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中国古代汝瓷的艺术收藏家发现,汝瓷的边缘和底部都有镀金的带子,镀金的带子覆盖在铜上,用放大镜可以清楚地看到孔雀石下面的赤铜矿,而这种带子需要几个世纪才能形成,尤其是当铜被镀金时,因为这些贡品上的所有带子都是镀金的。这些作品大约有九百年的历史,并出现了这种腐蚀,这清楚地证明了它们的历史悠久。 (老式火镀金铜上的第一种腐蚀物质是赤铜矿,一种牛血色的矿物。赤铜矿上面会生长出第二种腐蚀形式,孔雀石,一种绿色的晶体/矿物,你可以用肉眼在火镀金带上轻松看到它。孔雀石上面会生长出第三种腐蚀形式,蓝铜矿,一种漂亮的蓝色晶体/矿物,你可以很容易地在中国古代青铜器上看到它。要判断你的作品是否是真正的中国古代文物,很简单,而且不可能复制:如果你刮掉蓝铜矿,你一定会在下面找到一些孔雀石。如果你刮掉那层孔雀石,你一定会找到赤铜矿。蓝铜矿不能自己生长,它需要孔雀石。而孔雀石需要赤铜矿在上面生长。如果你的作品是铜做的,那这条规则也没有例外,而青铜是一种主要由铜组成的合金。
Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty Grayish celadon glaze Ru-ware Cup. This Ru- ware Cup was made as a tribute Cup for the Emperor and his Court, the cup has Fire Gilded Copper bands around the rim and base and it has a slightly cleaned traces of reddish cuprite and greenish malachite corrosion that confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The Cup has greenish grayish glaze with a greenish hue and very fine crackle, also the glaze has a smooth texture No Agate in Glaze with impressed lotus leaves around the Cup and the bottom has five tiny sesame seed size spur marks. The Cup measures approx. 5 3/8" tall 4 1/4 " dia. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine Chinese Ru exquisitely potted N. Song Dynasty Ru-ware celadon Glaze five tube vessel is impressed with lotus leaves. This chinese ru ware vessel was made as a tribute vessel for the Emperor and his Court, the vessel has fire gild copper band around the rim and has been cleaned but still have traces of encrusted layered reddish cuprite and greenish malachite corrosion and this guarantees there great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The vessel has bluish grayish glaze with a greenish hue and very fine crackle, also the glaze has a smooth texture. The vessel bottom has five tiny sesame seed size spur marks. The vessel measures approx. 4 1/4" tall. This piece is from Emperor Huizong's
surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine Chinese Ru exquisitely potted N. Song Dynasty Ru-ware celadon glaze ear bowl. This Ru- ware bowl was made as a tribute for the Emperor and his Court, the bowl has fire gild band around the rim and has been slightly cleaned with layered reddish cuprite and greenish malachite corrosion that confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The bowl has bluish greenish glaze with a greenish hue and very fine crackle, also the glaze has a smooth texture. The bowl bottom has five tiny sesame seed size spur marks. The bowl measures approx. 6 1/2" length. This piece is from Emperor Huizong's
surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty Ru-ware celadon glaze Cong Form vase. This Ru- ware Cong vase was made as a tribute to the Emperor and his Court, the Cong vase has fire gilded copper band around the rim and it has been cleaned but still have traces of layered reddish cuprite and greenish malachite corrosion that confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The Cong vase has bluish grayish glaze with a greenish hue and very fine crackle, also the glaze has a smooth texture , no agate in glaze. The Cong vase bottom has five tiny sesame seed size spur marks. The Cong vase measures approx. 7 1/4" Tall. This piece is from Emperor Huizong's surviving hoard
of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋汝瓷青瓷釉波瓣洗。此汝瓷洗是作为进贡给皇帝和宫廷的,此洗的边缘有火镀金铜带,并有略微清洁,有层状红色赤铜矿和绿色孔雀石腐蚀,证实了其年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!刷洗器有蓝灰色釉,呈绿色,裂纹非常细腻,釉面质地光滑,釉中无玛瑙。刷子清洗器底部有六个芝麻粒大小的细小马刺痕迹。刷子清洗器长度约为 7 1/4 英寸。这件作品来自宋徽宗尚存的北宋御制汝瓷收藏!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋汝瓷青瓷花瓶。此汝瓷花瓶是作为进贡给皇帝和宫廷的,花瓶的边缘和底部有镀金铜带,略微清洗过,层状红色赤铜矿和绿色孔雀石腐蚀证实了其年代久远,这比热释光测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶釉面呈蓝灰色,带有绿色色调,裂纹非常细腻,釉面质地光滑,釉中无玛瑙。花瓶底部有五个芝麻大小的细小马刺痕迹。花瓶高约 6 1/4 英寸。这件作品来自徽宗皇帝的 N 存世珍藏. 宋代汝窑!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty Ru-ware celadon glaze three leg brush washer. This Ru- ware brush washer was made as a tribute for the Emperor and his Court, the brush washer has fire gilded copper band around the rim that has been slightly cleaned, layered reddish cuprite and greenish malachite corrosion that confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The brush washer has greenish glaze with a grayish hue and very fine crackle, also the glaze has a smooth texture, no agate in glaze. The brush washer bottom has five tiny sesame seed size spur marks. The brush washer measures approx. 7" Dia. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的宋代淡青釉汝瓷虎柄花瓶。此汝瓷花瓶是为皇帝和宫廷制作的贡品花瓶,花瓶的边缘和底部有火镀金铜带,上面有多层微红色的赤铜矿和微绿色的孔雀石腐蚀证实了它的年代久远,这比热释光测试更可靠,所有专家都用它来判断一件文物的真实性,而且无法伪造!花瓶的釉面呈蓝灰色,带有绿色色调,非常细裂纹,釉面质地光滑,釉中无玛瑙。花瓶底部有五个芝麻大小的细小马刺痕迹。花瓶高约 6 3/4 英寸。此件作品来自宋徽宗幸存的 N 宝藏。宋代汝窑!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋淡青釉汝瓷花瓶。此汝瓷花瓶是为皇帝和宫廷制作的贡品花瓶,花瓶的边缘和底部有火镀金铜带,并已略微清洁的层状红色赤铜矿和绿色孔雀石腐蚀证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶有蓝灰色釉,带有绿色色调和非常细腻的裂纹,釉面质地光滑。花瓶底部有五个芝麻大小的细小马刺痕迹。花瓶高约 7 英寸。这件作品来自宋徽宗皇帝的北宋汝窑藏品! !! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋淡青瓷釉汝瓷花瓶。此汝瓷花瓶为皇帝及其宫廷所制,瓶口及底部饰以火烧鎏金铜带,瓶身覆有一层红色赤铜矿和绿色孔雀石锈蚀层,证实其年代久远,更显比 TL 测试更可靠。所有专家都用它来判断文物的真实性,而且无法伪造!花瓶釉面呈蓝灰色,带有绿色色调和非常细腻的裂纹,釉面质地光滑,没有玛瑙釉。花瓶底部有三个芝麻大小的细小马刺痕迹。花瓶高约 4 1/2 英寸。这件作品来自宋徽宗皇帝的北宋汝窑藏品!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的北宋淡青釉汝瓷叶缘花瓶。此汝瓷花瓶是为皇帝及其宫廷制作的进贡花瓶,花瓶的边缘和底部周围有火镀金铜带,并且层状红色赤铜矿和绿色葡萄状孔雀石腐蚀证实了其年代久远,这比热释光测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶釉面呈蓝灰色,带有绿色色调和非常细腻的裂纹,釉面质地光滑,花瓶底部有三个芝麻大小的细小马刺痕迹。花瓶高约 6 英寸。这件作品来自宋徽宗皇帝的北宋汝窑藏品! !! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的北宋淡青釉汝瓷槌形花瓶。此汝瓷花瓶是为皇帝和宫廷制作的进贡花瓶,花瓶边缘有火镀金铜带,略有用层状红色赤铜矿清洗,并有绿色孔雀石腐蚀痕迹,证实了其年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶有蓝灰色釉,青绿色调,浅青瓷色,裂纹非常细腻,釉面质地光滑,釉中无玛瑙。花瓶底部有五个芝麻粒大小的细小马刺痕迹。花瓶高约 8 1/8 英寸。这件作品来自皇帝徽宗尚存的北宋御制汝瓷珍藏!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋天雨釉汝瓷花瓶。此汝瓷花瓶是为皇帝和宫廷制作的贡品,花瓶的边缘和底部有火镀金铜带,并且av 层状红色赤铜矿和绿色葡萄状孔雀石腐蚀证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶有蓝灰色釉,带有绿色色调和非常细腻的裂纹,釉面质地光滑。花瓶底部有五个芝麻大小的细小马刺痕迹。花瓶高约 7 1/8 英寸。这件作品来自宋徽宗皇帝的北宋宫廷藏品Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋汝瓷雨后天槌形花瓶。此汝瓷花瓶是为皇帝和宫廷制作的贡品,花瓶的边缘和底部有火镀金铜带,经过轻微清洗,有红色赤铜矿和绿色孔雀石腐蚀痕迹,证实了其年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶呈蓝色灰色釉面,带有绿色色调和非常细腻的裂纹,釉面质地光滑,釉面无玛瑙。花瓶底部有五个芝麻粒大小的细小马刺痕迹。花瓶高约 6 1/8 英寸。这件作品是来自宋徽宗尚存的北宋御制汝瓷收藏!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
北宋雨后天釉汝瓷凤纹洗,精美绝伦。此汝瓷洗为皇帝及其宫廷所制,洗口边缘饰以火烧镀金铜带并且它有层状的红色赤铜矿和绿色葡萄状孔雀石腐蚀,证实了它年代久远,这比热释光测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!刷洗器有蓝灰色釉呈绿色色调,裂纹非常细腻,釉面质地光滑,釉中无玛瑙。刷子清洗器底部有七个芝麻粒大小的细小马刺痕迹。刷子清洗器直径约为 6 3/4 英寸。这件作品是宋徽宗所藏北宋汝窑瓷器中的一部分!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋雨后天釉御制汝瓷贡品壶形花瓶。此汝瓷花瓶是为皇帝及其宫廷制作的贡品花瓶,花瓶边缘有火镀金铜带和底座,它有层状的红色赤铜矿和绿色葡萄状孔雀石腐蚀,证实了它的古老,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶有蓝灰色釉面呈绿色,有非常细的裂纹,釉面质地光滑,无玛瑙釉。花瓶底部有五个芝麻粒大小的细小马刺痕迹。花瓶高约 6 3/4 英寸。这件作品来自皇帝徽宗尚存的北宋御制汝瓷珍藏!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
北宋天雨釉汝瓷圆槌形花瓶,极为精美。此汝瓷花瓶为皇帝及其宫廷所制,花瓶边缘和底部饰有火鎏金铜带并且它有层状的红色赤铜矿和绿色葡萄状孔雀石腐蚀,证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,而且无法伪造!花瓶有蓝灰色釉,呈绿色,有细小裂纹,釉面光滑,无玛瑙。花瓶底部有五个芝麻大小的细小马刺痕迹。花瓶高约 6 7/8 英寸。这件作品来自宋徽宗皇帝的北宋汝窑藏品!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty sky after rain glaze Ru-ware spittoon form vessel. This Ru- ware vessel was made as a tribute vessel for the Emperor and his Court, the vessel has fire gilded copper bands around the rim and base and it has layered reddish cuprite and green botryoidal malachite corrosion that confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The vessel has bluish grayish glaze with a greenish hue and very fine crackle, also the glaze has a smooth texture, noagate in glaze. The vessel bottom has five tiny sesame seed size spur marks. The vessel measures approx. 4 3/8" Dia. This piece is from a surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
北宋汝窑红釉带柄笔洗,精美绝伦。此汝窑笔洗为贡品 皇帝及其宫廷的毛笔洗,毛笔洗边缘有火镀金铜带,上面有一层红色赤铜矿、绿色葡萄状孔雀石腐蚀层,这证实了它的年代久远和真实性,这比 TL 测试更可靠,被所有人使用专家鉴定文物的真伪,不可伪造!笔洗有美丽的红釉,有非常细的裂纹,可以看到一个环,釉面质地光滑,釉中没有玛瑙。笔洗底部有三个芝麻大小的细小马刺标记,底部刻有贡品标记。笔洗直径约为 4 3/4 英寸。这件作品来自徽宗皇帝的幸存
北宋汝窑珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty Ru-ware red glazed bowl with impressed with lotus leaves. This Ru-ware bowl was made as a tribute bowl for the Emperor and his Court, the bowl has fire gilded copper bands around the rim and base The bands have layered cuprite and green botryoidal malachite corrosion that confirms its great age and authenticity and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The bowl has very fine crackle that can be seen with a loop, also the glaze has a smooth texture, no agate in glaze and the bowl bottom has three tiny sesame seed size spur marks. The bowl measures approx. 5 " Dia. This piece is from a surviving hoard of N. Song Imperial Ru ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine exquisitely potted N. Song Dynasty Ru-ware beautiful Red glaze three leg brush washer. This Ru- ware brush washer was made as a tribute for the Emperor and his Court. The brush washer has a fire gilded copper band around the designed rim that has layered cuprite and green botryoidal malachite corrosion that confirms its great age and authenticity and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The brush washer has beautiful red glaze with very fine crackle that can be seen with a loop, also the glaze has a smooth texture, no agate in glaze. The brush washer bottom has three tiny sesame seed size spur marks and a carved tribute mark. The brush washer measures approx. 5" Dia. This piece is from Emperor Huizong's surviving hoard of
N. Song Imperial Ru Ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋汝窑红釉三足笔洗。 此汝窑洗器为朝廷贡品,口沿处有火烧鎏金铜带,表面有红色赤铜矿层和绿色葡萄状孔雀石层,证实其年代久远,真实性较高,更值得信赖。比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!刷洗器有美丽的红釉,有非常细的裂纹,可以用环圈看到,釉面质地光滑。笔洗底部有雕刻标记。底部有三个芝麻大小的细小马刺标记。笔洗直径约为 5 5/8 英寸。这件作品来自徽宗皇帝的幸存
北宋汝窑珍藏!!!ppj rs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋精美红釉汝瓷沿口碗。此汝瓷碗为皇帝及其宫廷所制,碗沿及底部饰以火鎏金铜带,带状物有层状红色赤铜矿和绿色葡萄状孔雀石腐蚀,证实了其年代久远和真实性,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!碗有红釉,非常细小的裂纹,可以看到一个环,釉面质地光滑,釉中没有玛瑙。碗底有三个芝麻大小的细小马刺痕迹,并有一个雕刻的贡品标记。碗尺寸约为 5 1/直径 2 英寸。此件作品来自宋徽宗所藏北宋汝窑瓷器!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的北宋红釉汝瓷痰盂形器皿。此汝瓷器皿是作为皇帝及其宫廷的贡品而制作的,器皿的边缘和底部周围有火镀金铜带。带状物有层状红色赤铜矿和绿色葡萄状孔雀石腐蚀,证实了其年代久远且真实性,这比热释光测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!该器皿有美丽的红釉和非常细小的裂纹,可以看到一个环,釉质光滑,釉中没有玛瑙。容器底部有三个芝麻大小的细小马刺标记,上面刻有贡品标记。花瓶尺寸约为 4 1/ 8 英寸直径。此件作品来自宋徽宗尚存的
北宋汝窑珍藏!!!ppjrs
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Extremely fine moon-light white glaze tribute Ru-ware burner. This tribute burner has a beautiful soft and smooth Moon-light white glaze, no agate in glaze, with one fire gilded over copper band around the lid. All Ru ware with fire gilded bands are tribute wares to the Emperor and his court. The fire gilded copper band have been slightly cleaned with layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The burner has five tiny sesame seed shape and size spur marks. This tribute burner measures approx 4 1/2" tall. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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极其精美的月光白釉汝瓷贡瓶。此贡瓶釉色为月光白釉,釉面柔和光滑,釉中无玛瑙。瓶口和底部的铜带上均有火烧镀金。所有汝瓷均有火烧镀金带是皇帝及其宫廷的贡品。金带略微被一层层的红色赤铜矿和绿色孔雀石腐蚀所清洗,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断一件文物,无法伪造!花瓶上有五个芝麻形状和大小的细小马刺标记。这件贡品花瓶高约 6 1/4 英寸。这件作品来自徽宗皇帝的幸存
北宋官窑珍藏!!!ppjrs
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极品月光白釉贡汝窑槌瓶。此件贡瓶釉色柔和光滑,釉中无玛瑙。口沿有一圈火烧镀金铜带。所有带火烧镀金带的汝瓷都是进贡给皇帝和宫廷的。金带状物经过轻微清洗,有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!花瓶有五个小芝麻形状和大小的马刺标记。这件贡品花瓶高约 7 英寸。这件作品来自徽宗皇帝的幸存珍藏
N. 宋朝皇室汝窑!!! ppjrs
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Extremely fine moon light white glaze tribute Ru-ware vessel with dragon handles. This tribute vessel has a beautiful soft and smooth moon light white glaze, no agate in glaze. Has two fire gilded over copper bands around the rim and base. All Ru ware with fire gilded bands are tribute wares to the Emperor and his court. The gold bands have been slightly cleaned with layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The vessel has three tiny sesame seed shape and size spur marks. This tribute vessel measures approx 4 3/8" tall. This piece is from Emperor Huizong's surviving
hoard of N. Song Imperial Ru-Ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的月光白釉贡品汝瓷龙柄花瓶。此贡品花瓶的月光白釉色柔和光滑,釉中无玛瑙。边缘和底部周围有铜带,上面镀金。所有汝瓷带有火镀金带的器皿是皇帝及其宫廷的贡品。金带经过轻微清洗,有一层层红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都在使用确定一件文物的真实性,并且不能伪造!花瓶上有五个芝麻形状和大小的细小马刺标记。这个贡品花瓶高约 5 1/2 英寸。这件作品来自徽宗皇帝的幸存珍藏
N. 宋朝皇室汝窑!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine moon-light white glaze tribute Ru-ware stem cup . This tribute stem cup has a beautiful soft and smooth moon-light white glaze, no agate in glaze. Has fire gilded over copper band around rim and base. All Ru ware with fire gilded bands are tribute wares to the Emperor and his court. The fire gilded copper bands have been slightly cleaned and have layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The stem cup has five tiny sesame seed shape and size spur marks. This tribute stem cup measures approx 4 1/4" tall. This piece is from Emperor Huizong's
surviving hoard of N. Song Imperial Ru-ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine moon-light white glaze tribute Ru-ware phoenix handles vase. This tribute vase has a beautiful soft and smooth moon-light white glaze, no agate in glaze. They're fire gilded over copper band around the rim and base. All Ru ware with fire gilded copper bands are tribute wares to the Emperor and his court. The fire gilded bands have been slightly cleaned with layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The vase has five tiny sesame seed shape and size spur marks. This tribute vase measures approx 6" tall. This piece is from Emperor Huizong's
surviving hoard of N. Song Imperial Ru-ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的月光白釉汝窑贡琮瓶。此贡瓶月光白釉美丽柔和,釉中无玛瑙。边缘和底部有两道镀金铜带。所有汝窑带火镀金铜带的器物是皇帝及其宫廷的贡品。火镀金带经过轻微清洗,并有红色赤铜矿和绿色孔雀石腐蚀层,这证实了其年代久远,这比 TL 测试更可靠,并且被所有人使用专家可以确定一件文物的真伪,而且不能伪造!花瓶上有五个芝麻形状和大小的细小马刺标记。这个贡品花瓶高约 6 3/4 英寸。这件作品来自徽宗皇帝
北宋御制汝瓷的存世珍藏!!!ppjrs
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极为精美的月光白釉贡汝瓷六角形瓶。此件贡品花瓶釉色柔和光滑,呈月光白釉,釉中无玛瑙。瓶口和底部有两道铜质火镀金带。所有带火镀金带的汝瓷都是皇帝及其宫廷的贡品。火镀金铜带已被轻微清洗,有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,并被所有专家用来判断文物的真实性,无法伪造!此花瓶有环状把手和五个芝麻形状和大小的细小马刺标记。此贡瓶高约 6 1/4 英寸。此件作品来自徽宗皇帝
北宋御制汝瓷的存世珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的天蓝釉汝瓷贡瓶,造型优美。此贡瓶釉质柔和光滑,釉中无玛瑙。瓶口周围有一圈铜带,上面镀金。所有汝瓷均有镀金带是皇帝及其宫廷的贡品。火镀金铜带上有红色赤铜矿和绿色葡萄状孔雀石腐蚀层,这证实了它的年代久远,这比热释光测试更可靠,所有专家都用它来判断文物的真实性。不可伪造!花瓶上有五个芝麻大小的细小马刺痕迹。这款贡品花瓶高约 7 1/8 英寸。这件作品来自宋徽宗皇帝的北宋御窑存世珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine sky-blue glaze tribute Ru-ware vase with dragon handles. This tribute vase has a beautiful soft and smooth glaze, no agate in glaze. they have two fire gilded over copper bands around the rim and base. All Ru ware with fire gilded bands are tribute wares to the Emperor and his court. The fire gilded copper bands have been slightly cleaned with layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The vase has five tiny sesame seed size spur marks. This tribute vase measures approx 5 3/4" tall. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的天蓝釉贡品汝瓷三足笔洗。此款贡品笔洗釉色柔和光滑,釉中无玛瑙。边缘铜带上用火烧镀金,并有指甲印装饰。所有汝瓷均带有火镀金带是皇帝及其宫廷的贡品。火镀金带已略微清洁,上面有红色赤铜矿和绿色孔雀石铜锈,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来确定文物的真实性,无法伪造! 笔洗有三条腿和五个芝麻大小的细小马刺标记。 这款贡笔洗直径约为 5 5/8 英寸。 这件作品来自徽宗皇帝
北宋官窑存世珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine sky-blue glaze tribute Ru-ware brush washer. This tribute brush washer has a beautiful soft and smooth glaze, no agate in glaze. Has a fire gilded over copper band around the rim. All Ru ware with fire gilded bands are tribute wares to the Emperor and his court. The fire gilded copper band has been slightly cleaned. Has layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The brush washer has three legs and three tiny sesame seed size spur marks. This tribute brush washer measures approx 5 1/2" dia. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的天蓝釉汝瓷高足杯。此高足杯釉色柔和光滑,釉中无玛瑙。杯沿和杯底饰有铜质镀金边。所有汝瓷均饰有镀金边是皇帝及其宫廷的贡品。火镀金带已略微清洗。有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来确定一件文物,无法伪造!高足杯上有五个芝麻大小的细小马刺痕迹。这件贡品高足杯高约 4 1/4 英寸。这件作品来自宋徽宗的北宋御制汝窑藏品。商品!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的天蓝釉六角形汝瓷贡杯。此贡杯釉质柔和光滑,釉中无玛瑙。杯沿和杯底饰有火烧镀金铜带。所有汝瓷均饰有火烧镀金铜带是皇帝及其宫廷的贡品。火镀金带已略微清洗。有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来确定一件文物,无法伪造!杯子有两个把手和五个芝麻大小的细小马刺标记。这件贡杯高约 2 3/4 英寸。这件作品来自宋徽宗皇帝的北宋御制汝窑藏品。商品!!! ppjrs
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极其精美的天蓝釉贡品汝瓷三柄笔洗。此贡品三柄笔洗釉色柔和光滑,釉中无玛瑙。边缘和底部周围有镀金铜带。所有汝瓷带火镀金带的是皇帝及其宫廷的贡品。火镀金铜带已略微清洗过。有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,并且被所有人使用专家可以确定文物的真伪,并且无法伪造!这款毛笔洗有三个龙柄和五个芝麻大小的细小马刺标记。这款贡品毛笔洗直径约为 5 3/8 英寸。这件作品来自徽宗皇帝的幸存北宋官窑瓷器珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极其精美的天蓝釉贡品汝瓷瓣纹碗。此贡品碗釉色柔和光滑,釉中无玛瑙。边缘有火镀金铜带。所有带有火镀金铜带的汝瓷均为贡品皇帝及其宫廷的器皿。火镀金带略微清洁过。有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比 TL 测试更可靠,所有专家都用它来判断文物的真实性而且无法伪造!碗有八个裂片和五个芝麻大小的细小马刺痕迹。这个贡碗直径约为 4 3/4 英寸。这件作品来自北宋御制汝瓷的存世珍藏!! !ppjrs
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Joseph.Sharon@chinesemasterpieces.com
极为精美的天蓝色釉质,向皇帝致敬的汝瓷花瓶。此款贡品花瓶釉质柔和光滑,釉中无玛瑙。边缘和底部周围有两道火烧镀金铜带。此花瓶底部有标记上面有两个字“奉王”。火镀金带已稍微清洗过。有层状红色赤铜矿和绿色孔雀石腐蚀,这证实了它的年代久远,这比热释光测试更可靠,所有专家都用它来确定一件文物的真实性,无法伪造!花瓶上有五个芝麻大小的细小刺痕。这个非常重要的贡品花瓶高约 5 3/4 英寸。这件作品来自徽宗皇帝的幸存
北宋官窑珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
Extremely fine sky-blue glaze tribute Ru-ware ribbed brush washer. This Tribute ribbed brush washer Has a beautiful soft and smooth glaze, no agate in glaze. Has a fire gilded over copper band around the rim. All Ru ware with fire gilded bands copper are tribute wares to the Emperor and his court. The fire gild copper bands have been slightly cleaned. Has layered reddish cuprite and green malachite corrosion this confirms its great age and this is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! The ribbed brush washer has three feet and three tiny sesame seed size spur marks. This tribute brush washer measures approx 5 3/4" Dia. This piece is from Emperor Huizong's surviving
hoard of N. Song Imperial Ru-Ware!!!ppjrs
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浏览中国名作网站只需选择以下页面
They're part of the hoard of 300+ unique pieces from the Collection of
Emperor Huizong of N.Song Dynasty. There is nothing in the world that can compare to the importance of this collection, many of these forms have never been seen before, the condition of this collection is exquisite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes, also the crushed agate in the glaze that can be seen with a 20x loupe. Ru ware is all over the internet and the auction houses are still telling people that they're all fakes, this is just more lies. Only Commissioned Official Royal Imperial Ru wares are Rare and they're not all over the internet and no Royal Imperial Ru wares have ever been sold at any auctions. If anyone has any doubt it would be totally impossible for any Kiln in China today to produce over 300+ wares such as these masterpieces! There's only one Kiln in the history of China that could achieve this, that was Royal Ru Kiln of the Northern Song Dynasty and Emperor Huizong. These 2nd commissioned wares the foot rings are unglazed and they were fired flat in the kiln, and this Cong Vase shown below has fire gilded over copper bands that are corroded with cuprite and malachite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes also the crushed agate in the glaze can be seen with a 20x loupe! You don't have to be an expert to understand this. All 2nd commissioned wares are not marked. The 2nd commissioned wares have an off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, extremely rare wares have fire gilded over copper bands, This Cong Vase is the finest Vase from the hoard of Chinese Emperor Huizong Of The Northern Song Dynasty 1082 to 1135 Collection.
Below is a row of closeups photos to show you the Cuprite and Malachite corrosion on the RU WARE Copper Fire gilded Bands. (Fire gilding with gold and mercury, the mercury metal being driven off afterward by fire. This type of gilding hasn't been used since the mid 1800 because it is very dangerous)This patina took about 900 years to develop on these bands and this can't be faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) Also microscopic photos of the RU WARE glaze which you can see the tiny reflective specs of crushed agate that was used in the glaze. The reflective agate specs can also be seen when using a 20x loupe, only Commissioned Imperial Ru Wares have crushed agate in the glaze. The pieces that have been sold by the corrupt Auction companies will not show crush agate in there glaze because they never used agate in Merchant wares. Only Official Commissioned Royal Imperial Ru wares used Rare Blue Crushed Agate in the glaze. The finest Merchant wares have fire gilded copper bands these were given as tribute to the Emperor. Most Merchant wares were sold to the wealthy merchants. The Merchant pieces that were flawed were sold very cheap to the population and Merchant wares that were extremely flawed were destroyed. When Emperor Huizong commissioned the Ru Kiln, he worked with the Ru kiln to setup the site and designed wares for himself and his court and made them his official Royal Kiln. He wanted them to use Rare Blue Agate in the glaze in all his Commissioned wares. The Commissioned wares are generally larger then what the Ru Kiln had been producing, also they have there own distinct styles, forms, and glazes that many have not been seen even until today. They have found the Ru kiln site where they made the Merchant wares before Emperor Huizong commissioned them.
They haven't found Emperor Huizong's Official Royal Ru kiln site yet.
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扇形晶针的形成
大多数晶体只是利用可用的分子开始生长。这会产生离散晶体,其大小取决于可用的材料。但孔雀石不同。它很少形成大小合适的离散晶体。相反,科学家说,正在形成的孔雀石晶体会“分裂”,分叉成细小的针状物,并聚集成扇形。
扇形孔雀石针状物会长成紧密结合的小球,这些小球会聚集在一起并结合在一起,形成一个固体块。当小球停止生长并终止时,顶面会变圆到一定程度。术语“葡萄状”(类似于一串葡萄)和“肾形”(肾形)用于描述大到小的起伏小球块。
作者鲍勃·琼斯 (Bob Jones) 曾获得卡内基矿物学奖,是 Rockhound 名人堂成员,自 Rock & Gem 创刊以来一直为其撰稿。他讲授矿物相关课程,并撰写过多本书籍和视频脚本。
This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)
宋徽宗在位时间是 1100 年至 1126 年。宋徽宗将皇位传给了他的儿子。他以推广道教和诗歌、绘画、书法和音乐方面的才华而闻名。金军步步紧逼,最终占领了他的宋帝国,宋徽宗于 1127 年被俘,1135 年在囚禁中去世,从世界上最富有的人变成了一个穷困潦倒的人。他的大量藏品被收集起来,存放在大木箱中,流传了几个世纪。自 90 年代中国开放以来,许多旧藏品进入了市场。我的皇家汝瓷收藏来自宋徽宗的收藏。
徽宗统治期间,他决定委托汝窑为自己和朝廷烧制瓷器,因为汝窑给他的朝廷贡品是所有窑口中最精致的。进献给徽宗的汝窑朝廷贡品是当时汝窑制作的最好的瓷器,它们没有瑕疵,而且为了使它们显得特别,他们使用了几种颜色,并在口沿、有时也在底部添加了火镀金带。(火镀金是用金和水银进行的,随后用火将水银金属除去。自 19 世纪中期以来,这种镀金方式就不再使用,因为它非常危险)在口沿,有时也在底部。所有朝贡器的口沿和底部都有火镀金带,有时只在口沿有。这些带上有大面积的层状赤铜矿和孔雀石腐蚀,这种腐蚀只存在于自然界中,无法伪造。 (摘自 David Scott 所著《艺术中的铜和青铜》一书) (第 3 章第 106 页 青铜器上的孔雀石) 金属到赤铜矿到孔雀石的自然转变很难在 实验室。事实上,大多数在铜合金上产生人造绿色铜锈的配方,例如 Hughes 和 Rowe (1982) 编写的配方,都不会导致在赤铜矿层上形成孔雀石。因此,这种腐蚀的存在,得到了分析和金相研究的支持,是文物真实性的一个很好的迹象。 这也引发了其他一些窑厂在其皇家进贡器物上添加火镀金带的现象。
在汝窑成为真正的皇帝御用官窑之前,他们生产的器物非常小,带有零星的裂纹,在高脚架上烧制,底部留下了马刺痕迹。这些器物的釉料中都没有碎玛瑙,而且这些器物往往有瑕疵。有严重瑕疵的器物被销毁,有严重烧制瑕疵的器物以非常便宜的价格卖给了民众,这些器物就是苏富比和佳士得拍卖的器物,经常在收藏有汝窑器的博物馆里找到。更好的器物卖给了富商,价格相当昂贵。最好的器物被作为贡品献给了徽宗皇帝,他一直从所有窑口收到这些华丽的器物。徽宗皇帝决定委托汝窑,使其成为中国第一个官窑,制作的瓷器将成为中国历史上第一批专供他自己和宫廷使用的官窑瓷器。他希望这些瓷器看起来与历史上的瓷器相似,必须是青瓷色,看起来像是用玉石雕刻而成,颜色与朝鲜的高丽瓷器相似。看到原型后,他不希望瓷器有马刺痕迹,他们开始在窑中平放烧制瓷器,并配以无釉的圈足。徽宗皇帝希望他们在釉料中使用罕见的蓝色碎玛瑙,碎玛瑙只用于徽宗皇帝开发的官窑汝瓷。第一批委托烧制的瓷器呈灰色,烧成后变成棕色,一些瓷器的底部有划痕,其中大多数是风华等痕迹,它们都有裂纹冰裂纹。罕见的蓝色碎玛瑙仅用于徽宗皇帝开发的官方汝窑瓷器。他希望这些瓷器比汝窑贡品更大,非常朴素,造型简单精致,通常使用喇叭形口,所有这些皇家御用瓷器仅供皇帝及其宫廷使用,无论烧制过程中是否出现任何瑕疵。
汝窑现已成为官方御窑,专门为皇帝和宫廷制作御用瓷器。尽管这些瓷器往往有瑕疵且过于简单,但徽宗皇帝却看到了真正的美,因为每件瓷器都有自己的特点,就像他看到的美一样。最终,他的一些御用顾问想要更精美的瓷器,于是徽宗皇帝决定让汝窑为自己和宫廷制作中国有史以来最精美的青瓷。徽宗委托制作的第二批官窑瓷器并不朴素,它们非常优雅、奢华、美丽,釉色非常丰富,是中国有史以来制作的最精美的青瓷。这些瓷器全都是青瓷色,色调各异,还在所有瓷器的釉料中加入了罕见的蓝色碎玛瑙。它们的青瓷釉质非常丰富,并含有罕见的蓝色碎玛瑙,釉面没有裂纹,但银带器皿有几条纹路,造型非常精美,圈足无釉,在窑中平烧,素坯呈灰白色,烧成后变为褐色,他们有时在一些特殊的器皿上在边缘和底部使用火镀金铜带,他们也只在使用最暗的青瓷釉的特殊器皿上在边缘使用银带,这些器皿有几条裂纹。所有第二次委托的官方皇家器皿都没有标记。
在成为官方皇家御窑之前生产的所有汝窑瓷器釉料中都没有玛瑙。所有拍卖行和博物馆都声称,他们记录的所有汝窑瓷器釉料中都使用了碎玛瑙,并说看不到玛瑙是因为它在烧制过程中融化了,这完全是错误的说法。他们记录的所有汝窑瓷器都不是徽宗皇帝委托汝窑为他和他的宫廷生产的官方御窑瓷器,都是有瑕疵的商窑瓷器。玛瑙的熔点为1600C至2600C度,而宋代窑炉温度最多只能达到1250C度,因此,认为粉碎的玛瑙会熔入釉中是谬论。商人从来不会在任何器皿中使用玛瑙,而且将玛瑙粉碎成完整的粉末也非常困难,这就是为什么在所有皇家御制的汝窑中,使用20倍或更高的放大镜都可以清楚地看到釉中的玛瑙痕迹。
我收藏了一批汝窑瓷器,这些瓷器自北宋灭亡后就被藏匿起来,乾隆皇帝没有能力收藏这些瓷器,他收藏的都是一些瑕疵品,这些瑕疵品被卖给了百姓,而汝窑在成为官窑之前是为富商阶层所烧制的。清朝乾隆皇帝收藏的商窑瓷器是当时已知存在的全部。直到 20 世纪的收藏家开始收藏大多有瑕疵的汝窑瓷器。自 20 世纪 90 年代以来,中国向世界开放,许多隐藏的精美瓷器和藏品纷纷涌入市场。我意识到这将澄清一些关于汝窑瓷器和徽宗皇帝统治时期的问题。多年来,大家都不得不依赖乾隆皇帝的收藏品,这些藏品虽然非常精美,但它们并不是徽宗皇帝委托汝窑为自己和朝廷制作的真正的皇家御用汝窑器皿。
古文献对首件御用汝窑瓷器有详尽的解释和记载,称宋徽宗命窑/汝窑烧造的青瓷器质朴、低调、简约,看起来像是来自过去的历史。文献还解释说,首件御用汝窑瓷器在釉料中使用了罕见的蓝色碎玛瑙(用 20 倍放大镜可以看到),碎玛瑙只用于宋徽宗开发的官窑汝窑瓷器。首件御用汝窑瓷器有许多前所未见的独特造型,这一切都展现了汝窑工匠的真正天才。所有首件官窑汝窑瓷器的圈足均无釉。所有首件官窑汝窑瓷器的釉面都有精细的冰裂纹,而且这些器皿内部也施釉。一品御制汝窑瓷器底部常有划痕,且多有风华,花瓶口常为喇叭形,且比商窑和贡品更大。一品御制汝窑瓷器胎体呈灰色,烧成后呈褐色。所有一品御制汝窑瓷器釉面均有细密的冰裂纹,器内也施釉。一品御制汝窑瓷器专为皇帝及其宫廷制作。徽宗皇帝在朴素中看到美,他将这些瓷器视为艺术品,无论它们是否有瑕疵,都留在宫廷中,这些瓷器显然满足了他的愿望。第一个官制的御用汝窑花瓶的特写照片显示,一滴釉汁附着在圈足上,釉中清晰可见稀有的蓝玛瑙碎片,而解释汝窑的古代文字证明,这些是宋徽宗皇帝传奇的御用官窑器物
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The tribute wares are generally small with fire gilded over copper bands, these bands have cuprite and malachite corrosion and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! Tribute wares are glazed all over and they're fired on setters with prongs that hold the piece off the kiln floor. The prongs leave spur marks on the base and these marks are sesame seed size and shape. Tribute wares have a beautiful smooth glaze and they don't have any crushed agate stone in the glaze. Only Official Imperial wares have crushed Blue Agate in the glaze. The Tribute Wares either have an off white or ash colored biscuit and they are finest done merchant wares, and were given fire gilded copper bands and presented to Emperor Huizong as Tribute
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宫廷中的御用顾问要求更精美的器皿,因此徽宗皇帝委托汝窑为他和宫廷烧制精美的二品御用青瓷器,这在古文献中也有所记载,二品御用瓷器非常典雅、奢华、美丽,比商人的瓷器和贡品都要大,而且全部是青瓷色。所有二品御用瓷器的釉料中都有罕见的碎蓝玛瑙。(用 20 倍放大镜可以看到)。碎蓝玛瑙只用于徽宗皇帝开发的官窑汝瓷器。二品御用瓷器有许多前所未见的独特形式,展现了汝窑的真正天才。第二次委托的皇家器皿的圈足未上釉,在窑中平烧,图示花瓶的铜带上镀金,铜带被杯状礼仪和孔雀石腐蚀,这保证了它经久不衰,比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!所有第二次委托的皇家御用器皿均未标记。第二次委托的皇家御用器皿有乳白色的饼干,烧成后变成褐色,器皿的釉面非常丰富美丽光滑,没有任何裂纹,一些器的铜带上镀金,没有带的花瓶的釉面也没有裂纹。下图中的所有第二次委托的皇家花瓶都有镀金的银带,釉面上有轻微的裂纹和几条线条,所有这些花瓶仅在边缘周围有镀金的银带,而且它们都有深色的青瓷釉,上面有罕见的蓝色碎玛瑙,可以用20倍放大镜看清。镀金磨损的地方有厚厚的黑色腐蚀。
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下面展示的三件汝窑器物是商窑器物。商窑器物是清朝乾隆皇帝收藏的器物,是中国开放世界之前已知的所有器物,许多隐藏的精美器物和藏品都流入了市场。商窑器物比皇家御窑器物小,通体上釉,包括圈足。烧制时使用带有叉子的镶嵌器将器物抬离窑底。因此,它们有芝麻大小和形状的马刺痕,这些马刺痕只能在商窑器物和进贡器物上看到。商窑器物做工不如进贡器物精细,因为最好的器物被赋予了火烧鎏金铜带,并作为贡品进献给徽宗皇帝。
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