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我的名字是约瑟夫·沙龙,我是一名 100% 残疾的美国海军陆战队越战老兵,我不喜欢抨击博物馆、拍卖行或裙带经销商,但遗憾的是腐败太深,我站出来揭露渗透到美国和世界整个亚洲艺术品市场的腐败。我从 70 年代开始收藏,90 年代我开始从中国私人来源收集非常精美的藏品,这些来源冒着遭受严重迫害的风险,只拥有他们的藏品,这些藏品是由共产党执政前很久的祖先传下来的。遗憾的是,在中国或美国,并不是所有人都能参与拍卖过程。在中国,你必须是中国共产党的一部分;在美国,如果你自己建立了一个重要的收藏,或者拥有一件重要的作品,但没有从拍卖行阴谋集团或他们的裙带经销商那里购买,他们就会完全撒谎并歧视你。这个美国拍卖行阴谋集团有不成文的法律,艺术品行业的每个人都清楚地了解,你不能违背它们。苏富比、佳士得和邦瀚斯是全球艺术品市场和叙事的主要控制者。博物馆、大学和裙带交易商只是傀儡,他们会同意拍卖行的任何要求,因为如果他们不这样做,他们就会被列入黑名单,永远无法再从事艺术品行业,也无法出售任何东西。一切都是为了钱。从阴谋集团购买的收藏家认为他们购买的是优质作品,随着时间的推移,其价值会不断上涨,但他们购买的 99% 的作品永远不会涨价,因为他们继续就稀有性和最好的作品撒谎,并拒绝在拍卖会上提供最好的作品。这个骗子和小偷阴谋集团正在抢劫收藏家,因为他们歧视像我这样的收藏家。我的汝瓷收藏和其他杰作证明他们一直在阻止最好的作品进入公开市场。许多旧藏品是在 1949 年中国被共产党占领之前收集的,大部分只是中国人自己保留的最好的藏品的例证。如今,阴谋集团继续向收藏家出售同样的旧藏品,告诉他们这些藏品有良好的出处,但这毫无意义。20 世纪 90 年代中国开放后,许多中国人得以出售他们的藏品,因为他们害怕被共产党抓住收藏艺术品。这让一些收藏家收集到了非常精美的藏品。阴谋集团继续在拍卖会上出售旧藏品,并通过他们的私人销售和裙带经销商网络出售藏品,并歧视那些自己建立藏品的收藏家,无论这些藏品有多么重要。他们认为他们可以继续对从他们那里购买藏品的收藏家撒谎,而不受惩罚,就像中国共产党一样,你只会听到他们想让你听到的话。在 60 年代的文化大革命中,共产党试图摧毁所有的艺术品,但中国人像每次被入侵时一样,把他们的贵重物品藏了起来,很多东西一直藏到 90 年代。我可以告诉你,世界各地的拍卖行和博物馆都没有向你展示最好的作品。在美国,我们仍然有自由说真话,揭露整个艺术市场中普遍存在的腐败现象。收藏中国艺术品和收藏所有艺术品一样,最好的作品应该被收藏,它们会随着时间的推移而升到最高点。许多在 80 年代之前从阴谋集团购买作品的收藏家已经去世,把他们的收藏留给了孩子,如果 1% 是有价值的,他们就很幸运了。控制艺术市场的阴谋集团认为他们对收藏家有完美的骗局,他们和中国的共产党是一样的。任何支持这个骗子和小偷阴谋集团的人,也参与了他们在美国和中国的腐败和歧视政策。这个阴谋集团并不关心中国人几千年来通过创作的艺术对人类产生的历史意义,他们只关心能从收藏家那里骗取多少钱

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您决定:Peter Combs BidAmount.com 是互联网上排名第一的腐败裙带交易商吗?

Critic1 Enter Here

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另外您决定: 彼得·库姆斯 BidAmount.com 互联网上排名第一的腐败裙带交易商

Critic2 从这里进入

100% 正宗北宋官窑瓷器收藏品

世界上没有比这更能证明其真实性的收藏品了

    I started collecting in the 70s and in the 90s I began to put together a very fine collection from private Chinese sources that risk severe persecution just owning their collections that were passed down by their ancestors that were in power long before the Communist. This Is The Official Commissioned Imperial Royal Ru Kiln Collection From The Northern Song Dynasty Emperor Huizong's Collection   

They're part of the hoard of 300+ unique pieces from the Collection of

Emperor Huizong of N.Song Dynasty. There is nothing in the world that can compare to the importance of this collection, many of these forms have never been seen before, the condition of this collection is exquisite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands  and everyone can see this easily with your own eyes, also the crushed agate in the glaze that can be seen with a 20x loupe. Ru ware is all over the internet and the auction houses are still telling people that they're all fakes, this is just more lies. Only Commissioned Official Royal Imperial Ru wares are Rare and they're not all over the internet and no Royal Imperial Ru wares have ever been sold at any auctions. If anyone has any doubt it would be totally impossible for any Kiln in China today to produce over 300+ wares such as these masterpieces! There's only one Kiln in the history of China that could achieve this, that was Royal Ru Kiln of the Northern Song Dynasty and Emperor Huizong. These 2nd commissioned wares the foot rings are unglazed and they were fired flat in the kiln, and this Cong Vase shown below has fire gilded over copper bands that are corroded with cuprite and malachite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes also the crushed agate in the glaze can be seen with a 20x loupe! You don't have to be an expert to understand this. All 2nd commissioned wares are not marked. The 2nd commissioned wares have an off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, extremely rare wares have fire gilded over copper bands, This Cong Vase is the finest Vase from the hoard of Chinese Emperor Huizong Of The Northern Song Dynasty 1082 to 1135 Collection.

LOOK AND READ CAREFULLY BELOW

Below is a row of closeups photos to show you the Cuprite and Malachite corrosion on the RU WARE Copper Fire gilded Bands. (Fire gilding with gold and mercury, the mercury metal being driven off afterward by fire. This type of gilding hasn't been used since the mid 1800 because it is very dangerous)This patina took about 900 years to develop on these bands and this can't be faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) Also microscopic photos of the RU WARE glaze which you can see the tiny reflective specs of crushed agate that was used in the glaze. The reflective agate specs can also be seen when using a 20x loupe, only Commissioned Imperial Ru Wares have crushed agate in the glaze. The pieces that have been sold by the corrupt Auction companies will not show crush agate in there glaze because they never used agate in Merchant wares. Only Official Commissioned Royal Imperial Ru wares used Rare Blue Crushed Agate in the glaze. The finest Merchant wares have fire gilded copper bands these were given as tribute to the Emperor. Most Merchant wares were sold to the wealthy merchants. The Merchant pieces that were flawed were sold very cheap to the population and Merchant wares that were extremely flawed were destroyed. When Emperor Huizong commissioned the Ru Kiln, he worked with the Ru kiln to setup the site and designed wares for himself and his court and made them his official Royal Kiln. He wanted them to use Rare Blue Agate in the glaze in all his Commissioned wares. The Commissioned wares are generally larger then what the Ru Kiln had been producing, also they have there own distinct styles, forms, and glazes that many have not been seen even until today. They have found the Ru kiln site where they made the Merchant wares before Emperor Huizong commissioned them.

They haven't found Emperor Huizong's Official Royal Ru kiln site yet.

 CLICK ON PHOTOS TO ENLARGE

以下是 48 件皇家御制汝瓷和汝瓷贡瓶

联系我了解价格

Understanding "Botryoidal Malachite" Patina

扇形晶针的形成
大多数晶体只是利用可用的分子开始生长。这会产生离散晶体,其大小取决于可用的材料。但孔雀石不同。它很少形成大小合适的离散晶体。相反,科学家说,正在形成的孔雀石晶体会“分裂”,分叉成细小的针状物,并聚集成扇形。
扇形孔雀石针状物会长成紧密结合的小球,这些小球会聚集在一起并结合在一起,形成一个固体块。当小球停止生长并终止时,顶面会变圆到一定程度。术语“葡萄状”(类似于一串葡萄)和“肾形”(肾形)用于描述大到小的起伏小球块。

作者鲍勃·琼斯 (Bob Jones) 曾获得卡内基矿物学奖,是 Rockhound 名人堂成员,自 Rock & Gem 创刊以来一直为其撰稿。他讲授矿物相关课程,并撰写过多本书籍和视频脚本。

大型葡萄状孔雀石形成


Closely see the tiny round Botryoidal Malachite on the coin

This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)


  • 手表

    点击视频片段证明葡萄状孔雀石无法伪造!没有人伪造过这种葡萄状孔雀石光泽,这种光泽只存在于自然界中。这保证了这件皇家汝瓷收藏品的真实性

    热释光测试

    有人问我关于 TL 测试的问题,我向他解释了一下。这就是为什么我经常收藏带有火镀金带的器物,因为它们更重要,做工更精细,而带有火镀金带的宋代器物是贡品。事实上,层状赤铜矿和孔雀石的存在比 TL 测试可靠得多,您可以亲眼看到,所有专家都用它来判断文物的真实性,而且无法伪造,尤其是在人工取样和进行测试的情况下。世界上只有少数几个实验室,这些实验室不可信,它们有偏见和腐败,众所周知,它们会调换样品或加热样品,使它们看起来像是最近烧制的,尤其是在精美而重要的器物上。问问自己,为什么苏富比的 TL 没有测试他们的汝瓷,这真的没有必要,而且会毁了这件作品,你必须知道要寻找什么。这些材料不再可用,也不可能复制它们。话虽如此,我不建议进行热释光测试,尤其是对重要的物品。如果您必须对某件物品进行热释光测试或热释光测年,那么只有在允许进行双盲测试的情况下才可以这样做,最好是在不隶属于拍卖行的实验室进行。我还没有找到愿意进行双盲测试的实验室。如果有人知道允许双盲测试的实验室,请告诉我,这样我就可以把这个消息传出去。我很乐意对我所说的任何话进行测谎测试,现在如果他们接受测谎测试,我可能会相信他们,但不要指望他们中的任何一个人能通过测试!!越来越多的收藏家可以看到这个事实,并知道这个市场已经如此腐败,他们想要改变。

    The National Palace Museum Agreed My Ru-Ware is from the Song Dynasty!

    After several emails and photos back and forth trying to donate China porcelain pieces from my Song Dynasty Imperial Ru-Ware collection. The Palace Museum declined and was afraid to change their direction of not showing the public the real Official Imperial Northern Song Dynasty Ru ware to the world that has been hoarded away. This is just another cover-up that the Auction houses and Museums are afraid to show because of all the money involved. What you see in Museums is not the finest pieces that the Chinese produced. Below is the last email they sent me and the last email I sent them. And they clearly agreed they are from the Song Dynasty. 

    我和故宫博物院最近两封邮件往来


    2015 年 10 月 29 日

    故宫博物院您好,


    抱歉,您可能误解了我的请求,我并不想将我的宋代瓷瓶卖给故宫博物院。我希望将它们捐赠给故宫博物院。我的律师可能混淆了这个问题,我只想将这些宋代汝瓷免费赠送给故宫博物院,请联系我。

    您忠诚的,

    约瑟夫·沙龙

    2015 年 10 月 30 日

    亲爱的莎伦先生,


    我们对误会深表歉意,并再次感谢您发来的电子邮件,表达了希望丰富故宫博物院藏品的愿望。然而,我们仍然非常遗憾地通知您,您在电子邮件中包含的宋代陶瓷花瓶与故宫博物院的展览方向不符。因此,我们无法满足您捐赠艺术品给我们的愿望。感谢您对故宫博物院的关注。我们希望您能理解此事,并祝您一切顺利。

    此致,

    故宫博物院

    我向一家小博物馆捐赠了五件汝瓷

    位于爱荷华州佩里。

    (森林公园博物馆)

    他们是世界上第一家收藏北宋官窑真品的博物馆

    他们在下面写了关于这个案例的内容!

    汝窑中国陶瓷

    本案中的精美器物来自中国北宋统治者宋徽宗在公元 1100 年至 1127 年间正式赞助的汝窑。宋徽宗是一位艺术家,他赞助艺术比赛,收藏了大量精美的艺术品,甚至发展了自己的书法风格。他的统治是中国和世界历史上伟大的文化黄金时代之一。宋徽宗重视艺术形式的简单性,尤其是五大御窑生产的精美陶器。发展了三个主要类别:商窑器物、贡品和皇帝亲自赞助的非常简单的器物。商窑器物供民众使用,实用且经常有瑕疵,而贡品则饰有饰带并作为礼物赠送给朝廷。宋徽宗不喜欢华丽的贡品,下令制作没有饰带的简单器物。这些器物用碎玛瑙釉烧制而成。与其他类型的器物相比,这些器物只生产了少量,而且仍然备受追捧。不幸的是,皇帝对文化的痴迷导致了军队的衰败。当北方的金朝进攻时,他被推翻,并在俘虏中度过了余生。像这样的物品成为了他永久的遗产。这里的五件物品包括一个商缶笔洗、一个贡品笔洗、一个贡品花瓶和两个皇家花瓶。著名收藏家约瑟夫·沙龙从中国私人渠道收集了它们。

    宋徽宗御制汝窑

    北宋时期解释

    描述汝窑瓷器的古代著作中记载了有关汝窑和徽宗皇帝的事实。


    宋徽宗在位时间是 1100 年至 1126 年。宋徽宗将皇位传给了他的儿子。他以推广道教和诗歌、绘画、书法和音乐方面的才华而闻名。金军步步紧逼,最终占领了他的宋帝国,宋徽宗于 1127 年被俘,1135 年在囚禁中去世,从世界上最富有的人变成了一个穷困潦倒的人。他的大量藏品被收集起来,存放在大木箱中,流传了几个世纪。自 90 年代中国开放以来,许多旧藏品进入了市场。我的御用汝瓷收藏来自宋徽宗的私人收藏。


    徽宗统治期间,他决定委托汝窑为自己和朝廷烧制瓷器,因为汝窑给他的朝廷贡品是所有窑口中最精致的。进献给徽宗的汝窑朝廷贡品是当时汝窑制作的最好的瓷器,它们没有瑕疵,而且为了使它们显得特别,他们使用了几种颜色,并在口沿、有时也在底部添加了火镀金带。(火镀金是用金和水银进行的,随后用火将水银金属除去。自 19 世纪中期以来,这种镀金方式就不再使用,因为它非常危险)在口沿,有时也在底部。所有朝贡器的口沿和底部都有火镀金带,有时只在口沿有。这些带上有大面积的层状赤铜矿和孔雀石腐蚀,这种腐蚀只存在于自然界中,无法伪造。 (摘自 David Scott 所著《艺术中的铜和青铜》一书) (第 3 章第 106 页 青铜器上的孔雀石) 金属到赤铜矿到孔雀石的自然转变很难在 实验室。事实上,大多数在铜合金上产生人造绿色铜锈的配方,例如 Hughes 和 Rowe (1982) 编写的配方,都不会导致在赤铜矿层上形成孔雀石。因此,这种腐蚀的存在,得到了分析和金相研究的支持,是文物真实性的一个很好的迹象 这也引发了其他一些窑厂在其皇家进贡器物上添加火镀金带的现象。


    在汝窑成为真正的皇家御窑之前,他们生产的器物很小,有零星的裂纹,在高脚架上烧制,底部留下了马刺痕迹。这些器物的釉料中都没有碎玛瑙,而且这些器物往往有瑕疵。有严重瑕疵的器物被销毁,有严重烧制瑕疵的器物以非常便宜的价格卖给民众,这些器物就是苏富比和佳士得拍卖的器物,经常在收藏汝窑器的博物馆里找到。更好的器物卖给了富商,价格相当昂贵。最好的器物被作为贡品献给徽宗皇帝,他一直从所有窑口收到这些华丽的器物。徽宗皇帝决定委托汝窑,使其成为中国第一个官方皇家御窑,制造中国历史上第一批专供他自己和宫廷使用的皇家御用器皿。他希望这些器皿看起来与历史上的器皿相似,必须是青瓷色,看起来像是用玉石雕刻而成,颜色与朝鲜的高丽器皿相似。看到原型后,他不希望器皿有马刺痕迹,他们开始在窑中平放烧制器皿,并配以无釉的圈足。徽宗皇帝希望他们在釉料中使用罕见的蓝色碎玛瑙,碎玛瑙只用于徽宗皇帝开发的官方皇家御用汝窑器皿。第一批委托烧制的器皿呈灰色,烧成后变成棕色,一些器皿底部有划痕,其中大多数是风华等痕迹,它们都有裂纹冰裂纹。罕见的蓝色碎玛瑙仅用于徽宗皇帝开发的官方皇家汝窑瓷器。他希望这些瓷器比汝窑贡品更大,非常朴素,造型简单精致,通常使用喇叭形口,所有这些皇家御用瓷器仅供皇帝及其宫廷使用,无论烧制过程中是否出现任何瑕疵。


    汝窑现已成为官方御窑,专门为皇帝和宫廷制作御用瓷器。尽管这些瓷器往往有瑕疵且过于简单,但徽宗皇帝却看到了真正的美,因为每件瓷器都有自己的特点,就像他看到的美一样。最终,他的一些御用顾问想要更精美的瓷器,于是徽宗皇帝决定让汝窑为自己和宫廷制作中国有史以来最精美的青瓷。徽宗委托制作的第二批官窑瓷器并不朴素,它们非常优雅、奢华、美丽,釉色非常丰富,是中国有史以来制作的最精美的青瓷。这些瓷器全都是青瓷色,色调各异,还在所有瓷器的釉料中加入了罕见的蓝色碎玛瑙。它们的青瓷釉质十分丰富,并含有碎蓝玛瑙,釉面没有裂纹,但银带器皿有几条纹路,造型十分精美,圈足无釉,在窑中平烧,坯体呈灰白色,烧成后变为褐色,有时在一些特殊的器皿上在口沿和底部使用火镀金铜带,他们也只在使用最暗的青瓷釉料的特殊器皿上在口沿使用银带,这些器皿有几条裂纹。所有第二次委托的皇家御用器皿都没有标记。


    在成为官方皇家御窑之前生产的所有汝窑瓷器釉料中都没有玛瑙。所有拍卖行和博物馆都声称,他们记录的所有汝窑瓷器釉料中都使用了碎玛瑙,并说看不到玛瑙是因为它在烧制过程中融化了,这完全是错误的说法。他们记录的所有汝窑瓷器都不是徽宗皇帝委托汝窑为他和他的宫廷生产的官方御窑瓷器,都是有瑕疵的商窑瓷器。玛瑙的熔点为1600C至2600C度,而宋代窑炉温度最多只能达到1250C度,因此,认为粉碎的玛瑙会熔入釉中是谬论。商人从来不会在任何器皿中使用玛瑙,而且将玛瑙粉碎成完整的粉末也非常困难,这就是为什么在所有皇家御制的汝窑中,使用20倍或更高的放大镜都可以清楚地看到釉中的玛瑙痕迹。


    我收藏了一批汝窑瓷器,这些瓷器自北宋灭亡后就被藏匿起来,乾隆皇帝没有能力收藏这些瓷器,他收藏的都是一些有瑕疵的瓷器,这些瓷器被卖给了百姓,还有汝窑在成为皇家御窑之前是为富商阶层所烧制的。清朝乾隆皇帝收藏的商商瓷器是当时已知存在的全部。直到 20 世纪的收藏家开始收藏大多有瑕疵的汝窑瓷器。自 20 世纪 90 年代以来,中国向世界开放,许多隐藏的精美瓷器和藏品纷纷涌入市场。我意识到这将解答一些关于汝窑瓷器和徽宗统治时期的问题。多年来,大家都不得不依赖乾隆皇帝的收藏品,这些藏品虽然非常精美,但它们并不是徽宗皇帝委托汝窑为自己和朝廷制作的真正的皇家御用汝窑器皿。


    此批汝窑瓷器为中国历史上第一批皇家御用瓷器。

    古文献对首件御用汝窑瓷器有详尽的解释和记载,称宋徽宗命窑/汝窑烧造的青瓷器质朴、低调、简约,看起来像是来自过去的历史。文献还解释说,首件御用汝窑瓷器在釉料中使用了罕见的蓝色碎玛瑙(用 20 倍放大镜可以看到),碎玛瑙只用于宋徽宗开发的官窑汝窑瓷器。首件御用汝窑瓷器有许多前所未见的独特造型,这一切都展现了汝窑工匠的真正天才。所有首件官窑汝窑瓷器的圈足均无釉。所有首件官窑汝窑瓷器的釉面都有精细的冰裂纹,而且这些器皿内部也施釉。一品御制汝窑瓷器底部常有划痕,且多有风华,花瓶口常为喇叭形,且比商窑和贡品更大。一品御制汝窑瓷器胎体呈灰色,烧成后呈褐色。所有一品御制汝窑瓷器釉面均有细密的冰裂纹,器内也施釉。一品御制汝窑瓷器专为皇帝及其宫廷制作。徽宗皇帝在朴素中看到美,他将这些瓷器视为艺术品,无论它们是否有瑕疵,都留在宫廷中,这些瓷器显然满足了他的愿望。第一个官制的御用汝窑花瓶的特写照片显示,一滴釉汁附着在圈足上,釉中清晰可见稀有的蓝玛瑙碎片,而解释汝窑的古代著作证明,这些是宋徽宗皇帝传奇的御用官窑器物

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    汝窑贡品是他们制作的最好的瓷器,他们将其赠送给宋徽宗,下面是三个贡瓶。

    The tribute wares are generally small with fire gilded over copper bands, these bands have cuprite and malachite corrosion and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked!  Tribute wares are glazed all over and they're fired on setters with prongs that hold the piece off the kiln floor. The prongs leave spur marks on the base and these marks are sesame seed size and shape. Tribute wares have a beautiful smooth glaze and they don't have any crushed agate stone in the glaze. Only Official Imperial wares have crushed Blue Agate in the glaze. The Tribute Wares either have an off white or ash colored biscuit and they are finest done merchant wares, and were given fire gilded copper bands and presented to Emperor Huizong as Tribute

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  • 苏富比在香港出售了这两件有瑕疵的北宋汝窑笔洗。现在佳士得在香港出售了一件有瑕疵的汝窑茶碗。他们欺骗并诈骗了购买这些垃圾的收藏家。他们应该退还钱

    第二次委托皇家御用汝瓷器是中国有史以来制作的最精美的青瓷器。

    Those imperial advisors in the Emperor's court requested finer wares so Emperor Huizong commissioned the Ru Kiln to produce the fabulous 2nd commissioned official Royal Imperial Celadon wares for him and his court, this was also written about in ancient text, The 2nd commissioned Royal Imperial wares are very elegant, luxurious and beautiful, they are larger than both the merchant wares and tribute wares and all are celadon color. All 2nd commissioned Royal Imperial wares have Rare Crushed Blue Agate in the glaze.( this can be seen with a 20x loupe). Crushed Blue Agate has only been used in Official Imperial Ru wares that were developed by Emperor Huizong. The 2nd commissioned Royal Imperial wares have many unseen unique forms that show the true genius of the Ru kiln. The 2nd commissioned Royal wares the foot rings are unglazed and they were fired flat in the kiln, and the vase shown has fire gilded over copper bands that is corroded with cup rite and malachite and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! All 2nd commissioned Royal Imperial wares are not marked. The 2nd commissioned Royal Imperial wares have off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, some wares have fire gilded over copper bands and vases that have no bands also have no crackle in the glaze. All the 2nd commissioned Royal Imperial vases shown below that have a gilded over silver band have a slight bit of crackle a few lines in the glaze, All these vases have gilded silver band around the rim only, also they have a darker celadon glaze with Rare Blue Crushed Agate that can be seen with a 20x loupe. and where the gild has worn they have a thick black corrosion.

    (click image to enlarge)

    Ru-Kiln merchant wares aren't the finest quality these were sold to the wealthy merchants, flawed wares were sold to the population at a very cheap price

    下面展示的三件汝窑器物是商窑器物。商窑器物是清朝乾隆皇帝收藏的器物,是中国开放世界之前已知的所有器物,许多隐藏的精美器物和藏品都流入了市场。商窑器物比皇家御窑器物小,通体上釉,包括圈足。烧制时使用带有叉子的镶嵌器将器物抬离窑底。因此,它们有芝麻大小和形状的马刺痕,这些马刺痕只能在商窑器物和进贡器物上看到。商窑器物做工不如进贡器物精细,因为最好的器物被赋予了火烧鎏金铜带,并作为贡品进献给徽宗皇帝。

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  • Fire gilded bands of three different Tribute Vase Masterpieces top photo Ru , Yaozhou, Guan, and Closeup of Bands 

    (From the book Copper and Bronze in art by David Scott The existence of malachite formation over a layer of cuprite is supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) My pieces clearly show the layered cuprite on the bottom and malachite on top, this only occurs in nature, this is a clear indication of there great age and authenticity and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked.

    Contact me for Price

    苏富比与佳士得 28 件最精美的藏品对比

    从 2010 年到 2020 年售出的作品以及我收藏的杰作,因此您可以看到我收藏的品质

    苏富比拍卖了这件明成化宫碗

    香港

    苏富比 2013 年 11 月 8 日在香港售出这件成化宫小碗,售价 18,000,000美元 底座有六字年款,位于直径 5 7/8 英寸的双圆内。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且,通过将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品在市场上的定位

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    苏富比拍卖此件明成化年间地方碗

    在香港

     Sotheby's sold this small place Bowl in Hong Kong 4/6/2016 for $8,329,524.usd

     base has six-character reign mark within a double circle. 6 1/8 in. They should return the money because they keep the finest pieces out of their auctions. They cheat the high end collector by not offering the best pieces available to them and this just raises the prices of the inferior pieces.

    我奇妙的明代款和成化年间

    梅瓶故事瓶

    This Masterpiece is the finest mark and period Chenghua Meiping Vase ever published. The samali Blue cobalt that was used during the Yuan and early Ming dynasties has a very distinct colour that is different from the Chinese cobalt used today; Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The cobalt used then has not been imported for over five hundred years. It cannot be faked! Collectors must know what they are looking at. The beautiful Chenghua cobalt that hasn't been used for over five hundred years makes them very easy to distinguish from other periods.  This is offered for sale.

    Feel free to contact me about this spectacular Vase. 

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     Contact me for Price 

    苏富比拍卖了这件南宋官瓶

    在香港

    苏富比 以约 的价格售出了这个有瑕疵的官窑花瓶。 14,000,000美元 2015 年 4 月 7 日在香港。这个花瓶的釉面在几个地方有孔。形状不太平衡,看起来像是陶艺初学者制作的。它不是宫廷官方作品,也没有标记,并且来自同一个收藏品。他们在香港以 27,000,000 美元的价格出售了一件汝窑瑕疵品商人作品他们欺骗并诈骗了购买这些作品的收藏家。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的作品,而且通过将最好的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置或价值应该是多少。

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     Sotheby's sold this Southern Song Dynasty Guan Vase

     in Hong Kong

     Sotheby's sold this Southern Song Dynasty Guan Vase 4/2/2018 in Hong Kong for $1,620,782 usd. dark brown body unctuously applied overall save for the unglazed footring with a lustrous glaze of pale greyish-blue tone, the glaze suffused with a network of luminous golden-beige crackles 5 7/8 in Tall. They claim it a Imperial pieces and doesn't have any official mark These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.

    Click photo to enlarge

    My Guan Yao Ribbed Vase This Is The Finest in the World, this Official Vase Is Marked and Period made for the Imperial court

    of the Southern Song Dynasty 1127- 1279

    Check all the books and Museums in the world, you won't find a finer or more Beautiful Masterpiece than this Guan Yao Southern Song Dynasty Ribbed Vase below. It has a thick opaque pale blue with a slight greenish glaze that was achieved by putting on several applications of glaze and successive firings. This thick coat of glaze thinned out around Rim and shows the dark color biscuit and has slight crackle throughout. The form is well balanced clearly done by a master potter. These types of wares are known to be very finely potted with bodies thinner than the glaze. The Vase has the official government mark on the base. The Jin Armies drove the Imperial Court out from the Northern Song Dynasty they were driven south to Hangzhou in 1127A.D. and they setup the

    Southern Song Dynasty.  ppjrs

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     Contact me for Price 

    苏富比拍卖了这件南宋官杯

    香港

    Sotheby's sold this tiny 3 inch Guan ware cup was sold by Sotheby's 10/7/2115 in Hong Kong for $1,249,010.usd . They swindled another Chinese collector they should return the money this piece in no way worth the price.

    Click photo to enlarge

    Sotheby's Sold Southern Song-Yuan Dynasty Guan lobed Dish

     in Hong Kong

    苏富比 2017 年 5 月 4 日在香港以 1,557,270 美元 青瓷釉在边缘变薄,釉面上布满迷人的金米色裂纹,除了修整整齐齐的足圈外,没有釉料,露出深棕色的胎体。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的作品,而且通过将最精美的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置或价值应该是多少。仔细看看照片

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    My Wonderful Southern Song Dynasty Guan Mallet formed Vase

    My masterpiece Guan ware Mallet form Vase, This very finely potted Vase is 8 1/2 inches tall, has beautiful form and it's glazed has several golden threads like the Sotheby cup and the dish. This off white glaze thins around the mouth and the foot ring is unglazed this shows the dark brown body. ppjrs

    ( Click on photos to enlarge )

     Contact me for Price 

    苏富比在香港拍卖了这件明代宣德款狮子碗,称其为成化款

    苏富比 2017 年 4 月 5 日在香港以超过 2,000,000 美元 。查一下,他们一定是在开玩笑,他们称这只碗为成化。它清楚地显示出标记和颜色的堆积,这是一个宣德碗,绝对不值那么多钱。他们喜欢编造故事,试图让这件作品更重要,并试图让自己成为高级专家。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的作品,而且通过将最精美的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置或价值应该是多少。

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    苏富比在香港出售了这件明代成化款 Jarlet 瓷器,这是劣质品,我不敢相信他们出售这些垃圾还能逍遥法外,他们应该承担责任

    苏富比 2020 年 7 月 11 日,Jarlet 在香港以 $4,357,988.美元 带有双圆圈内的六个字符标记,高 3 1/2 英寸。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的物品,而且通过将最精美的物品排除在拍卖之外,普通收藏家不知道他们的物品适合市场什么位置,也不知道价值应该是多少,当然不是四百万。请访问该网站查看更大的照片

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    My Real Masterpiece Fabulous Ming Dynasty Mark and Period Chenghua Lion Jar with Buddhist symbols

    此杰作是迄今为止出版的最精美的黑白成化罐。此件刻有佛教符号的成化狮子罐是一件非常重要且细节非常精致的作品。元朝和明初使用的三昧蓝钴颜色非常独特,与今天使用的中国钴不同;成化瓷器对钴的精炼非常精湛,不会出现堆积和堆积破坏釉面的情况。当时使用的钴已有五百多年没有进口了。它是无法伪造的!收藏家必须知道他们在看什么。成化钴五百多年来从未使用过,非常漂亮,因此很容易与其他时期的钴区分开来。

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    联系我了解价格

    苏富比拍卖此件清珐琅彩罂粟纹碗

    乾隆 年制款

    苏富比 此件珐琅彩罂粟纹碗 4 1/8 英寸款,附乾隆款,2018 年 10 月 3 日在香港以近 22,000,000美元 这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且通过将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品在市场上的位置或价值应该是多少。

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    苏富比拍卖清雍正款珐琅彩千花纹碗

    Sotheby's sold this Qing Dynasty Yongzheng mark and period Falangcai mille-fleurs 4" Bowl 8/10/2013 in Hong Kong for $1,862,182.usd . These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. 

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    清雍正 年款一对

    珐琅彩花瓶

    这些粉彩绝世珍品是杰作,壶身非常薄,雍正年间(1723 年至 1735 年)在北京紫禁城装饰。这些花瓶采用珐琅彩绘制,据说皇帝亲自监督这些器皿的制作。这些花瓶非常精致,装饰有树枝、梅花和鸟类。背面有一首诗,带有三个印章。底座上的雍正标记是北京装饰师用蓝釉添加的。雍正珐琅彩色调独特,使这些器皿易于区分。这对花瓶并非彼此完全复制,这是雍正器皿的典型特征。这些花瓶上的鸟非常精致,羽毛用一把毛刷画了上千个细小的笔触,它们的实际尺寸是 1/2 英寸,放大特写照片。这些器皿的质量非常好,请查看您的拍卖目录、书籍、博物馆,看看您是否能找到更好的一对雍正珐琅彩花瓶。这对花瓶高约 8 3/8 英寸。

    请随时联系我了解这些花瓶的情况。

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    纽约苏富比拍卖宋代戈壶形瓶

    This is a Ge Ware vase 8 1/2 inches tall Sotheby's sold In New York 9/15/2010 for $1,762,500.usd very thinly potted, of pear shape and octagonal section, resting on a slightly flared foot pierced with a circular aperture on the sides, rising from a swelling body and tapering to a gently everted mouth, the collar with a double-band of horizontal raised ribs, flanked by a pair of tubular handles, applied overall with a lustrous opaque creamy-gray glaze, suffused with black and gray craquelure among finer golden-orange crackles, the footrim unglazed and burnt to a dark-brown color in the firing These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.  

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    佳士得拍出南宋元哥纹盘

    在香港

    佳士得 2019 年 11 月 12 日在香港售出此南宋元哥纹盘,售价约。 60万美元 他们的描述“盘为浅盆形,浅边从短圈足上升到金属边缘,内部中心略微凹陷,内外覆盖米色釉,泛着深灰色和浅棕色裂纹,饼干足除外,露出浅黄色的主体。”看起来金属带已经不见了,他们的描述与古代文献中对哥窑的描述完全不同。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的作品,而且通过将最精美的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场的位置或价值应该是多少。看看我的杰作哥窑花瓶,它是由南宋的一位陶艺大师制作的。

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    我的南宋哥窑哥器一对,非常罕见

    八角形花瓶

    (世界一流)

    Joseph.Sharon@chinesemasterpieces.com

    这对精美绝伦的哥窑八角瓶是迄今为止最稀有的哥窑器物之一。这些花瓶呈麦色,壶身非常薄,他们还称哥窑有铁足,从底部可以看到因为他们使用了一种浅褐色的粘土,这种粘土含有非常高的铁,烧成后会变成深褐色。他们把这种裂纹描述为铁丝和金线裂纹。哥窑在南宋时期被称为哥窑,可能被称为元代。这些花瓶是非常罕见的器物。

    它们高约 8 3/4 英寸。ppirs

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    苏富比拍卖此件明宣德年款

    香港青花波瓣鱼池碗

    Sotheby sold this Ming Dynasty Xuande Mark and Period Blue and White Lobed Fish Pond Bowl in Hong Kong on 4/5/2017 and Measures 9" dia. The base inscribed with a six-character reign mark within a double circle.

    For approx. $29,000,000. usd

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    Sotheby's sold this Ming Dynasty Mark and period Xuande  Brush Washer in Hong Kong

    苏富比 2015 年 10 月 7 日在香港以 $3,107,042 美元 底座刻有双圈内六字年款,边缘为金属镶嵌,最近在香港于 2023 年 4 月 8 日售出,售价约为 2,145,560 美元。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的作品,而且,通过将最精美的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置,也不知道价值应该是多少

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    My Masterpiece Blue & White 15th C. Ming Dynasty Xuande

    Mark & Period Eggshell Thin Bowl 

    这款 15 世纪明朝宣德款薄壳碗是有史以来最精美的青花瓷之一,上面绘有水果和树叶。这件杰作经过了装饰,并配有镀金饰边。他们使用了进口的萨马利蓝钴,这种钴呈黑色,当堆积和堆积效果打破釉面时,它会显示出黑点或银色反射,而不是棕色,棕色是中国本地钴,这证实了它的年代,因为这种钴已经 500 多年没有使用了。碗直径约为 11 3/4 英寸。ppjrs

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    Sotheby sold this Northern Song Dynasty Ding Yao Bowl 

    in Hong Kong 

    苏富比 北宋定窑碗售价 18,800,000 美元 在香港 4/8/2014 这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的作品,而且由于将最精美的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置,也不知道价值应该是多少。这个碗来自他们的一位中国艺术品经销商。请注意他们几乎总是清洁带子,他们这样做是为了控制你,因为任何人都可以看到这种腐蚀,这证明它是古老的。我的致敬作品显示了腐蚀,请查看

    我的杰作北宋定窑花瓶

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    苏富比拍卖北宋定窑炉

    在香港

    Sotheby's sold in Hong Kong this Northern Song Dynasty Ding Yao Burner on 10/5/2017 for $2,316,800 usd the rim mounted with a copper-coloured metal band with traces of malachite encrustation. NOTICE IN THEIR DESCRIPTION THEY SPEAK OF "COPPER-COLOR METAL BAND WITH TRACES OF MALACHITE" THIS PROVES IT"S AGE. This is why I tell you about the Cuprite and Malachite it can't be faked and proves my pieces are authentic and anyone can see this.These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. 

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    我的北宋贡品定窑花瓶杰作

    定窑贡瓶

    Northern Song Dynasty Official Ding Kiln White Ware with incised lotus leaves and flowers, trumpet mouth, marked tribute Vase. Vase has ivory colored transparent glaze over a white stoneware body, shows some tear streaks in the glaze, Has two fire gilded bands around rim and base that are layered with reddish Cuprite and greenish Malachite patina where the gold has pores, this proves its age and is more reliable than a TL test and used by all experts to authenticate artifacts. The vase is marked and is a tribute piece also because of the fire gilded band.

    Measures approx. 12 3/8" tall. ppjrs 

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    Contact me for Price

  • Sotheby's Sold this Northern Song Dynasty Cizhou Meiping

    Sgraffito Vase in London

    Sotheby's sold this Northern Song Dynasty Cizhou Sgraffito Meiping Vase for $609,680.usd in London 5/13/2015 This vase is 11 5/8" tall These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be.

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    佳士得售出北宋磁州窑彩瓷

    梅瓶在纽约

    佳士得 售出北宋磁州窑五彩梅瓶396,500 美元 2018 年 3 月 22 日在纽约 这个花瓶高 12 1/8 英寸 这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的作品,而且通过将最好的作品排除在拍卖之外,普通收藏家不知道他们的作品适合市场什么位置或价值应该是多少。

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    My Large Northern Song Dynasty Cizhou Sgraffito

    Meiping Vase

     This is a Masterpiece Northern Song Dynasty Cizhou Sgraffito Peony Meiping Vase. This large 22 1/2" tall Vase is arguably the Finest Cizhou meiping Vase ever published. This vase is finely incised with leafy vines and blooms with lappets. This Cizhou Vase has a light grayish body. This is a true masterpiece of Cizhou wares. Feel free to contact me about this Beautiful Vase. ppjrs

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    苏富比拍卖北宋耀州窑甑

    在香港

    苏富比 2016 年 4 月 6 日,这件北宋耀州窑 Kundika 瓷器以 706,591 美元 在香港,kundika 高 8 5/8 英寸。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且,通过将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品在市场上的位置或价值应该是多少。

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    Christies sold this small Northern Song Yaozhou

    Petal-Rim Jar in Hong Kong

    Christie's sold this small Northern Song Yaozhou Petal-Rim Jar on 12/2/2015 for approx $250,000.usd in Hong Kong 4 5/8" tall These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check out my real Masterpiece Northern Song Dynasty Tribute Yaozhou Vase

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    My wonderful Northern Song Dynasty Yaozhou Ovoid form 

    Tribute Vase

    电视他的杰作是北宋世界级耀州窑椭圆形贡瓶,瓶口和瓶底周围饰有火镀金带,被红色赤铜矿和绿色葡萄状孔雀石腐蚀。这证明了它的年代,比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造。有一个精致的灰色陶器瓶身,瓶颈和底部周围雕刻有花头和荷叶。这个花瓶覆盖着厚厚的透明细裂橄榄绿釉,充满了气泡,这些气泡围绕着深雕的轮廓,颜色更深。所有这些都是 11 世纪和 12 世纪陕西省耀州窑器的特征。装饰是按角度雕刻的,以促进汇集效果。底部用一些釉料轻轻擦拭,但大部分仍未上釉,并在烧制过程中变成棕色。花瓶高约 10 英寸。请随时与我联系,了解这个美丽的花瓶 ppjrs

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    纽约苏富比拍卖宋定柿碗

    苏富比 2014 年 9 月 16 日在纽约以 81,250 美元。 它的尺寸为 6 5/8 英寸,看看我的北宋定窑柿子花瓶。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的作品,而且,通过将最精美的作品排除在拍卖之外,普通收藏家根本不知道他们的作品在市场上的位置或价值应该是多少。

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    佳士得拍得北宋柿子

    纽约的釉花瓶

    Christie's Sold this Northern Song Dynasty Persimmon glaze Vase in New York on 9/15/2016 for $317,000. usd 8 7/8" tall. Check out my Northern Song Dynasty Ding Persimmon Vase. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces

    fit the marketplace or what the value should be.

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    我的北宋定窑柿釉

    带翼柄的花瓶

    这件杰作是北宋定窑柿釉翼耳器皿。柿釉也被称为红色或紫色,具有金属外观和非常光滑的感觉。花瓶采用白色陶器主体,底部用釉料擦拭,您可以看到内部未上釉的白色主体。此花瓶产自河北省定县曲阳的官窑,那里出产最出色的柿釉器皿。这些器皿与茶道有关,非常精致。您可以清楚地看到宋代陶工的高超技艺。尺寸约为 9 3/4 英寸高。ppjrs

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    Sotheby's sold Ming Dynasty Unmarked Chenghua Vase 

    in Hong Kong

    苏富比 2010 年 10 月 8 日在香港出售此无款成化花瓶,售价 5,572,355 美元。 这个花瓶没有标记,据说是成化年间的。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且,通过将最精美的藏品排除在拍卖之外,普通收藏家不知道他们的藏品在市场上的位置或价值。他们甚至拒绝检查我精美的带有标记和成化时期的藏品。

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    苏富比拍卖此件无款成化花瓶

    在纽约

    苏富比 2018 年 3 月 20 日,在纽约以 2,895,000 美元 这个花瓶没有标记,据说是成化年间的。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且,通过将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品在市场上的位置或价值。他们甚至拒绝检查我那些带有标记和成化时期的精美藏品。

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    My Masterpiece This Extremely Rare Blue & White Ming Dynasty 15th C. Chenghua Mark & Period Windswept Jar

    这件杰作是一件精美的明代青花十五世纪成化风吹仙人官罐。成化时期为 1465 - 1487 年。罐上有四块板,第一块是荷叶,第二块是水,上方有飞马在云中,主板是人物故事,上面有六个字的成化款,底部有水纹图案。您可以看到艺术家在人物长袍上创造的风吹效果,长袍在风中飘扬。您还可以清楚地看到罐子在制作时是如何粘合在一起的。罐底斑驳,看起来有些烧焦。罐子高约 11 3/4 英寸。成化青花瓷是中国有史以来最受追捧的青花瓷。这一时期使用的漂亮钴使它们很容易与其他时期区分开来。它们与当时使用的进口索马里蓝钴有着明显的黑色色调。他们还混入当地的钴(称为 pitang)来稳定进口钴,因为众所周知钴会流动。成化瓷器没有堆积效果,因为他们将钴提炼得非常好。进口钴来自波斯,没有人知道波斯的哪个地方。自 500 多年前的成化末期以来,中国就没有进口过这种钴。成化瓷器轮廓精细,用宽刷子以松散的自由式笔触填充。他们比以前任何一个时期都更能提炼粘土,并使用高温窑炉,通常较大的碎片会导致未上釉的底部看起来烧焦或斑驳,而上釉的底部会看起来波浪形。釉面上有微小均匀的气泡,可以用放大镜看到。

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    苏富比拍卖南宋钧碗

    在纽约

    苏富比 售出此件南宋钧瓷小碗,直径 3 3/4 英寸,于 2016 年 3 月 16 日在纽约售出,售价为 81,250 美元。 这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且由于将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品适合市场什么位置,也不知道它们的价值应该是多少。看看我的北宋钧瓷花瓶

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    佳士得在香港拍卖北宋钧瓷花瓶

     Christie's sold this Northern Song Dynasty Jun Vase 11 1/2" Tall in Hong Kong 11/29/2017

    for approx. $600,000.usd. These corrupt Auction Houses cheat all collectors because they don't have the opportunity to purchase the rarest and finest pieces in the world also by keeping the finest pieces out of their auctions the average collector has no idea where their pieces fit the marketplace or what the value should be. Check out my Masterpiece Northern Song Dynasty Jun Vase.

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    我的杰作 北宋钧窑 钧瓷

    龙耳花瓶

    北宋钧窑钧瓷龙柄花瓶,裂纹非常细腻,釉面变薄处有大量紫色斑点,可以看到典型的蘑菇色。高约 9 英寸。如需了解此花瓶,请随时与我联系。ppjrs

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    佳士得拍卖此件明宣德青花莲纹盘

    在香港

    佳士得 于 2019 年 5 月 29 日在香港售出此款直径 10/3/4 英寸的青花莲花盘,售价约为。 465,000 美元 盘子侧面有年号,底部无釉。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有、最精美的藏品,而且,由于将最精美的藏品排除在拍卖之外,普通收藏家根本不知道他们的藏品在市场上的位置或价值。

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    苏富比拍卖了这件明宣德青花

    香港的龙菜

    苏富比 2012 年 4 月 4 日在香港以 1,000 美元的价格售出了这件明宣德青花小龙盘,直径 9 7/8 英寸。 $2,392,732 美元. 钴币具有“堆积”的特征,底部刻有双圆圈内的六字年号标记。这些腐败的拍卖行欺骗了所有收藏家,因为他们没有机会购买世界上最稀有和最精美的藏品,而且由于将最精美的藏品排除在拍卖之外,普通收藏家不知道他们的藏品在市场上的位置或价值应该是多少。

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    我的青花十五世纪明宣德款

    对凤与花的对峙

    这款 15 世纪明朝宣德款彩绘凤凰、花卉、树叶和水果盘是有史以来最精美的青花瓷之一。这款宣德杰作经过修饰,并配有镀金饰边。他们使用了进口的萨马利蓝钴,这种钴呈黑色,当堆积和堆积效果打破釉面时,它会显示出黑点或银色反射,而不是棕色,棕色应该是中国本地钴,这证实了其年代,因为这种钴已经 500 多年没有使用了。这款盘子直径约为 14 1/8 英寸。

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    我的十件最精美、最重要的杰作

      Yuan Dynasty Blue & White Dragon and Phoenix

    Double Gourd Vase       

    Joseph.Sharon@chinesemasterpieces.com

    元青花双龙戏水双凤飞云葫芦瓶。他们用的是进口的萨玛利蓝钴料,这种钴料色调偏黑,当堆积和堆积效果打破釉面时它显示出黑色斑点或银色反射,而不是棕色,那应该是中国当地的钴,这个花瓶带有绿色色调,这证明了它的真实性,因为钴中含有造成这种现象的矿物质,这证实了它的年龄,因为这种钴还没有被使用

    已有 500 多年历史。罐子高约 18 5/8 英寸。

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    Blue, White And Red Yuan Dynasty One Of Pair, Finest Pair In The World With Applied Flowers And Leaves Jar 

    Blue, White And Red Yuan Dynasty One Of Pair, Finest Pair In The World With Applied Flowers And Leaves Jar Blue, White and Red Yuan Dynasty Jar with applied Flowers and Leaves , also has a rare Cat finial, is one of a pair of Jars that are the finest in the World. They used the imported samali blue cobalt and this cobalt has a blackish tone and when the heaping and piling effect breaks the surface of the glaze it shows black spots or a silvery reflection not brown that would be local Chinese cobalt, this confirms the age because this cobalt has not been available for over 500 years. The Jar measures approx. 16 3/4" tall. ppjrs​

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    这是迄今为止世界上出版和出售的最精美的瓷器,“清乾隆款珐琅彩器”

    This Qianlong Vessel is in a Class of it's own. This is arguably the finest piece of Chinese Falangcai Enamels porcelain ever published and offered for sale. Get your books out, check your auction catalogs, Check every museum in the world see if you find a more beautiful or incredible piece anywhere in the world. This Qianlong Vessel has it all, there was so much skill in producing this Vessel it's a must see first hand to really appreciate it. The Vessel has many levels of decorations. The form is exquisite. The ground was blue then incised with a pinpoint in a wave like pattern, then covered with gold. Areas of the ground have small rose colored blossoms. There is two panels that are so delicately painted you can't imagine the total control of the artist that did this piece. The painting in the panels has branches, flowering blooms and two Magpie Birds and much of it was done using a few strands of hair brush and some strokes look to have used a single strand, this can be seen using a loupe. The panel frames are in iron red and on the sides there are two leaves in iron red with a cricket and a grasshopper on the leaf. The vessel has two gilt phoenix handles. There is very controlled droplets of white enamel highlighting the iron red throughout the piece. The inside and bottom are covered in a beautiful turquoise color. The vessel has the Qianlong mark on the bottom that lines up with the main panel typical on Imperial Qianlong pieces. The vessel measures 7 5/8 inches tall. Qianlong mark and period 1736-1795 This vessel sets the bar very high for real Masterpieces of Chinese porcelain. Feel free to contact me about the price of this vessel.

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    宏伟杰作“清乾隆

    标记和时期粉彩花瓶”

    这是一件绝对精美的清代乾隆款粉彩花瓶,年代为 1736-1795 年。此瓶采用多条带和多层装饰制成,展示了制作这件作品所需的高超技艺。瓶的部分部位经过镂空处理,肩部的带子上显示出数以千计的非常精细的细小珐琅滴,叶子、树枝、花朵和蝴蝶都画得非常精致。仔细观察并放大叶子、花朵和树枝,您会看到细节、色彩和阴影,这些都为这件杰作增添了平衡感和深度。瓶背有诗句,瓶底有乾隆款,与主要装饰的中心对齐,这是乾隆作品的典型特征。此瓶高约 16 1/8 英寸。

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    Imperial Blue & White 15th C. Ming Dynasty Xuande Mark & Period

    Eggshell Thin Flowers Bowl 

    青花十五世纪明宣德款薄壳纹碗,绘有牡丹、花卉、藤蔓和树叶。这件杰作经过修饰,并饰有镀金边。他们使用了进口的萨马利蓝钴,这种钴呈黑色,当堆积和堆积效果打破釉面时,它会显示出黑色斑点或银色反射,而不是棕色,棕色应该是中国本地钴,这证实了它的年代,因为这种钴已经 500 多年没有使用了。

    碗的尺寸约为 11 3/4" 直径。ppjrs

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    极为罕见的伊斯兰风格清代杰作“乾隆款粉彩山水瓶”

    Chinese Antique Porcelain Qing Dynasty Qianlong Marked and Period Famille Rose Landscape Vase This is a extremely rare and fine Qianlong marked and period 1736-1795 Famille Rose landscape Vase. The Vase has a Hu form, and resembles Islamic tile in parts of the motif. The Islamic influence shows up in some porcelains for only a short period of time during Qianlong period. This beautifully painted and highly detailed Vase has two landscape panels of valleys. Each panel is framed with two phoenix. The Mark lines up with the main panel which is typical of Imperial Qianlong porcelain. This vase is a true masterpiece tens of thousands of strokes to complete this Qianlong period masterpiece. The Qianlong period was the pinnacle of porcelain in China.

    This Vase measures approx. 10 1/2 inches tall. 

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    超级杰作“乾隆款”

    刻镜黑釉碗”

    这是一件极其精美的乾隆 1736-1795 年款镜面黑釉碗,碗上点刻建筑和山水纹饰,内填金饰。这件镜面黑釉碗是公开市场上同类作品中最精美的杰作。查阅所有拍卖目录和书籍,看看能否找到可与这件杰作相媲美的黑釉作品。每条线都刻得细如发丝。您无法通过照片欣赏这件作品,必须亲眼看到,才能理解制作这件碗所需的技巧和控制力。器型精美,还可以看到釉料在边缘变薄,露出下面的白色饼干。乾隆印鉴与碗正面对齐,这是乾隆时期的典型特征。乾隆时期是中国瓷器制作的巅峰时期。碗直径约为 9 3/16 英寸。

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    这款极为罕见的青花瓷 15 世纪明成化年间特大款花瓶

    (世界一流)

    Joseph.Sharon@chinesemasterpieces.com

    This is a wonderful very large blue and white Ming Dynasty Chenghua Imperial marked and period Vase. This Vase is decorated with several bands and the main band is Fish swimming amongst water weeds. This unusual Vase is very large for Chenghua wares but they did do large wares there very rare. The Chenghua period was from 1465 - 1487. It has the six Character Chenghua mark written in the second band. Check your auction catalogs, books, and look in museums, online you won't find a Larger Chenghua Vase published anywhere. The vase has wonderful form, great color and is painted with very controlled loose freestyle strokes that finest Chenghua wares are known for. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period. Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze. The imported cobalt called Somali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose freestyle strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled on the bottom of this vase This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loop. It doesn't get better than true Imperial blue and white Chenghua wares.

    Measures approx. 26 " tall 

    (click image to enlarge)

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    Qing Dynasty Imperial mark & period Yongzheng Pair

    of Falangcai Enamels Vases 

    (WORLD CLASS)

    Joseph.Sharon@chinesemasterpieces.com

    这些精美绝伦的珐琅彩花瓶壶身非常薄,边缘厚度不到一角硬币的一半,雍正年间(1723 年至 1735 年)在北京紫禁城装饰。这些花瓶用珐琅彩绘制,据说这些瓷器的制作都是皇帝亲自监督的。制作这些花瓶需要如此的技巧和控制力,这些花瓶非常精致,装饰着树枝、梅花和鸟。雍正珐琅彩的色调独特,使得这些器物很容易区分。背面有一首诗,上面有三个印章。底座上的雍正款是北京装饰师用蓝釉添加的。这对花瓶并不是彼此完全相同的复制品,这是雍正时期的典型特征器皿。这些花瓶的壶身非常精致,瓶口非常薄。艺术家的技巧和控制力令人难以置信。这些器物的质量非常好,请查看拍卖目录、书籍、博物馆,看看是否能找到更好的一对雍正珐琅彩花瓶。这对花瓶

    尺寸约为。9 1/8" 英寸高。

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    这款极为罕见的 15 世纪青花瓷

    明成化年制大人物图罐

    (世界一流)

    Joseph.Sharon@chinesemasterpieces.com

    This is a wonderful very large blue and white Ming Dynasty Chenghua Imperial mark and period Figure Jar. This Jar is decorated with several bands and the main band is Figure story. This unusual Jar is very large for Chenghua wares it's very rare and can't be denied by those so called experts. The Chenghua period was from 1465 - 1487. It has the six Character Chenghua mark written in the second band. Check your auction catalogs,books, and look in museums, online you won't find a Larger Chenghua Jar published anywhere. The Jar has wonderful form, great color and is painted with loose freestyle strokes that finest Chenghua wares are known for. These blue and white wares are the most sought after blue and white wares that China ever produced. The beautiful cobalt used during this period makes them very easy to distinguish from other periods of Chinese blue and white wares. They have a distinct blackish tone from the imported cobalt that they used during that period.  Chenghua wares refined the cobalt so well they don't have heaping and piling that break the glaze, this imported cobalt called Samali blue, they believe came from Persia and they don't know where in Persia. They have not imported this cobalt for over 500 years. During the Chenghua period they also used a local cobalt called Pitang. The imported cobalt was known to run and they would stabilize it by mixing them together. Depending on the mix it would give very refined colors. In Chenghua wares they painted fine outlines and filled them in with a broad brush using loose free style strokes. They refined the clay better than any previous period and with their high firing kilns this often caused them to look burnt or mottled as on the bottom of this vase This glaze is easy to distinguish it is very fine, and has tiny even bubbles this can be seen using a loupe. It doesn't get better than true Imperial blue and white

    Chenghua wares. approx. 26 " tall

    (click image to enlarge)

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     Jade Carvings Sold at Sotheby's, Christie's, & Bonham's from 2014 to 2019

    Compare Them to what I'm offering "Special Sale Jade Carvings of Similar Periods"

    由拍卖行出售的三种神兽玉雕比较我提供的

    我的精雕明代浅灰白色玉卧兽神兽

    有一些褐色的纹理和褐色的内含物,以及证实其年龄的雕刻风格。

    雕像尺寸 3 1/2" 长

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    2019 年 4 月 3 日,苏富比在香港拍卖了这尊六朝黄玉神兽像

    长 3 英寸,售价 287,010 美元。

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    My Six Dynasties White Jade Recumbent Winged

    Mythical Beast Statue

    This very finely carved mythical animal has it's three puffs tail flick up on its back and also shows it's female genitals. The fine white Jade material shows extensive russet inclusions and carving style that confirms it great age.

    This carving was done during the Six Dynasties. The Jade measures 4 1/8" long.

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    佳士得于 2016 年 11 月 30 日在香港售出这件西汉青瓷玉羊形水壶

    长度为 4 3/8 英寸,价格约为 2,500,000 美元

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    My Warring States Eastern Zhou Dynasty Pale Celadon

    Highly Stylized Elephant Vessel 

    This is a very important Eastern Zhou Pale Celadon Elephant Vessel. This vessel is exquisitely carved with highly stylized details from the Eastern Zhou period The lid has a mythical bird finial. The Translucent pale celadon Jade has extensive brownish, clouding, veins, inclusions throughout the piece and carving style confirms its age.

    The vessel measures 7" long 

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    苏富比于 2019 年 3 月 19 日在纽约售出了这件唐代小白玉兔吊坠

    长度为 1 3/8 英寸,售价为 57,500 美元。

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    我的唐代灰白玉

    鹿与鸟吊坠

    这是一件精雕细琢的唐代灰白玉鹿鸟莲花吊坠,其丰富的云纹和雕刻风格证实了其年代。尺寸 3 1/8 英寸高

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    Sotheby's Sold this Yellow Jade 'Horse' Paperweight
    17th Century in Hong Kong on 4/8/2014

    measures 3 3/8" long for $856,228.usd

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    My Yuan Dynasty Yellow/Celadon Jade Resting Horse

    With Leg Up Statue

    Finely carved Yuan 1279–1368 Dynasty yellow/celadon Jade Resting Horse with leg up Statue, that has

    areas of brownish russet inclusions and carving style that confirms its age. Measures 3 1/2" long

    Click photo to enlarge

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    Bonham's Sold this white jade of 'horses and monkey'

    Qianlong period in London on 5/16/2019

    measures 3 3/8" long for £ 43,812 GBP.

    click photo to enlarge

    我的清代白玉水牛小牛组

    精雕细琢的清代白玉水牛和小牛雕像。该组有大量云状内含物和雕刻风格,证实了其年代。测量值约为。 3 1/2" 长

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    苏富比拍卖明代黄玉神兽

    2015 年 10 月 7 日在香港采取的措施

    2 3/4" 长,售价 48,386 美元

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    My Ming Dynasty yellow/celadon Jade Kneeling Mythical Beast

    Ming Dynasty Yellow/Celadon Jade kneeling Mythical Animal Statue, That has areas of clouding and russet veins inclusions and carving style that confirms the age. Measures 3 3/4" tall

    Click photo to enlarge

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    苏富比拍卖了这块唐代米色和棕色玉石

    驼色 2019 年 9 月 10 日在纽约 尺寸为 2 3/8 英寸宽

    售价 62 万美元

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    My Tang Dynasty Grayish/Celadon Jade Camels Statue 

    This is a unique and finely carved Tang Dynasty 618-907 grayish/celadon Jade standing Camels statue. The carving is beautifully executed with a very well balanced form. The jade material is very fine with extensive reddish brown inclusions and carving style confirms its age. This statue measures a 6 1/2" long.

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    苏富比于 2019 年 4 月 3 日在香港售出这尊宋代玉雕水牛像,长 3 1/8 英寸,售价 128,810 美元

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    My Song Dynasty Grayish White Jade Recumbent Hound Statue

    Finely carved Song Dynasty Grayish White Jade Recumbent Hound Statue that has russet veins and areas

    of clouding inclusions with carving style confirms its age and period. measures 3 1/2" long

    Click photo to enlarge

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    苏富比拍卖了这件米色玉雕神兽

    汉代 - 六朝古都纽约 2019 年 3 月 19 日

    长度为 2 1/4 英寸,售价为 740,000 美元。

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    我的汉代卧黄/青玉

    神话动物

    这尊极其精美的黄/青玉卧兽雕像。这尊神兽有一条腿,雕刻得非常精细,显示出肌肉、皮肤褶皱和脊椎。这是汉代(公元前 206 年至公元 220 年)的一件非常独特的玉雕。玉石材料呈美丽的黄/青玉色,带有白色和黑色斑点内含物,雕刻风格证实了它的年代。这尊雕像应该是富人阶层的财产,因为当时玉比黄金更值钱。尺寸 4英寸长

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    Sotheby's Sold this Eastern Zhou Dynasty Yellow Jade Animal-Shaped Plaque in Hong Kong 4/3/2019

    measures 8 5/8" long for $3,423,126.usd.

     click photo to enlarge

  • My Warring States period during Eastern Zhou Dynasty Jade

    double dragon Huang plaque/pendant 

    Large Masterpiece very fine Warring States period during Eastern Zhou Dynasty. Jade double dragon Huang pendant. This arc shaped pendant has two dragon heads and it is covered in grain pattern over openwork clouds.The Huang material is translucent pale celadon jade with inclusions that have turned much of the pendant brownish, with small areas of calcification in the jade. This carving is exquisite in every way. It is unmistakably a period piece. The fine lines were carved as if they were just dug out in tiny sections, which you will only see in some very fine Eastern Zhou dynasty jade pieces. You have to use a good loupe to see this. No one really knows what the kind of tool they used to create this piece so long ago it is a mystery. This has confounded scholars since they have been studying Jade carvings. You won't see this in any other periods of China's history. The Huang was produced in the Warring States period 476BC/221BC it measures

      9 1/4" long, it has a small conical shaped pierced hole for hanging 

    Click photo to enlarge

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