imperialRuware
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These fine art 1st commissioned Official Royal Imperial Ru ware is explained and written about in ancient text, held in the Chinese Palace Museum in Taiwan describing that Emperor Huizong commissioned the Ru/ Ju Kiln to produce celadon wares that would be modest, understated, simplistic and look like the wares were from the past history. Also explained that 1st commissioned Royal Imperial wares used Rare Crushed Blue Agate in the glaze mix, (this can be seen with a 20x loupe) Rare Crushed Blue Agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. The Chinese Antique 1st commissioned Official Royal Imperial wares have many unique forms that have not been seen before and this all shows the true genius of the Ru kiln artisans. The foot rings on all 1st commissioned Official Royal Imperial Ru ware are unglazed. All of the 1st official Royal Imperial Ru wares have a fine cracked ice crackle in the glaze and these wares are also glaze on the inside. Often the 1st commissioned official Royal Imperial Ru wares have marks scratched in the base and most say feng hua, vases often have trumpet formed mouths and they are larger than the merchant and tribute wares. 1st commissioned Official Royal Imperial Ru ware have an ash colored biscuit that turns brown after firing. All of the 1st commissioned Royal Imperial Ru Ware have a fine cracked ice crackle in the glaze, these wares are also glazed on the inside. The 1st commissioned Official Royal Imperial Ru wares were made exclusively for the Emperor and his Court. Art Collector Emperor Huizong saw beauty in simplicity and he saw each of these pieces as a work of art regardless if they had any flaws all pieces stayed in the court, these wares clearly fulfilled his wishes. The 1st Official Royal Imperial Ru-vase shows a closeup photo of a drip of glaze that stuck to the foot ring and clearly shows chips of agate in in the glaze which is proof these are the legendary official Royal Imperial
wares of Emperor Huizong of Song
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Those in the Emperor's court requested finer wares so Emperor Huizong commissioned the Ru Kiln to produce the fabulous 2nd commissioned official Royal Imperial Celadon wares for him and his court, this was also written about in ancient text, The Chinese Antique 2nd commissioned Royal Imperial wares are very elegant, luxurious and beautiful, they are larger than both the merchant wares and tribute wares and all are celadon color. All 2nd commissioned Royal wares have Rare Crushed Blue Agate in the glaze.( this can be seen with a 20x loupe). Crushed Blue Agate has only been used in all Official Royal Imperial Ru wares that were developed by Emperor Huizong. The 2nd commissioned Official Royal Imperial wares have many unique forms that show the true genius of the Royal Ru kiln. The 2nd commissioned Official Royal Imperial wares the foot rings are unglazed and they were fired flat in the kiln, and the vase shown has fire gilded over copper bands that is corroded with cuprite and malachite and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! All 2nd commissioned Official Royal Imperial wares are not marked. The 2nd commissioned Official Royal Imperial wares have off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, some wares have fire gilded over copper bands and vases that have no bands also have no crackle in the glaze. All the 2nd commissioned Official Royal Imperial vases shown below that have a gilded over silver band and have a slight bit of crackle a few lines in the glaze, All these vases have gilded silver band around the rim only, also they have a darker celadon glaze with Rare Crushed Blue Agate that can be seen with a 20x loupe. and where the gild pores are they have a thick black corrosion from the silver band under the gild.
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This highly prized 1st commissioned Official Royal Imperial Ru-kiln double gourd vase is among a group of wares that were the first wares made exclusively for the Emperor Huizong and his Court. This Imperial double gourd vase measures 10 3/8" tall it has a very refined balanced form that flares out around the mouth and base. The celadon glaze used crushed agate in the mix and this can be seen with a 20x loupe. Rare crushed Blue Agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. The double gourd vase was made with a fine grayish body that has turned brown on the un-glazed foot after firing, it has fine cracked ice crackle glaze that thins out around the mouth. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-ware!!! ppjrs
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This highly prized 1st commissioned Official Royal Imperial Ru-kiln lobed beaker formed vase is among a group of wares that were the first wares made exclusively for Emperor Huizong and his court. This lobed beaker formed vase measures 8 1/8" tall it has a very refined balanced form. Around the base you can see where the rich glaze is pooling. The celadon glaze used crushed agate in the mix and this can be seen with 20x loupe. Rare crushed Blue Agate has only been used in all Official Royal Imperial Ru wares that were developed by Emperor Huizong. The lobed beaker formed Ru vase was made with a fine grayish body that turns brown after firing, it has fine cracked ice crackle glaze that can be seen using a loupe. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru Ware. ppjrs
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这件备受推崇的首件官制汝窑梅瓶形花瓶是徽宗及其宫廷专属的第一批瓷器之一。这件梅瓶高 10 1/4 英寸,造型非常精致均衡形式。底部刻有“风华”两个字。青瓷釉料中混合了罕见的碎蓝玛瑙,用 20 倍放大镜可以看到。碎玛瑙只用于徽宗皇帝开发的官方皇家汝瓷。此梅瓶形似汝窑花瓶,胎质细腻,呈灰色,烧成后呈褐色,青瓷釉面有细密的冰裂纹,用放大镜即可看到。此件出自宋徽宗的北宋御制汝窑藏品。器皿!!!
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这件备受推崇的首件官制汝窑叶缘花边瓶是首批专为徽宗及其宫廷制作的器物之一。这件叶缘花边瓶高 8 3/4 英寸,非常精致的平衡形式。青瓷釉面有冰裂纹,混合物中使用了碎玛瑙,这可以用 20 倍放大镜看到。碎蓝玛瑙只用于徽宗皇帝开发的官方皇家汝瓷。叶缘花瓶采用细腻的灰色胎体制成,烧制后变成棕色。这件作品来自宋徽宗皇帝的北宋汝窑藏品。ppjrs
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这件备受推崇的首件官制汝窑烧杯形花瓶是首批专为徽宗皇帝和宫廷制作的器皿之一。这件烧杯形花瓶高 8 1/8 英寸,非常精致平衡形式。您可以看到丰富的釉料没有完全混合,并且显示出略多的绿色和蓝色区域。青瓷釉料中混合了罕见的碎蓝玛瑙,并有裂纹冰裂纹,这可以使用 20 倍放大镜看到碎玛瑙只用于徽宗皇帝发明的官窑汝瓷。烧杯形花瓶采用细腻的灰色胎体制成,烧制后变成棕色。这件作品来自徽宗皇帝现存的北宋御窑珍藏汝瓷。ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 1st commissioned Official Royal Imperial Ru-kiln flower bud formed vase is among a group of wares that were the first wares made exclusively for Emperor Huizong's and his Court. The vase is marked Feng Hua. This flower bud formed vase measures 10/3/4" tall it has a very refined balanced form. The celadon glaze has rare crushed Blue Agate in the mix, and has cracked ice crackle, this can be seen with a 20x loupe. Crushed agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. The flower bud formed vase was made with a fine grayish body that turns brown after firing. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru ware. ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的汝窑第一任御制葫芦形花瓶是首批专为徽宗皇帝及其宫廷制作的器物之一。这件葫芦形花瓶高 8 1/8 英寸,有一个非常精致的平衡形式。青瓷釉中混合了碎玛瑙,并有冰裂纹,可以用 20 倍放大镜看到。罕见的碎蓝玛瑙仅用于徽宗皇帝开发的官方皇家汝瓷。瓜形花瓶胎质细腻,呈灰色,烧制后呈褐色。此件作品来自宋徽宗所藏北宋汝窑。ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 1st Commissioned Official Royal Imperial Ru-kiln vase with handles and trumpet mouth is among a group of wares that were the first wares made exclusively for Emperor Huizong and his Court. This vase with handles and trumpet mouth measures 8 3/8" tall it has a very refined balanced form. You can see where the glaze was not mixed completely and shows slightly more areas of greenish and bluish. The celadon glaze has a fine cracked ice crackle, and crushed agate was used in the mix and can be seen with a 20x loupe. Rare Crushed Blue Agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. This vase has a fine grayish body that has turned brown after firing. This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru Ware. ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的首批御制汝窑鼓形花瓶是徽宗及其宫廷专属的第一批瓷器之一。这件鼓形花瓶高 10 英寸,造型非常精致平衡喇叭口和底部周围向外展开。青瓷釉面有细碎的冰裂纹,混合物中使用了碎玛瑙,用 20 倍放大镜可以看到。碎蓝玛瑙仅用于官方皇家汝瓷宋徽宗发明的。这件鼓形花瓶的胎体为细腻的灰色,烧制后变成棕色。这件作品来自宋徽宗现存的北宋御制汝瓷藏品!!!
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的汝窑第一任御制号口槌形瓶是首批专为徽宗及其宫廷制作的器物之一。这件槌形瓶高 10 英寸,非常精致均衡的形状,在喇叭口周围向外展开。青瓷釉面有细碎的冰裂纹,混合物中使用了碎蓝玛瑙,可以用 20 倍放大镜看到。稀有的碎蓝玛瑙只用于所有官方皇家徽宗发明的汝窑瓷器。这件木槌形花瓶胎质细腻,呈灰色,烧制后呈褐色。这件作品来自徽宗现存的
北宋官窑珍藏!!!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln cong formed vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This cong formed vase has a spectacular celadon glaze that is very rich and smooth to the touch without any crackle and crushed agate was put in glaze mix which can be seen using a 20x loupe. Crushed agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. This cong form vase has fire gilded over copper bands on the rim and base that are corroded with cuprite and malachite and this guarantees its great age. This is more reliable than a TL test, and used by all experts to determine authenticity of an artifact, and can't be faked! The 2nd commissioned Royal cong formed vase has an off white body that turned brownish after firing. This vase measures 7" tall, This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln trumpet formed vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This trumpet formed vase has a spectacular celadon glaze that is very rich and smooth to the touch without any crackle and crushed agate was put in glaze mix which can be seen using a 20x loupe. Crushed Blue Agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. This trumpet form vase has fire gilded over copper bands on the rim and base that are corroded with cuprite and malachite and this guarantees its great age. This is more reliable than a TL test, and used by all experts to determine authenticity of an artifact, and can't be faked! The 2nd commissioned Official Royal Imperial trumpet formed vase has an off white body that turned brownish after firing. This vase measures 8 3/4" tall, This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品官窑御制长方形管耳瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件淡青瓷花瓶的釉料非常丰富,触感光滑,釉料混合物中加入了稀有的蓝色碎玛瑙。使用 20 倍放大镜或显微镜可以轻松看到这一点。所有官方帝国瓷器都使用了稀有的碎蓝玛瑙徽宗皇帝发明的汝窑瓷器。第二次委托制作的御用花瓶,瓶身呈米白色,烧制后呈褐色。此花瓶高约 9 1/8 英寸,是徽宗皇帝现存的 N 号珍藏之一。宋代皇家汝窑瓷器!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品御制汝窑梨形瓶是中国有史以来最优雅奢华的青瓷器之一。这些器物专为徽宗皇帝及其宫廷制作。这件淡青瓷瓶一种壮观的釉料,非常丰富,触感光滑,釉料混合物中加入了稀有的蓝色碎玛瑙。使用 20 倍放大镜或显微镜可以轻松看到这一点。稀有的碎蓝玛瑙已被用于所有官方皇家 Ru徽宗皇帝发明的窑器。第二次委托制作的皇家花瓶有一个灰白色的瓶身,烧制后变成褐色。这个花瓶高约 9 1/8 英寸,这件作品来自徽宗皇帝现存的北宋官方藏品皇家汝窑瓷器!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Imperial Royal Ru-kiln Meiping Vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This Pale Celadon Meiping Vase has a spectacular glaze that is very rich and smooth to the touch with Rare Blue Crushed Agate that was put in the glaze mix. This can easily be seen using a 20x loupe or microscope. Rare Crushed Blue Agate has been used in all Official Imperial Royal Ru Kiln wares that were developed by Emperor Huizong. The 2nd commissioned Royal Meiping Vase has an off white body that turned brownish after firing. This vase measures approx. 7 3/4 inches tall, This piece is from Emperor Huizong's surviving hoard of Northern Song Dynasty Official Imperial Royal Ru-Kiln Wares! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
此件汝窑二品方瓶,以花、竹、花卉、莲花为装饰,价值连城。此瓶是中国有史以来最优雅奢华的青瓷器之一。这些器物制作于专为徽宗皇帝及其宫廷而制。这款青瓷花瓶釉质精美,釉色丰富,触感光滑,釉料中加入了稀有的蓝色碎玛瑙。使用 20 倍放大镜或显微镜即可轻松看到。罕见碎蓝玛瑙被用于徽宗皇帝开发的所有官方皇家汝窑器皿。第二次委托制作的御用花瓶有一个灰白色的瓶身,烧制后变成褐色。这个花瓶高约 9 1/8 英寸,这件作品是宋徽宗所藏北宋官窑汝窑器中的一件!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
此件汝窑二品贡品立瓶备受推崇。此瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。此件青瓷花瓶的釉料非常丰富,触感光滑,釉料混合物中加入了稀有的蓝色碎玛瑙。使用 20 倍放大镜或显微镜可以轻松看到这一点。所有官方产品都使用了稀有的蓝色碎玛瑙徽宗皇帝发明的汝窑瓷器。第二件御制花瓶的瓶身呈米白色,烧制后呈褐色。此花瓶高约 7 1/2 英寸,是徽宗皇帝现存的北方珍藏品之一宋代官窑御用瓷器!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Imperial Royal Ru-kiln Phoenix Handle Vase. This Vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This Celadon Vase has a spectacular glaze that is very rich and smooth to the touch with Rare Blue Crushed Agate that was put in the glaze mix. This can easily be seen using a 20x loupe or microscope. Rare Crushed Blue Agate has been used in all Official Imperial Royal Ru Kiln wares that were developed by Emperor Huizong. The 2nd commissioned Royal Vase has an off white body that turned brownish after firing. This vase measures approx. 9 5/8 inches tall, This piece is from Emperor Huizong's surviving hoard of Northern Song Dynasty Official Imperial Royal Ru-Kiln Wares! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
此件备受推崇的二品御制汝窑四耳柄花瓶。此件浅青瓷花瓶釉质精美,釉色丰富,触感光滑,釉料中混入了稀有的蓝色碎玛瑙。此花瓶是一组瓷器是中国有史以来最优雅奢华的青瓷器。这些瓷器是专为徽宗皇帝及其宫廷制作的。这件淡青瓷花瓶釉色绚丽,非常丰富,触感光滑,带有罕见的蓝色碎花釉料混合物中加入的玛瑙。用 20 倍放大镜或显微镜可以轻松看到。徽宗皇帝开发的所有官方皇家汝窑器皿都使用了罕见的碎蓝玛瑙。第二个委托的皇家花瓶有一个灰白色瓶身,烧制后变成褐色。此花瓶尺寸约为。 8 1/8 英寸高,此件作品来自宋徽宗皇帝的北宋官窑瓷器珍藏!ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln rams head vase is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This ram head vase has a spectacular celadon glaze that is very rich and smooth to the touch with slight crackle a few lines and crushed agate was put in glaze mix which can be seen using a 20x loupe. Crushed Blue Agate has only been used in Official Royal Imperial Ru wares that were developed by Emperor Huizong. This rams head vase has fire gilded over silver bands on the rim that is corroded with thick black corrosion where the gild has worn. The 2nd commissioned Royal rams head vase has an off white body that turned brownish after firing. This vase measures 9" tall, This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品御制汝窑象耳瓶是中国有史以来最精美奢华的青瓷器之一。这些器物专为徽宗皇帝及其宫廷制作。这件瓶有一个壮观的青瓷釉质非常丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜可以看到。碎玛瑙仅用于官方皇家汝瓷,这种汝瓷是由徽宗所制。这只象柄花瓶边缘镀金,边缘镀银,镀金处已腐蚀,表面有厚厚的黑色锈蚀。第二只官制皇家花瓶的瓶身呈米白色,烧制后变成褐色。这只花瓶高 8 7/8 英寸,此件作品来自宋徽宗尚存的北宋御用汝瓷收藏!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品御制汝窑龙纹花瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件龙纹花瓶壮观的青瓷釉质非常丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜可以看到。碎玛瑙仅用于官方皇家汝瓷,这种汝瓷是由由徽宗所制。此龙纹花瓶边缘镀金,银边上有镀金线,镀金线磨损处有厚厚的黑色锈蚀。第二件官制皇家花瓶的瓶身呈米白色,烧制后变成褐色。此龙纹花瓶高 8 5/8 英寸,是宋徽宗所藏北宋官窑瓷器中的一件! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln tiger vase with is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This tiger vase has a spectacular celadon glaze that is very rich and smooth to the touch with slight crackle a few lines and crushed agate was put in glaze mix which can be seen using a 20x loupe. Rare Blue Crushed Agate has only been used in all Official Royal Imperial Ru wares that were developed by Emperor Huizong. This tiger vase has fire gilded over silver bands on the rim that is corroded with thick black corrosion where the gild has worn. The 2nd commissioned Official Royal Imperial Vase has an off white body that turned brownish after firing. This tiger vase measures 8 1/2" tall, This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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这件备受推崇的二品御制汝窑龙纹花瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件龙纹花瓶拥有壮观的青瓷釉,釉质丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜即可看到。碎蓝玛瑙仅用于官方皇家汝瓷徽宗皇帝发明的龙柄花瓶。此龙柄花瓶边缘镀金,边缘镀银,镀金处已腐蚀,表面有厚厚的黑色锈蚀。第二件官制皇家花瓶的瓶身呈米白色,烧制后变成褐色。此件龙柄花瓶高 9 1/4 英寸,是宋徽宗所藏北宋官窑瓷器中存世量最大的一件!!! ppjrs
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This highly prized 2nd Commissioned Official Royal Imperial Ru-kiln double fish vase with is among a group of wares that are the most elegant luxurious celadon wares China has ever produced. These wares were made exclusively for Emperor Huizong and his court. This double fish vase has a spectacular celadon glaze that is very rich and smooth to the touch with slight crackle a few lines and crushed agate was put in glaze mix which can be seen using a 20x loupe. Crushed Blue Agate has only been used in all Official Royal Imperial Ru wares that were developed by Emperor Huizong. This double fish vase has fire gilded over silver bands on the rim that is corroded with thick black corrosion where the gild has worn. The 2nd commissioned Official Royal Imperial Vase has an off white body that turned brownish after firing. This double fish vase measures 9 1/4" tall, This piece is from Emperor Huizong's surviving hoard of N. Song Imperial Ru-Ware!!! ppjrs
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这件备受推崇的二品御制汝窑波纹口瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件波纹口瓶拥有壮观的青瓷釉,非常丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜可以看到。碎蓝玛瑙只用于所有官方皇家御用瓷器徽宗皇帝发明的瓷器。这件波浪边花瓶在边缘的银带上镀金,镀金磨损处有厚厚的黑色腐蚀。第二件官方皇家花瓶的瓶身呈米白色,在经过射击。此件波浪边花瓶高 9 1/4 英寸,是宋徽宗尚存的北宋御制汝瓷珍藏之一!!! ppjrs
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这件备受推崇的二品御制汝窑葫芦瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件葫芦瓶拥有壮观的青瓷釉,釉质丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜可以看到。碎玛瑙仅用于官方皇家汝瓷,是由徽宗皇帝发明的。这只葫芦瓶在边缘镀金,边缘的银带上镀金,镀金磨损处有厚厚的黑色锈蚀。第二只御制花瓶的瓶身呈米白色,烧制后变成褐色。此件双葫芦瓶高 9 1/4 英寸,是宋徽宗所藏北宋官窑器物之一!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品御制汝窑狮柄瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件狮柄瓶拥有壮观的青瓷釉,非常丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜可以看到。碎蓝玛瑙只用于所有官方皇家御用瓷器徽宗皇帝发明的瓷器。这只狮柄花瓶在边缘镀金,边缘的银带上镀金,镀金磨损处有厚厚的黑色锈蚀。第二只官方委托的皇家花瓶有一个米白色的瓶身,在经过射击。此件狮柄花瓶高 9 1/4 英寸,是宋徽宗所藏北宋官窑瓷器中存世量最大的一件!!! ppjrs
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Joseph.Sharon@chinesemasterpieces.com
这件备受推崇的二品御制汝窑花瓶是中国有史以来最优雅奢华的青瓷器之一。这些器皿专为徽宗皇帝及其宫廷制作。这件花瓶有一个壮观的青瓷釉质,质地丰富,触感光滑,略带裂纹,釉料中加入了碎玛瑙,使用 20 倍放大镜即可看到。碎蓝玛瑙只用于所有官方皇家汝瓷器中,是由徽宗皇帝发明的。这款花瓶边缘镀金,边缘为银带,镀金处已腐蚀,表面有厚厚的黑色锈蚀。第二件官制皇家花瓶的瓶身为米白色,烧制后变成褐色。此花瓶高 8 5/8 英寸,是宋徽宗尚存的北宋御制汝瓷珍藏之一!!! ppjrs
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They're part of the hoard of 300+ unique pieces from the Collection of
Emperor Huizong of N.Song Dynasty. There is nothing in the world that can compare to the importance of this collection, many of these forms have never been seen before, the condition of this collection is exquisite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes, also the crushed agate in the glaze that can be seen with a 20x loupe. Ru ware is all over the internet and the auction houses are still telling people that they're all fakes, this is just more lies. Only Commissioned Official Royal Imperial Ru wares are Rare and they're not all over the internet and no Royal Imperial Ru wares have ever been sold at any auctions. If anyone has any doubt it would be totally impossible for any Kiln in China today to produce over 300+ wares such as these masterpieces! There's only one Kiln in the history of China that could achieve this, that was Royal Ru Kiln of the Northern Song Dynasty and Emperor Huizong. These 2nd commissioned wares the foot rings are unglazed and they were fired flat in the kiln, and this Cong Vase shown below has fire gilded over copper bands that are corroded with cuprite and malachite. It's 100% authentic and easy to prove because of the cuprite and malachite corrosion that took about 900 years to develop on the fire gilded copper bands and everyone can see this easily with your own eyes also the crushed agate in the glaze can be seen with a 20x loupe! You don't have to be an expert to understand this. All 2nd commissioned wares are not marked. The 2nd commissioned wares have an off white biscuit that turns brownish after firing, the wares have a very rich beautiful smooth glaze without any crackle, extremely rare wares have fire gilded over copper bands, This Cong Vase is the finest Vase from the hoard of Chinese Emperor Huizong Of The Northern Song Dynasty 1082 to 1135 Collection.
Below is a row of closeups photos to show you the Cuprite and Malachite corrosion on the RU WARE Copper Fire gilded Bands. (Fire gilding with gold and mercury, the mercury metal being driven off afterward by fire. This type of gilding hasn't been used since the mid 1800 because it is very dangerous)This patina took about 900 years to develop on these bands and this can't be faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.) Also microscopic photos of the RU WARE glaze which you can see the tiny reflective specs of crushed agate that was used in the glaze. The reflective agate specs can also be seen when using a 20x loupe, only Commissioned Imperial Ru Wares have crushed agate in the glaze. The pieces that have been sold by the corrupt Auction companies will not show crush agate in there glaze because they never used agate in Merchant wares. Only Official Commissioned Royal Imperial Ru wares used Rare Blue Crushed Agate in the glaze. The finest Merchant wares have fire gilded copper bands these were given as tribute to the Emperor. Most Merchant wares were sold to the wealthy merchants. The Merchant pieces that were flawed were sold very cheap to the population and Merchant wares that were extremely flawed were destroyed. When Emperor Huizong commissioned the Ru Kiln, he worked with the Ru kiln to setup the site and designed wares for himself and his court and made them his official Royal Kiln. He wanted them to use Rare Blue Agate in the glaze in all his Commissioned wares. The Commissioned wares are generally larger then what the Ru Kiln had been producing, also they have there own distinct styles, forms, and glazes that many have not been seen even until today. They have found the Ru kiln site where they made the Merchant wares before Emperor Huizong commissioned them.
They haven't found Emperor Huizong's Official Royal Ru kiln site yet.
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扇形晶针的形成
大多数晶体只是利用可用的分子开始生长。这会产生离散晶体,其大小取决于可用的材料。但孔雀石不同。它很少形成大小合适的离散晶体。相反,科学家说,正在形成的孔雀石晶体会“分裂”,分叉成细小的针状物,并聚集成扇形。
扇形孔雀石针状物会长成紧密结合的小球,这些小球会聚集在一起并结合在一起,形成一个固体块。当小球停止生长并终止时,顶面会变圆到一定程度。术语“葡萄状”(类似于一串葡萄)和“肾形”(肾形)用于描述大到小的起伏小球块。
作者鲍勃·琼斯 (Bob Jones) 曾获得卡内基矿物学奖,是 Rockhound 名人堂成员,自 Rock & Gem 创刊以来一直为其撰稿。他讲授矿物相关课程,并撰写过多本书籍和视频脚本。
This is a Microscopic photo of one of the Ru Ware Fire Gilded Copper Bands, shows the "Botryoidal Malachite Patina over the reddish Cuprite."This can not be Faked. (From the book Copper and bronze in art by David Scott) (chapter 3 page 106 Malachite in bronze patinas) (The natural transition of metal to cuprite to malachite is very difficult to replicate in the laboratory. In fact, most of the recipes for producing artificial green patinas on copper alloys, such as those compiled by Hughes and Rowe (1982), do not result in malachite formation over a cuprite layer. Consequently, the existence of this type of corrosion, supported by analytical and metallographic studies, is a good indication of the authenticity of an artifact.)
宋徽宗在位时间是 1100 年至 1126 年。宋徽宗将皇位传给了他的儿子。他以推广道教和诗歌、绘画、书法和音乐方面的才华而闻名。金军步步紧逼,最终占领了他的宋帝国,宋徽宗于 1127 年被俘,1135 年在囚禁中去世,从世界上最富有的人变成了一个穷困潦倒的人。他的大量藏品被收集起来,存放在大木箱中,流传了几个世纪。自 90 年代中国开放以来,许多旧藏品进入了市场。我的皇家汝瓷收藏来自宋徽宗的收藏。
徽宗统治期间,他决定委托汝窑为自己和朝廷烧制瓷器,因为汝窑给他的朝廷贡品是所有窑口中最精致的。进献给徽宗的汝窑朝廷贡品是当时汝窑制作的最好的瓷器,它们没有瑕疵,而且为了使它们显得特别,他们使用了几种颜色,并在口沿、有时也在底部添加了火镀金带。(火镀金是用金和水银进行的,随后用火将水银金属除去。自 19 世纪中期以来,这种镀金方式就不再使用,因为它非常危险)在口沿,有时也在底部。所有朝贡器的口沿和底部都有火镀金带,有时只在口沿有。这些带上有大面积的层状赤铜矿和孔雀石腐蚀,这种腐蚀只存在于自然界中,无法伪造。 (摘自 David Scott 所著《艺术中的铜和青铜》一书) (第 3 章第 106 页 青铜器上的孔雀石) 金属到赤铜矿到孔雀石的自然转变很难在 实验室。事实上,大多数在铜合金上产生人造绿色铜锈的配方,例如 Hughes 和 Rowe (1982) 编写的配方,都不会导致在赤铜矿层上形成孔雀石。因此,这种腐蚀的存在,得到了分析和金相研究的支持,是文物真实性的一个很好的迹象。 这也引发了其他一些窑厂在其皇家进贡器物上添加火镀金带的现象。
在汝窑成为真正的皇帝御用官窑之前,他们生产的器物非常小,带有零星的裂纹,在高脚架上烧制,底部留下了马刺痕迹。这些器物的釉料中都没有碎玛瑙,而且这些器物往往有瑕疵。有严重瑕疵的器物被销毁,有严重烧制瑕疵的器物以非常便宜的价格卖给了民众,这些器物就是苏富比和佳士得拍卖的器物,经常在收藏有汝窑器的博物馆里找到。更好的器物卖给了富商,价格相当昂贵。最好的器物被作为贡品献给了徽宗皇帝,他一直从所有窑口收到这些华丽的器物。徽宗皇帝决定委托汝窑,使其成为中国第一个官窑,制作的瓷器将成为中国历史上第一批专供他自己和宫廷使用的官窑瓷器。他希望这些瓷器看起来与历史上的瓷器相似,必须是青瓷色,看起来像是用玉石雕刻而成,颜色与朝鲜的高丽瓷器相似。看到原型后,他不希望瓷器有马刺痕迹,他们开始在窑中平放烧制瓷器,并配以无釉的圈足。徽宗皇帝希望他们在釉料中使用罕见的蓝色碎玛瑙,碎玛瑙只用于徽宗皇帝开发的官窑汝瓷。第一批委托烧制的瓷器呈灰色,烧成后变成棕色,一些瓷器的底部有划痕,其中大多数是风华等痕迹,它们都有裂纹冰裂纹。罕见的蓝色碎玛瑙仅用于徽宗皇帝开发的官方汝窑瓷器。他希望这些瓷器比汝窑贡品更大,非常朴素,造型简单精致,通常使用喇叭形口,所有这些皇家御用瓷器仅供皇帝及其宫廷使用,无论烧制过程中是否出现任何瑕疵。
汝窑现已成为官方御窑,专门为皇帝和宫廷制作御用瓷器。尽管这些瓷器往往有瑕疵且过于简单,但徽宗皇帝却看到了真正的美,因为每件瓷器都有自己的特点,就像他看到的美一样。最终,他的一些御用顾问想要更精美的瓷器,于是徽宗皇帝决定让汝窑为自己和宫廷制作中国有史以来最精美的青瓷。徽宗委托制作的第二批官窑瓷器并不朴素,它们非常优雅、奢华、美丽,釉色非常丰富,是中国有史以来制作的最精美的青瓷。这些瓷器全都是青瓷色,色调各异,还在所有瓷器的釉料中加入了罕见的蓝色碎玛瑙。它们的青瓷釉质非常丰富,并含有罕见的蓝色碎玛瑙,釉面没有裂纹,但银带器皿有几条纹路,造型非常精美,圈足无釉,在窑中平烧,素坯呈灰白色,烧成后变为褐色,他们有时在一些特殊的器皿上在边缘和底部使用火镀金铜带,他们也只在使用最暗的青瓷釉的特殊器皿上在边缘使用银带,这些器皿有几条裂纹。所有第二次委托的官方皇家器皿都没有标记。
在成为官方皇家御窑之前生产的所有汝窑瓷器釉料中都没有玛瑙。所有拍卖行和博物馆都声称,他们记录的所有汝窑瓷器釉料中都使用了碎玛瑙,并说看不到玛瑙是因为它在烧制过程中融化了,这完全是错误的说法。他们记录的所有汝窑瓷器都不是徽宗皇帝委托汝窑为他和他的宫廷生产的官方御窑瓷器,都是有瑕疵的商窑瓷器。玛瑙的熔点为1600C至2600C度,而宋代窑炉温度最多只能达到1250C度,因此,认为粉碎的玛瑙会熔入釉中是谬论。商人从来不会在任何器皿中使用玛瑙,而且将玛瑙粉碎成完整的粉末也非常困难,这就是为什么在所有皇家御制的汝窑中,使用20倍或更高的放大镜都可以清楚地看到釉中的玛瑙痕迹。
我收藏了一批汝窑瓷器,这些瓷器自北宋灭亡后就被藏匿起来,乾隆皇帝没有能力收藏这些瓷器,他收藏的都是一些瑕疵品,这些瑕疵品被卖给了百姓,而汝窑在成为官窑之前是为富商阶层所烧制的。清朝乾隆皇帝收藏的商窑瓷器是当时已知存在的全部。直到 20 世纪的收藏家开始收藏大多有瑕疵的汝窑瓷器。自 20 世纪 90 年代以来,中国向世界开放,许多隐藏的精美瓷器和藏品纷纷涌入市场。我意识到这将澄清一些关于汝窑瓷器和徽宗皇帝统治时期的问题。多年来,大家都不得不依赖乾隆皇帝的收藏品,这些藏品虽然非常精美,但它们并不是徽宗皇帝委托汝窑为自己和朝廷制作的真正的皇家御用汝窑器皿。
古文献对首件御用汝窑瓷器有详尽的解释和记载,称宋徽宗命窑/汝窑烧造的青瓷器质朴、低调、简约,看起来像是来自过去的历史。文献还解释说,首件御用汝窑瓷器在釉料中使用了罕见的蓝色碎玛瑙(用 20 倍放大镜可以看到),碎玛瑙只用于宋徽宗开发的官窑汝窑瓷器。首件御用汝窑瓷器有许多前所未见的独特造型,这一切都展现了汝窑工匠的真正天才。所有首件官窑汝窑瓷器的圈足均无釉。所有首件官窑汝窑瓷器的釉面都有精细的冰裂纹,而且这些器皿内部也施釉。一品御制汝窑瓷器底部常有划痕,且多有风华,花瓶口常为喇叭形,且比商窑和贡品更大。一品御制汝窑瓷器胎体呈灰色,烧成后呈褐色。所有一品御制汝窑瓷器釉面均有细密的冰裂纹,器内也施釉。一品御制汝窑瓷器专为皇帝及其宫廷制作。徽宗皇帝在朴素中看到美,他将这些瓷器视为艺术品,无论它们是否有瑕疵,都留在宫廷中,这些瓷器显然满足了他的愿望。第一个官制的御用汝窑花瓶的特写照片显示,一滴釉汁附着在圈足上,釉中清晰可见稀有的蓝玛瑙碎片,而解释汝窑的古代文字证明,这些是宋徽宗皇帝传奇的御用官窑器物
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The tribute wares are generally small with fire gilded over copper bands, these bands have cuprite and malachite corrosion and this guarantees its great age and is more reliable than a TL test and used by all experts to determine authenticity of an artifact and can't be faked! Tribute wares are glazed all over and they're fired on setters with prongs that hold the piece off the kiln floor. The prongs leave spur marks on the base and these marks are sesame seed size and shape. Tribute wares have a beautiful smooth glaze and they don't have any crushed agate stone in the glaze. Only Official Imperial wares have crushed Blue Agate in the glaze. The Tribute Wares either have an off white or ash colored biscuit and they are finest done merchant wares, and were given fire gilded copper bands and presented to Emperor Huizong as Tribute
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宫廷中的御用顾问要求更精美的器皿,因此徽宗皇帝委托汝窑为他和宫廷烧制精美的二品御用青瓷器,这在古文献中也有所记载,二品御用瓷器非常典雅、奢华、美丽,比商人的瓷器和贡品都要大,而且全部是青瓷色。所有二品御用瓷器的釉料中都有罕见的碎蓝玛瑙。(用 20 倍放大镜可以看到)。碎蓝玛瑙只用于徽宗皇帝开发的官窑汝瓷器。二品御用瓷器有许多前所未见的独特形式,展现了汝窑的真正天才。第二次委托的皇家器皿的圈足未上釉,在窑中平烧,图示花瓶的铜带上镀金,铜带被杯状礼仪和孔雀石腐蚀,这保证了它经久不衰,比 TL 测试更可靠,所有专家都用它来判断文物的真实性,无法伪造!所有第二次委托的皇家御用器皿均未标记。第二次委托的皇家御用器皿有乳白色的饼干,烧成后变成褐色,器皿的釉面非常丰富美丽光滑,没有任何裂纹,一些器的铜带上镀金,没有带的花瓶的釉面也没有裂纹。下图中的所有第二次委托的皇家花瓶都有镀金的银带,釉面上有轻微的裂纹和几条线条,所有这些花瓶仅在边缘周围有镀金的银带,而且它们都有深色的青瓷釉,上面有罕见的蓝色碎玛瑙,可以用20倍放大镜看清。镀金磨损的地方有厚厚的黑色腐蚀。
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下面展示的三件汝窑器物是商窑器物。商窑器物是清朝乾隆皇帝收藏的器物,是中国开放世界之前已知的所有器物,许多隐藏的精美器物和藏品都流入了市场。商窑器物比皇家御窑器物小,通体上釉,包括圈足。烧制时使用带有叉子的镶嵌器将器物抬离窑底。因此,它们有芝麻大小和形状的马刺痕,这些马刺痕只能在商窑器物和进贡器物上看到。商窑器物做工不如进贡器物精细,因为最好的器物被赋予了火烧鎏金铜带,并作为贡品进献给徽宗皇帝。
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