain Collection – An Unmatched Provenance of Authenticity.
Understanding "Botryoidal Malachite" Patina
Formation of Fanlike Crystal Needles
Most crystals simply begin to grow using available molecules. This results in discrete crystals whose sizes depend on available material. But malachite is different. It seldom forms discrete crystals of good size. Instead, scientists say, developing malachite crystals “split”, diverging into tiny needles, packed together in a fanlike arrangement.
The fanlike malachite needles grow into tightly bonded spherules, which crowd together and bond, forming a solid mass. When the spherules stop growing and terminate, the top surface is rounded to some degree. The terms “botryoidal” (resembling a cluster of grapes) and “reniform” (kidney-shaped) are used to describe large to small undulating masses of spherules.
Author Bob Jones Holds the Carnegie Mineralogical Award, is a member of the Rockhound Hall of Fame, and has been writing for Rock & Gem since its inception. He lectures about minerals, and has written several books and video scripts.
This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)
WATCH
Click On Video Clip Proves Botryoidal Malachite Can't Be Faked! No one has ever faked this Botryoidal malachite patina only happens in nature. This Guaranties Authenticity Of This Imperial Royal Ru Ware Collection
Priceless Past WWW.pricelesspast.com
Link to Full Video https://youtu.be/5O-l6vY0dnc?si=FsHEJdKox0a1p0bH
An Analysis of Royal Imperial Ru Ware Commissioned and Collected by Emperor Huizong of the Song Dynasty During the Northern Song Period. ppjrs
Ancient Treasures: Ru Kiln Secrets Revealed!
Emperor Huizong reigned from 1100 to 1126, during which time he abdicated in favor of his son. He is renowned for his advocacy of Taoism and is celebrated for his exceptional talents in poetry, painting, calligraphy, and music. However, his Northern Song Empire ultimately succumbed to the advancing Jin armies, leading to his capture in 1127. Huizong died in captivity in 1135, having transitioned from the status of the world's wealthiest individual to that of a diminished man. After his death, his extensive collections were meticulously consolidated and preserved in large wooden crates, enduring through time.
Since China's opening in the 1990s, various historical collections have entered the marketplace. Notably, my collection of Imperial Ru ware originates from Emperor Huizong's personal assemblage. During his tenure, he commissioned the Ru Kiln to produce wares specifically for himself and his court, recognizing it as the foremost source of Imperial tribute wares. The tribute wares produced by the Ru Kiln during this era were distinguished by their remarkable quality, often devoid of defects. To further enhance their uniqueness, these wares incorporated a variety of colors and featured fire gilded bands on the rims, occasionally the bases. The gilding technique utilized gold and mercury, a method that has not been employed since the mid-1800s due to safety concerns. The intricacies of the fire gilded bands display complex corrosion patterns of cuprite and malachite, natural phenomena that are exceedingly difficult to replicate in laboratory settings. Established research underscores the challenges associated with the transformation from metal to cuprite to malachite, with most synthetic formulas failing to replicate malachite atop cuprite layers, thereby providing validation for the authenticity of such artifacts.
This innovation inspired other kilns to adopt similar techniques, incorporating fire gilded bands in their tribute wares. Prior to the Ru Kiln attaining its designation as the official Imperial kiln, its production primarily consisted of small wares that exhibited sporadic crackling and spur marks due to the firing process on stilts. Many of these pieces contained imperfections, resulting in the destruction of severely flawed items and the sale of lesser-quality wares to the public at reduced prices. Such flawed wares frequently appear in auctions conducted by Sotheby's and Christie's and are often showcased in museums housing Ru ware collections. Higher-quality pieces were sold at premium prices to affluent merchants. The finest wares were presented as tribute to Emperor Huizong, who received extravagant offerings from various kilns. Recognizing the demand for superior quality wares, Emperor Huizong designated the Ru Kiln as the first official Royal Imperial kiln in China.
His objective was to create wares that were distinctive and specifically intended for himself and his court. He sought pieces that echoed the historical celadon wares, aiming for a jade-like aesthetic reminiscent of Korean Koryo ceramics. After reviewing prototype pieces, he insisted on eliminating spur marks by firing the wares flat in the kiln with unglazed foot rings. Furthermore, he mandated the incorporation of rare blue crushed agate into the glaze, a feature unique to the official Royal Imperial wares commissioned by him. The initial commissioned wares displayed a grayish biscuit that transitioned to brown post-firing, with some pieces bearing inscriptions such as "Feng Hua." These wares featured distinctive crack ice crackles. Emphasizing size and simplicity, these pieces were larger than previous tribute wares and showcased refined forms, such as trumpet-shaped mouths. Despite occasional flaws during the firing process, these Royal Imperial wares were exclusively designated for the Emperor and his court. As the official Imperial kiln, the Ru Kiln's focus was solely on producing wares for the Emperor and his court. Huizong appreciated the intrinsic beauty of these often flawed and simplistic pieces, recognizing their individuality akin to human character.
However, some of his advisors sought more visually appealing wares. Consequently, he tasked the Ru Kiln with creating the most exquisite celadon wares ever produced in China, emphasizing elegance and luxury in design. The second series of official Royal Imperial wares manifested in various celadon hues, adorned with rich glazes that seamlessly integrated rare blue crushed agate. Unlike the initial batch, these wares were meticulously crafted and largely free from prior defects, with exquisite forms and flat-fired unglazed foot rings. Selected special wares featured gilded copper or silver bands, enhancing their opulent appearance. Importantly, all second commissioned official Royal Imperial wares lacked specific markings. It must be emphasized that wares produced prior to the Ru Kiln’s designation as the official Imperial kiln do not contain agate in their glazes. Certain auction houses and museums mistakenly claim the presence of crushed agate in these earlier wares, fabricating narratives that assert its dissipation during the firing process. This assertion is fundamentally flawed, as agate requires excessively high temperatures for melting—far exceeding the maximum temperatures reached by Song dynasty kilns. Additionally, the practical difficulties associated with crushing agate into a fine powder contribute to the clear visibility of agate traces in authentic Royal Imperial Ru wares.
I have compiled a significant collection of Ru and Ju wares, artifacts that have remained largely concealed since the decline of the Northern Song Dynasty. The Qianlong Emperor's collection predominantly comprised flawed merchant wares developed prior to the Ru Kiln's establishment as the official Royal Imperial kiln. It is only since the 20th century and the reopening of China that many fine pieces, once obscured from view, have entered the marketplace. This narrative seeks to illuminate the complexities surrounding Ru and Ju Kiln wares in the context of Emperor Huizong's reign. For many years, scholars and collectors have relied on pieces from the Qianlong Emperor's collection; while aesthetically appealing, they do not accurately represent the authentic Royal Imperial Ru and Ju wares commissioned by Huizong for himself and his court.
In the aftermath of the Jin Army's incursion into the Northern Song Dynasty, workers from the Imperial Royal Kiln sought refuge in the southern region, with many likely contributing their skills to the Imperial Guan Kilns, while others joined the Longquan Kiln. Notably, this lineage accounts for the visual similarities observed between certain Longquan pieces and the second commissioned Royal Ru Kiln wares, although the Longquan products lack the characteristic crushed agate present in the latter's glazes.
Please examine all the information, photos, microscopic photos, that prove my conclusion.
The Ru-Wares Represent the First Commissioned Official Imperial Ceramics within China's Historical Context.
The first commissioned Royal Imperial Ru ware is thoroughly documented in historical texts, which indicate that Emperor Huizong instructed the Ru/ Ju Kiln to produce celadon wares characterized by modesty, understated elegance, and a deliberate simplicity that evokes a sense of antiquity. Notably, these initial commissioned Royal Imperial wares incorporated Rare Blue Crushed Agate into the glaze formulation. This can be discerned through the use of a 20x loupe, and microscopic photographs reveal the distinctive specks of agate found in each piece. The use of crushed agate is exclusive to the Official Royal Imperial Ru wares developed under Emperor Huizong's patronage. These early commissioned wares exhibit a variety of unique forms previously unseen, showcasing the remarkable skill and artistry of the Ru kiln artisans. The foot rings of all first official Ru wares remain unglazed. Additionally, each piece features a fine, cracked ice crackle in the glaze, with interior glazing also present. Many of these wares have marks inscribed on the bases, often inscribed with "feng hua," and the vases typically feature trumpet-shaped mouths, distinguished by their larger dimensions compared to merchant and tribute wares. The first commissioned Official Royal Imperial Ru wares are crafted from an ash-colored biscuit that transforms to brown upon firing. Furthermore, each piece exhibits the signature fine cracked ice crackle in the glaze, maintaining consistent interior glazing. Exclusively produced for the Emperor and his court, these wares reflect Emperor Huizong's appreciation for beauty in simplicity. He regarded each piece as an artwork, embracing any imperfections, which ultimately remained within the court as evidentiary fulfillment of his vision. An illustrative close-up of a first commissioned Official Royal Imperial Ru vase depicts a droplet of glaze adhering to the foot ring, highlighting chips of Rare Blue Agate within the glaze. The accompanying ancient writings affirm the historical significance of these pieces as the legendary Official Royal Imperial wares commissioned by Emperor Huizong of the Song Dynasty. ppjrs
(click image to enlarge)
Ru Kiln Imperial Tribute Wares: Exceptional Artifacts Presented to Emperor Huizong of the Northern Song Dynasty, Featuring Right
Three Exemplary Tribute Vases.
Tribute wares are typically small artifacts characterized by their fire gilded copper bands, which exhibit corrosion patterns of cuprite and malachite. These distinctive features serve as reliable indicators of their age, often considered more authentic than thermoluminescence (TL) tests, earning the trust of experts in the field for authenticity verification. The production of tribute wares involves a glazing process that encompasses the entire surface. Notably, the pieces are fired on setters equipped with prongs to elevate the items above the kiln floor, resulting in spur marks on the base that are approximately the size and shape of sesame seeds. The glaze on tribute wares is smooth and showcases no inclusion of crushed agate in the glaze. It is important to note that the presence of crushed blue agate in the glaze is exclusive to Commissioned Official Royal Imperial wares. Typically, tribute wares feature either an off-white or ash-colored biscuit, representing the finest quality merchant wares that were adorned with fire gilded copper bands and presented as tribute to Emperor Huizong. ppjrs
(click image to enlarge)
Sotheby's sold these two Flawed Northern Song Dynasty Ru Ware brush washers in Hong Kong. Now Christie's has sold a flawed Ru Ware Tea Bowl in Hong Kong. They should return the money
Second Commissioned Official Royal Imperial Ru-Wares Represent the Pinnacle of Celadon Production in China.
The Ru Kiln was commissioned to produce the exquisite second series of official Royal Imperial Celadon wares for Emperor Huizong and his court, these wares are characterized by their elegance, luxury, and aesthetic beauty, surpassing both merchant and tribute wares in refinement and size, while consistently showcasing a distinctive celadon hues. Notably, all pieces from this second series are infused with rare crushed blue agate within their glaze, an element observable through a 20x loupe, as evident in the microscopic photographs accompanying each piece. The use of crushed blue agate is exclusive to the Official Imperial Ru wares developed during Emperor Huizong’s reign. Furthermore, these second commissioned Royal Imperial wares exhibit a variety of unique forms that underscore the exceptional craftsmanship of the Ru kiln. The foot rings of these wares are unglazed and were intentionally fired flat within the kiln. Two vases feature fire gilding over copper bands exhibiting corrosion from cuprite and malachite, which serves as a reliable indicator of the artifact's age, more credible than thermoluminescence (TL) tests and widely acknowledged by experts to verify authenticity—an attribute that is impossible to replicate. It is important to note that all second commissioned Royal Imperial wares are unmarked. They possess an off-white biscuit that transitions to a brownish tone post-firing. The wares exhibit a rich, smooth glaze with no crackling, while some pieces feature fire gilding over copper bands, and those without bands likewise maintain a flawless glaze. The vase displayed, adorned with a gilded silver band, show minimal crackling, restricted to a few fine lines. The gilded silver band, exhibiting a darker celadon glaze enhanced with rare blue crushed agate, is clearly visible under magnification. The fire gilding on silver bands have pores in the gild, allowing tarnish to seep through the pores, resulting in pronounced black corrosion on the bands. ppjrs
(click image to enlarge)
Ru-Kiln merchant wares are distinguished by their fine quality; however, they are primarily positioned in the market for affluent merchants, while items with imperfections are made available to the broader public at substantially lower prices.
Three Ru Kiln pieces displayed are examples of Merchant wares. Previously, the only known specimens of such wares were those collected by the Qianlong Emperor during the Qing Dynasty. However, following China's integration into the global market, numerous exquisite pieces and collections that had been concealed have now become accessible. Merchant wares are typically smaller than Commissioned Royal Imperial wares and exhibit a complete glazing, including the foot ring. These items were fired using setters equipped with prongs, which elevated the pieces above the kiln floor. Consequently, they display spur marks that are approximately the size and shape of sesame seeds—distinctive traits that are exclusive to merchant and tribute wares. It is important to note that merchant wares lack the refinement of tribute wares, as the most exquisite examples were adorned with fire-gilded copper bands and presented to Emperor Huizong as tribute. ppjrs
(click image to enlarge)
Navigate Chinese Masterpieces Site Just Select Pages Below